This week, a few of the fabulous things we’ve been finding recently.
A French clay pipe, moulded to show a Native American figure crouching at the front of the bowl, with tobacco leaves decorating the bowl to either side of him. We don’t yet know who the figure is, but the pipe is likely to have been made by one of the larger French houses, such as Fiolet or Gambier. Image: J. Garland.
Edward’s “Harlene” hair tonic. This was made by Reuben Goldstein Edwards in London from c. the 1880s onwards (or so he claimed in 1903, when he registered Harlene as a trademark). It was advertised in New Zealand newspapers in the late 19th century as “the best hairdressing for strenghthening, beautifying and preserving the hair”. Image: M. Lillo Bernabeu.
What we think is an imitation Mason’s Imari jug, in the style of those made by G. M. and C. J. Mason in their Fenton factory in the 1820s. The design is heavily influenced by Japanese motifs and the handle is in the shape of a dragon, with the feet forming the base and the face roaring at you over the rim. Unlike the known Mason’s jugs, this particular example has only an impressed mark reading “IRONSTONE CHINA” on the base, rather than “MASON IRONSTONE CHINA”. Image: J. Garland.
The stem from another clay smoking pipe, decorated with a sleeping (maybe) lion. Image: J. Garland.
Charles Hockin was a London chemist who also made photographic products and inks later in his career. It’s unclear exactly when his business was established, but he seems to have been operating from at least the 1840s onwards. He made a range of products, but seems to have been known for his Seidlitz Powder, a “gentle medicine” that appears to have also been a kind of salt, marketed as a remedy for stomach ailments. Image: J. Garland.
The bowl and socket of a two piece pipe, moulded to look like eagle talons holding an egg. Image: M. Lillo Bernabeu.
A trade token. Not as unusual as they once were in Christchurch archaeology (we’ve got a few now), but this particular one is from Melbourne, which is a bit unusual. This one reads HIDE & DECARLE / ELIZABETH STREET / MELBOURNE / GROCERS AND WINE MERCHANTS and dates to 1858. Image: J. Garland.
This is a bit fancy. Also a bit gaudy. Known as a lustre vase, they seem to have been a popular Victorian object (for the more wealthy in society), designed for the table or the mantle in the home. While our one doesn’t quite have all it’s pieces, it does a fragment of drilled glass with a copper chain still attached – this would have held the long dangling chain of glass prisms. This is a pretty fantastic find for us – we don’t usually find fancy goods in rubbish pits (you don’t normally throw those out if you can help it), so, despite it’s gaudiness, we think it’s kind of awesome. Image: J. Garland, and Ebay.
A pipe bowl decorated with a goat. Because, why not. Image: J. Garland.
Look at her, in her cute little nightcap. She is judging you. She is definitely judging you. Image: M. Lillo Bernabeu.
A very dramatic Ruins patterned plate with a Copeland/Late Spode mark. Image: M. Lillo Bernabeu.
This is possibly my favourite artefact from the last few months. It’s an appointment card for a W. C. T. U. meeting in New Brighton, found in the ceiling of a house occupied by the regional and national president of the organisation in the early 20th century. For those of you who don’t know, the W. C. T. U. refers to the Women’s Christian Temperance Union, an organisation that played a significant role in the women’s suffrage/political movement of the late 19th and early 20th centuries. Among the members, and leaders, of the Christchurch branch was the one and only Kate Sheppard. Image: M. Lillo Bernabeu.