“A Picture is Worth a Thousand Words” -Alfred Charles Barker and his photography

When it comes to researching properties and places around Christchurch, we historians review and compare a wide range of resources in order to figure out exactly what was happening there during the 19th century. By far one of the most valuable resources we have are photographs – as the saying goes: “A picture is worth a thousand words.” When it comes to early photographs of Christchurch, there is one man to whom we are forever indebted: Dr Alfred Charles Barker (1819-1873). So, this week on the blog we thought we would give a wee overview of Dr Barker’s life in Christchurch and some of the amazing photographs that make up his legacy.

Photograph of Alfred Charles Barker with his camera in 1864. Image:Canterbury Museum, 1864.

The Barker family arrived in Canterbury on board the Charlotte Jane in December 1850, and Dr Barker was among the first colonists to come ashore. Barker selected Town Sections 717 and 718 (located on the northeast corner of Worcester Street and Oxford Terrace) as the site for his family home. In preparation for the family’s departure to New Zealand, Barker had purchased a consignment of timber with which to build a dwelling. But upon his arrival in the colony, he found that his timber had been sold. As an alternative, Barker purchased the studding sail from the Charlotte Jane and used it to construct a dwelling for his family on Town Sections 717 and 718. This early dwelling was affectionately known as Studdingsail Hall. Barker did a good deal of sketching during his first years of settlement in Canterbury, and some of his earliest sketches provide views of the exterior and interior of Studdingsail Hall. The outdoor stove being tended by the women on the righthand side of the sketch is also believed to a cooking stove taken from the Charlotte Jane (MacDonald, 1952-1964: B124).

Sketch by Dr Barker in January 1851, showing the Barker family’s first dwelling ‘Studdingsail Hall’. Image: Alfred Barker, 1851.

The Barker family’s residence was in close proximity to Christchurch’s earliest public building, the Land Office, which was located on the opposite side of Oxford Terrace, where the Municipal Chambers building currently stands. As such, the Barker’s home witnessed a number of important public events in the history of the fledgling township. For example, when rural land was first made available for selection by the Canterbury pilgrims in February 1851, large crowds gathered around the Land Office building and the Barker family provided hospitality to those who gathered. The Lyttelton Times records:

Dr Barker’s tent, which stands immediately opposite the land office, and is constructed of an immense studding-sail, formerly belonging to the “Charlotte Jane,” was remarkable for its seasonable hospitality (Lyttelton Times, 22/2/1851: 5).

Dr Barker was Christchurch’s first doctor, making Studdingsail Hall Christchurch’s earliest medical surgery. His practice is known to have been innovative, with Dr Barker being an early adopter of chloroform as an anaesthetic during surgery, as well as designing and building his own steam bath (Turner, 1990). Barker’s tent does not appear to have remained long on the property before he replaced or converted it into a more substantial timber dwelling. A sketch drawn by Barker in December 1852, shows the Barker family’s timber dwelling standing on the corner of Oxford Terrace and Worcester Street.

Detail from a photograph of Alfred Barker’s 1852 sketch of Christchurch, showing the Barker family’s timber dwelling (red arrow). Image: New Zealand Graphic and Ladies Journal, 1897.

Dr Barker’s early sketches of Christchurch show his artistic side, but it was not until 1856-1857 that he discovered what would be his lifelong artistic passion: photography. It is not clear exactly when Barker was first introduced to photography, but he is believed to have been taught the art by his friend Benjamin Mountfort, who was himself advertising as a portraiture photographer from April 1857 (Lyttelton Times, 7/3/1857: 9; MacDonald, 1952-1964: B124). Photography itself appears to have begun to take off in Christchurch in 1857, with the Lyttelton Times proclaiming in May 1857:

Photography has broken out like an epidemic among us. Quite unknown in the place a year ago, we have now a professional artist well known in the northern provinces, and another on the point of coming; two students practising the art, and, we believe, one amateur. Canterbury will now be able to look itself straight in the face (Lyttelton Times, 9/5/1857: 7).

It is possible that Dr Barker was the ‘amateur’ mentioned by the Lyttelton Times, but despite his amateur status, Barker appears to have been infatuated with the artform and began dedicating much of his time to his new hobby. It did not take long for Dr Barker to start losing interest in his medical practice, and by the end of 1858 he had given it up entirely (Turner, 1990). As photography had only just reached Christchurch in 1857, he had to get creative to obtain the equipment he needed. He is said to have built a camera from a tea chest lined with paper and with a lens barrel made from a large empty pill box whose lid was used as a combined lens hood and shutter (Early Canterbury Photography, 2008). When he couldn’t get his hands on the glass he required, he was known to cut panes of glass from his windows to make wet plates, and when he couldn’t get hold of the necessary gold and silver salts used in the photographic process, he use to melt down sovereigns, silverware, and cutlery to make his own (MacDonald, 1952-1964: B124). He even cut his own paper and treated it with egg white (Early Canterbury Photography, 2008). Many of Barker’s early photographs are domestic images – portraiture of his family and friends around his home and garden – and so he constructed a dark room in his home on Worcester Street in which to develop these domestic images (Turner, 1990).

Photograph of the Barker family playing croquet at their home in Worcester Street in the 1860s. Image: Alfred Barker, 1860s.

Photograph looking west along Worcester Street in 1872, showing Dr Alfred Barker’s house. Image: Alfred Barker, 1872.

It was not long before Dr Barker began to adventure out to take photographs around the Christchurch township and further afield. As the wet plate process required the images to be developed almost immediately after taking the photograph, he constructed a four wheeled buggy with a dark room on the back so that he could develop his plates wherever he might be. One story told is that when Barker was processing photographs in his mobile dark room in Sumner, the horse was startled and took off with him trapped inside. When the horse was finally recovered, he emerged looking like a Dalmatian dog covered with blotches of nitrate of silver (MacDonald, 1952-1964: B124).

Photograph of Dr Alfred Charles Barker and his homemade photographic trap in April 1869. Image: Alfred Barker, 1869.

Photograph of Dr Alfred Charles Baker at Cave Rock in Sumner with his photographic trap in 1867. Image: Alfred Baker, 1867.

Dr Barker’s extensive portfolio of photographs taken throughout his life has become a significant source of information for researching early Canterbury. Some of his most valuable images are the early photographs of Christchurch, which show how much the settlement has grown from a small timber township to a thriving city.

Photograph looking northeast towards the Victoria Street bridge in 1860. Image: Alfred Barker, 1860.

Photograph looking south over Cathedral Square on Market Day in 1871. Image: Alfred Barker, 1871.

Photograph looking along High Street in 1872, Image: Alfred Barker, 1872.

Dr Barker died at his Worcester Street residence in March 1873 (Lyttelton Times, 21/3/1873: 3). Shortly after his death, the Barker family moved away from the property, and the family’s household furniture and goods were sold off (Lyttleton Times, 16/4/1873: 4). Dr George Lilly Mellish temporarily took up occupation in Barker’s former premises, but in July 1878 the trustees of Barker’s estate decided to remove the house from the property (Press, 2/7/1878: 4). Dr Barker’s house was purchased for removal by Mr. Furhmann in July 1878, and was finally removed from the section in February 1879 (Lyttelton Times, 20/2/1879: 4; Press, 19/7/1878: 2). A photograph taken from the spire of the Cathedral in early 1881, shows Dr Barker’s former property after the removal of his house and garden.

Photograph looking west from the Cathedral’s spire in 1881 showing no buildings present on Dr Barker’s former property. Image: Wheeler and Son, 1881.

While Dr Barker’s photographs are an amazing resource for researchers today, they are not the only material left behind by photographers for us to view. The photographic process requires all manner of equipment, chemicals, and other sundries in order to produce an image, and these items also come to form part of the material culture of early Christchurch. Unfortunately to date, we have not encountered any of Dr Barker’s photographic equipment, but our archaeologists have encountered other examples of photograph material from time to time.

When excavating a site occupied by Mr Samuel Charles Louis Lawrence, photographer, in Oxford Terrace in 2013, out team encountered the usual material culture relating to Lawrence’s occupation of the property in the 1860s and 1870s: tea and table wares, food containers, alcohol bottles, personal hygiene items, pharmaceutical bottles, smoking pipes and shoes. But among these typical items, our team also found evidence of Lawrence’s photographic pursuits – a bottle made by R. W. Thomas who made all manner of chemicals and other sundries used in the practice of photography  – Check out the full blog on Lawrence’s site here.

R. W. Thomas bottle from the site on Oxford Terrace. R. W. Thomas operated as a photographic merchant from 1851 until 1894, becoming R. W. Thomas & Co. and then R. W. Thomas & Co. Ltd in the 1880s. Thomas sold all manner of photographic equipment, from dry plates, dark tents and cameras to the chemicals and products necessary for the development of the photographs. Image: J. Garland.

When excavating a well in Invercargill’s CBD a few years ago, our New Zealand Heritage Properties partners encountered a wide range of photographic equipment relating to a photographic studio which occupied the site during the early 20th century. The material includes parts of a wooden camera, bottles which held ink, glue, lubricating oil (possibly for the camera parts), and mascara (theorised to have been used for editing photographs as Victorian and Edwardian formulas generally consisted of coal and petroleum jelly, providing a thicker consistency than many inks), and glass plates (Check out the excavation here).

Timber camera components. (A) front and back of handmade camera component. (B) shutter mechanism closed (left) and open (right). (C) part of shutter mechanism. (D) front standard. (F) bone page turner/spatula. Image: N. Woods.

Selection of photography related glass vessels and blank plates in two sizes and materials (glass and porcelain). Bottles clockwise from top left: oval cross section bottle, ink, square cross section bottle, perfume/mascara bottle, cobalt blue chemical bottle top and small phial. Image: N. Woods.

Photography came early to Christchurch, with a number of studios being established from 1857. But one of the earliest and most dedicated amateur photographers was Dr Alfred Charles Barker, who took numerous shots around Canterbury between 1857 and 1873. His legacy of photographs is one of the most valuable resources we have to view early Christchurch, and we researchers are forever indebted to him. Thousands of his photographs are available to view on the Canterbury Museum website and we encourage you to check them out! But it is not just the photographs themselves which our early photographers have left behind, but also a unique material culture of photographic equipment that we are looking forward to uncovering more of in the future.

Lydia Mearns

Where did that wood come from?

Archaeology is a broad discipline, with a multitude of subsects and specialisations. One of these is buildings archaeology, where we use archaeological methods to record and analyse buildings and see what that can tell us about the people that constructed them. We’ve written various blogs before about some of the different houses that we’ve recorded, and while this blog is also within the realm of buildings archaeology, it’s also quite different to those other blogs. Part of our work as archaeologists is to place things within the historical context of the period that they date to. If we were excavating a Roman villa and we found glass windowpanes, then we’d be interpreting that villa as probably belonging to a pretty wealthy individual. However, when we find window glass in Christchurch, that doesn’t really tell us anything about the status of the person that built that house, as window glass was readily available and used in the majority of buildings. We’re really lucky as historical archaeologists that there are large historical datasets that we can use to help us with determining the context of the period that our sites date to. However, there’s hours and hours of research that goes into building a database from raw historical data, and even more hours spent looking at patterns and trends to help us establish that historical context.

Returning to buildings archaeology, one of the key elements that we look at when we record a building is what it was made from. Here in Christchurch, that’s almost always timber. From our recording, we know what types of timbers were typically used here in Christchurch for houses, but that’s only half the story. By doing detailed historical research on the timber industry, we can find out if there were patterns in what species were available for purchase and then use that historical information to provide more context to what we find in the archaeological record. It all sounds so simple, but let me tell you it’s not. I’ve spent countless hours doing research into the Christchurch timber industry, and I’ve only gotten through the first 20 years. That period is going to be the focus of this blog.

That sure is some nice timber, I wonder where it came from?

Prior to 1850, the year that the city of Christchurch was founded, the Canterbury Plains were largely devoid of forests. Although opinion is divided on the exact extent of forested area in Canterbury at the time of Pākehā settlement, Roche (1990) estimates that the combined forest area in the Canterbury settlement added up to only 240,000 acres, or 12 % of the total land area (Roche 1990: 75). Near Christchurch there was a small forest of 54 acres where Christchurch’s most notable pioneers, the Deans brothers, established their Riccarton farm in 1843 (Orwin 2015: 25-26). The largest areas of forest were located some distance away. These included the native podocarp forest of Banks Peninsula, comprised mainly of matai (then known as black pine), kahikatea (white pine) and totara (for some reason just known as totara); and the mixed podocarp and beech forest at Harewood Forest, with kahikatea, rimu (red pine), matai and totara, with silver and black beech (they called it birch back then and were big time into their colour naming system; Roche 1990a).

Map of bush cover in Canterbury collated and reconstructed from 1850s and 1860s surveyor’s notebooks and maps by W. B. Johnson and redrawn for Pawson and Holland (2005: 171).

An 1851 sketch of the upper reaches of the Waimakariri River showing Harewood Forest, one of the largest areas of bush close to the city of Christchurch. Image: Fox, W. and Allom, T., 1850-1851.

Suitable building timber was not readily available in Christchurch and so Canterbury’s pioneer settlers built their houses from materials that they either brought with them from elsewhere, such as canvas, calico and sheets of iron to form tents and rudimentary temporary dwellings, or resources that might have been available on or near their chosen sections. These included volcanic stone, rammed earth, sod or mud brick for the walls and thatched or slab roofs made from raupo, toetoe, tussock, or bark (Bowman 1941, Isaacs 2015, Salmond 1986). In areas where timber was more plentiful wooden slabs or logs were used to build basic wooden structures, but even then, some timber had to be imported because of the difficulty in getting the logs milled once they were cut down.

Although it was located right beside one of the largest stands of forest near Christchurch, Deans Bush, the first house on the Canterbury Plains built by the eponymous Deans brothers was constructed from framing timber that they brought with them from Wellington (Bowman 1941).

Photograph of the first house built by the Deans brothers near Riccarton Bush in 1843. The house was built with timber brought from Wellington but was dismantled in the late 1890s. Image: Canterbury Times, 1900.

With the founding of Christchurch city and the rapid expansion of its Pākehā population, an increasing number of settlers had to obtain the materials they needed to construct their permanent residences, fuel their fires, and fence their farms. Although Canterbury was comparatively bereft of a sustainable supply of timber, wood was still the dominant building material for houses in Canterbury in the nineteenth century (Government Statistician, Registrar-General’s Office 1874). This all led to the establishment of a burgeoning timber importation trade (Roche 1990).

Banks Peninsula was the largest and most easily accessible source of timber close to Christchurch, meaning this region was one of the major suppliers of building timber and firewood to the colony. If you want to read more about sawmilling on the peninsula and what happened after the timber arrived in Christchurch, I highly recommend that you read Lydia’s excellent post on the topic from earlier in the year. The timber supply from Banks Peninsula was, however, short lived and the capacity to saw and ship it was limited, so in this post we’re going to explore exactly where Christchurch got all its wood from.

By combining the magic of PapersPast and the dark arts of Excel, I tracked the ups and downs of the Canterbury’s timber economy over the first few decades of Pākehā settlement in Christchurch to figure out where the town was getting its timber from and how this changed over time.

January 11, 1851, was the first issue of the Lyttelton Times to be published and the first issue to include a list of vessels that had arrived in Lyttelton Port since the previous December, including the first four ships carrying the pioneer settlers and all of their possessions to Lyttelton (Lyttelton Times 11/1/1851: 5). Included was a schedule of the cargo each vessel carried, with the schooner, Phoebe, the first reported timber carrying vessel arriving from Wellington carrying a load of timber. For the first few years of settlement Wellington was to be the predominant supplier of Canterbury’s timber.

Not the Phoebe. Also not Lyttelton, but this is probably what it looked like when the first load of timber arrived in Lyttelton. Image: Frederick Nelson Jones.

Although several gangs of pit sawyers had established themselves in many of the bays of Banks Peninsula by this time, their contributions to the overall timber supply in the first years of settlement were negligible in comparison to other regions. Timber imports soon picked up though, as did the quantity of timber arriving in the city from Banks Peninsula. By the mid to late 1850s, imports from Tasmania were contributing a significant quantity of timber to the market, and from the early 1860s vessels from North America and the Baltic region were bringing large cargoes of Northern Hemisphere timber, such as Baltic pine, Douglas fir and cedar.

Within the first ten years of the arrival of the settlers, timber imports had increased considerably. This coincided with an increase in the population of Canterbury, as well as the number of wooden dwellings that were being built. This was a pattern observed across the study period, although population tended to increase in a more or less linear fashion, while timber imports fluctuated more but trended upwards almost exponentially overall.

A steep decline in the quantity of timber being imported to Christchurch and Lyttelton occurred in the late 1860s. There were several factors that probably contributed this. The population had continued to grow, and wooden dwellings were also being constructed at an increasing rate, so it was not likely a lack in demand for house building materials. The market commentary in the newspapers around this time suggests that the timber supplies were overstocked, likely due to huge shipments arriving from overseas and the from the Nelson and Marlborough region. On several occasions in 1866 newspaper correspondents reported that the timber market was depressed, Sales were low and likewise timber prices had tanked (Lyttelton Times 7/7/1866: 2, 2/11/1867: 2). This glut in the market likely caused timber merchants to refrain from importing new stocks until the oversupply had diminished and prices had increased. Due to the time lag between orders and shipment this reduction in imports was not fully realised until 1867-1868.

Customhouse Street wharf area, Wellington, circa 1868, with the harbour and Queens wharf in the background. The sailmaking premises of John S Burn, a boat under construction, and a timber yard, are visible.  Couchman, (Mrs), active 1967. Customhouse Street wharf area, Wellington. Ref: 1/2-029401-F. Alexander Turnbull Library, Wellington, New Zealand. /records/22751906

A notable shift in the regions supplying timber occurred after 1864. Shipments from the Wellington and Auckland/Northland regions declined towards the late 1860s, but were replaced with considerable supplies from the upper South Island. Imports from the West Coast were non-existent until around 1867, which coincided with the end of the gold rush in this region. The milling industry in Westland was initially established in order to supply the requirements of gold miners, but, after the rush was over, had expanded significantly. By the 1870s the West Coast milling industry was supplying sawn timber to other regions, including Canterbury, as well as a thriving trans-Tasman export trade (Roche 1990a: 179).

While mainland Australia was a consistent, albeit minor, contributor to timber imports over the study period, Tasmania remained an important supplier to the Canterbury timber economy, from the first cargoes that arrived with the pioneer settlers in 1850, up until at least the early 1870s. It is likely that most, if not all of the timber that was imported from Tasmania at this time was harvested by convict labour. From 1804 convicted felons were transported to Van Diemen’s Land, as it was then known, and forced undertake hard labour while also forming a founding population for the new British colonies. Convict labour was employed in the harvesting of timber, a task that served both as punishment and progressed the economic ambitions of the colony by generating an exportable commodity, which found a ready market in Christchurch (Tuffin and Gibbs 2020; Tuffin et al 2020).

The original human centipede? Convicts hauling a log at Port Arthur c.1836. Image: State Library of Victoria: ML 185. 

The predominant target species were varieties of Eucalyptus, mainly stringy bark and blue gum. Stringy bark was favoured for construction and blue gum was used as a general-purpose timber and for ship building (King 2019; Tuffin et al 2020). The Tasman Peninsula remained a timber production centre until the closure of the Port Arthur penal settlement and prison in 1877. Although Tasmanian timber was available on the Christchurch market, imports from there declined towards the 1870s, possibly as a result of the decline in the use of convict labour.

The number of inward arrivals and quantity of timber being imported dramatically increased again towards the mid-1870s when large quantities of timber began arriving from Auckland. Commonly known as ‘The Vogel Era’, the 1870s was a boom time for the New Zealand economy, stimulated by the flow of money from the gold rushes of the previous decade and the success of the wool export market, and accelerated by a public borrowing programme instituted by Julius Vogel (McLintock 1966). Vogel instigated heavy public investment in infrastructure, such as a roads and railways, which saw a corresponding expansion in timber milling, including the revival of milling at Harewood Forest (Roche 1990a). This increase in arrivals to Christchurch is, therefore, predictable, as millers geared up to supply timber for railways and ports.

Over the course of the entire study period Banks Peninsula supplied the greatest quantity and the highest proportion of timber in total, though this supply began to decline towards the end of the study period. Roche (1990a: 79) notes that the number of sawmills in operation on Banks Peninsula had dropped from at least ten in the late 1850s to just four by 1876; although those that remained were by all accounts “doing a brisk trade”. Milling on the Peninsula had all but ceased by the 1880s, and although the study period doesn’t cover these later years, the data for 1875 seems to reflect the decline of the milling industry on Banks Peninsula with a diminishing contribution to the Christchurch timber market.

Unfortunately, I wasn’t able to continue the shipping research beyond the latter 1870s. Scrolling through PapersPast collecting this data takes an extraordinary amount of time, but I really want to know what happened to the Canterbury timber economy in final decades of the nineteenth century, through the decline in milling on Banks Peninsula (and the regions that replaced this supply), the 1880s depressions era and the subsequent economic recovery. I probably wouldn’t get your hopes up, but one day I might write a sequel to this story.

Kirsa Webb

References

Bowman, A., 1941. The study of the historical development of domestic architecture in Canterbury, New Zealand. Thesis submitted for membership of the Royal Institute of British Architects.

Government Statistician, Registrar-General’s Office, 1874. Results of a Census of the Colony of New Zealand taken for the night of the 1st March 1874. Wellington, NZ: Government Printer.

Isaacs, N.P., 2015. Making the New Zealand House 1792-1982. Thesis submitted for the degree of Doctor of Philosophy. Victoria University of Wellington, Wellington, New Zealand.

King, S., 2019. The Architecture of Van Diemen’s Land Timber. Fabrications, 29(3): 338-358.

Lyttelton Times 1851-1920. Newspaper [online]. Retrieved from https://paperspast.natlib.govt.nz/newspapers/lyttelton-times. Accessed: April 2022.

McLintock, A. H. (ed.), 1966. “The Vogel Era: economic history”. An Encyclopaedia of New Zealand [online].Retrieved from: http://www.teara.govt.nz/en/1966/history-economic/page-3. Accessed: July 2022.

Orwin, 2015. Riccarton and the Deans Family – History and Heritage. Auckland: David Bateman Ltd.

Pawson, E. & Holland, P., 2005. Lowland Canterbury landscapes in the making. New Zealand Geographer, 61:167-175.

Roche, M., 1990. History of New Zealand Forestry. Wellington: New Zealand Forestry Corporation.

Salmond, J., 1986. Old New Zealand Houses 1800 – 1940. Auckland: Heinemann Reed.

Tuffin, R. and Gibbs, M., 2020. The Archaeology of the Convict Probation System: The Labor Landscapes of Port Arthur and the Cascades Probation Station, 1839–55. International Journal of Historical Archaeology, 24: 589–617.

Tuffin, R., Gibbs, M., Clark, D., Clark, M. and Rigozzi, P., 2020. ‘…One of the Most Severe Duties …’: Landscapes of Timber-getting at a Former Tasmanian Convict Station. Industrial Archaeology Review 42(2): 126-140.