Walk this way

Lyttelton is a fun and exciting place to do archaeology. I’ve been lucky enough to get to do a bit of archaeology in Lyttelton in the last few months, mainly out in the road, because of the digging that’s been going on for the installation of new sewer pipelines. Once completed, these pipelines will make Te Whakaraupō / Lyttelton Harbour a much happier and healthier place: for the people, for the fishes, and for the mermaids. Although road formation archaeology (concerned with exploring how historic roads and their footpaths were formed and have changed over time) is not necessarily the most glamourous subject of archaeological enquiry, I’ve become rather fascinated by it lately, and so I thought that I’d share.

Built on the steep sides of an extinct volcano, Lyttelton’s topography presented all sorts of challenges for 19th century roadbuilders. It’s much easier building a road on the flat – Christchurch was lucky in this respect, (even if their roads had to be formed across swamp). Lyttelton had it tough – building roads on a sloping terrain is so much trickier. Civic authorities had to first work out the best levels and gradients for the roads to be formed at, so they could then work out which parts needed to be cut down, and which parts built up. Many of these cuttings needed to be supported by retaining walls so they wouldn’t collapse.  Drainage was especially important, so the roads and retaining walls wouldn’t wash away in bad weather. The steep gullies that ran through the town were perhaps however the biggest of challenges that faced 19th century road builders. These gullies carried stormwater off the hills into the harbour – and in many places were impassably wide and deep. Stone culverts and brick sewers were laid along the length of them before they were all filled in by the late 1880s; often with clay and rock derived from road formation works that were happening elsewhere. And then of course there are those flat parts of Lyttelton that were reclaimed from the harbour – where precious flat land for roads and port infrastructure was created not by building up or cutting down the existing terrain, but by building outwards from the edge of it, into the water.

The 1880s red scoria retaining wall on Brittan Terrace, Lyttelton, exposed in section. This was one of my favourite 19th century retaining walls that I had the pleasure of recording with SCIRT, during the course of it being repaired and rebuilt. Image: Hamish Williams.

A small section of the brick barrel drain on Hawkhurst Road, Lyttelton. This drain was built in sections throughout the 1870s and early 1880s down the side of Salt’s Gully, before the gully was filled in and Hawkhurst Road built on top of it. Image: Hamish Williams.

Road formation stratigraphy exposed underneath Norwich Quay, Lyttelton. I could determine that there was at least five different road surfacing events, because there were five different layers of rocks laid down one over top of another. Image: Hamish Williams.

Road formation stratigraphy – the differential layers of gravel, stones, and rocks laid down in times past to surface the roads before they were sealed – is at the best of times pretty hard to interpret. Unless diagnostic artefacts are found in association with particular layers, when exactly these layers were laid down is notoriously hard to pin down, even when you have historic records to help you make sense of it. Every now and then however, strange and unusual things, (or things that are strangely familiar) surface that are a little easier to make sense of and date – like the Norwich Quay crossing.

The Norwich Quay crossing

By 1860 the two main thoroughfares in the port town, Norwich Quay and London Street, were formed, in places with rudimentary footpaths on either side, but most other roads were little more than rough tracks cut through the tussock-covered hills (Rice 2004: 26). £30,000 had already been spent by the Provincial Council in forming the Sumner Road by this time – the critical overland goods route between the Lyttelton and Christchurch – but locals were irate that they couldn’t just walk a little distance down the road to the shops without having to inconveniently wade through mud. “Norwich Quay is a filthy slough, Oxford Street worse than any newly ploughed field, and London Street an alternation of watery mud and muddy water reported one local (Lyttelton Times 23/6/1860: 4).  In 1874 the footpath along Norwich Quay was reported as being “in a totally disgraceful state, and totally unfit for ladies”, who shouldn’t have had to make their way through ankle deep mud to get to the railway station (Lyttelton Times 5/8/1874: 2, Globe 6/8/1874: 2).

High leather boots up to the neck indispensable. Must have been pretty bad. Image: Star 29/6/1868: 4.

Trenching along Norwich Quay, approaching the Oxford Street intersection, looking east. Image: Hamish Williams.

In early June, I found some evidence of how different sections of the Norwich Quay roadway had been built up over time. Some of the most interesting road formation archaeology was uncovered at the intersection of Norwich Quay and Oxford Street, when the sewer pipeline trenching was passing through. Historically this has always been one of Lyttelton’s busiest intersections (and it still is today). Here was the location of the Post Office (built 1875), and on the opposite corner the offices of the Lyttelton Harbour Board (built 1880). You had to pass through this intersection to get to the wharves and jetties, and the railway station and gasworks was only just down the road a bit. Here evidence of historic road formation layers were well preserved beneath the modern asphalt road surface. Crossing at right angles to the trench and in perfect alignment with the footpath on the eastern side of Oxford Street, was exposed the remains of what turned out to be an old pedestrian crossing. Today pedestrians are spoilt for choice with three pedestrian crossings at the intersection to choose from, back in the 19th century they had just one.

Lyttelton. Burton Brothers Studio, Dunedin, NZ. Image credit: Te Papa (C.011652). Looking south along Oxford Street, this post-1880s photograph of the Norwich Quay intersection shows the Lyttelton Harbour Board offices at left, and at right, the Lyttelton Post Office. The pedestrian crossing can be seen at left.

The stone pedestrian crossing as first exposed by the hydro excavation team. Image: Hamish Williams.

The hydro excavation team found it first, at days end and at shallow depth when searching with water blasting wands and suction hoses for all the important pipes and cables that were not to be damaged by the digger. Only a small patch of the crossing’s stone cobbles (or setts – to be more accurate) was exposed – so I went to work to expose the rest of it. These were covered in a very hard, compacted gravel that was covered with a very sticky, stinky coal tar – not very easy stuff to dig through. Trading in my trowel for a 4-pound mallet and cold chisel, I managed to get only perhaps about half of it exposed before it got too dark to see what I was doing. Those short winter days, roll on Summer.

Half of the stone pedestrian crossing that I excavated by mallet and cold chisel in the failing light of a cold Winter’s day, looking north. Image: Hamish Williams.

The next day, as the digger punched through the stone crossing, I was able to confirm that it was approximately 1.75 m wide, (the same width as the footpath) and had been made from dark grey basalt rocks of various sizes firmly bedded into the underlying natural loess clay. The top of the stone crossing was not flat – instead it had a bit of a curvature or camber to it, which would have helped it to shed water when it rained. The rocks that made up the centre-line of the crossing were taller and were bedded deeper into the clay than the rest. This certainly would have made the whole crossing a lot more durable. Historic records suggest that this stone crossing may have been buried around 1914, after the Lyttelton Borough Council decided to spend big money modernising its streets by tar sealing them (Lyttelton Times 14/10/1913: 8).

The stone crossing in section, looking north up Oxford Street. I’m a big fan of the fat sticks of footpath chalk, like the pink stuff you can see here, handy bit of toolbox kit for marking out the edges of archaeological things. Image: Hamish Williams.

When was this Norwich Quay pedestrian crossing constructed? It is hard to say for certain, though it appears in a couple of post 1880 photographs– so our best guess is that it was built around about this time. According to an August 1880 newspaper report, the Council works committee had finally decided to upgrade all the footpaths around the intersection at this time, a works programme that may have included the construction of the crossing (Lyttelton Times 4/8/1880: 6).

The Oxford Street Norwich Quay intersection today, looking southeast. Image: Hamish Williams.

The Norwich Quay crossing was a fun feature to investigate and record, it reminded me once again that history is all around us. The past isn’t buried deep, it’s there just below the surface. The streets we walk today are the same streets walked by the people of the past – all the streets a stage and all of us merely players.

Hamish Williams

Lyttelton, 1880s. Burton Brothers Studio, Dunedin, NZ. It’s hard to determine from historic photos to what extent people silly-walked the mean streets of Lyttelton in the 19th century, but by the looks of this picture, it appears that people weren’t afraid of just standing around like they were waiting for something to happen. Image: Te Papa (0.031057) [original], Hamish Williams and Zoë Meager [mash up].

References

Globe [online]. Available at: www.paperspast.natlib.govt.nz

Lyttelton Times [online]. Available at: www.paperspast.natlib.govt.nz

Rice, G. 2004. Lyttelton Port and Town: An Illustrated History. Christchurch N.Z: Canterbury University Press.

Star [online]. Available at: www.paperspast.natlib.govt.nz

 

 

Toys through the years

“It must have been a happy household,” was the remark made by one of our team members when she saw the artefact assemblage we are discussing on today’s blog post. Whilst children’s artefacts are relatively common finds on New Zealand archaeological sites, we rarely get an assemblage as large and varied as this one. These finds came from a vicarage constructed between 1867 and 1868. At first glance we might not directly associate a vicarage with children, thinking instead of the religious responsibilities of clergymen and the church. However, the vicarage was home to the reverend who lived there with his family, meaning a lot of the artefacts we found related to them and their daily life.

From the 1860s through into the 1990s, various reverends and their families occupied the vicarage. Many of the families were large with lots of children. Over the years the various children who lived in the vicarage lost toys through cracks and gaps in the walls and floors, lying forgotten until the friendly archaeologist came along to find them. We’ve done a few posts on the blog before about children, however this post is a bit different as it showcases mainly twentieth century toys. Generally, we don’t collect twentieth century material as it falls outside the legal definition of archaeology, however we do when excavating under floor deposits. This is because the assemblages we find under the floor typically build up over time, and contain nineteenth century material sitting alongside twentieth century.

Enjoy looking at images of the various toys played with by the vicarage children over the years.

This rough, hand carved doll was likely made by the first reverend to live in the vicarage for his daughter. We can date the doll to the 1870s based on the context it was found in. This is the only children’s artefact featured on this post which definitively dates to the nineteenth century and it is interesting comparing it to the other toys, particularly when considering the impact of mass-production on styles and tastes. By modern standards the doll is barely a doll, with no arms or proper legs, yet it is likely the girl who owned it thought it was beautiful and treasured it dearly. Image: C. Watson.

Games, games, and more games. This compendium of fun contains three games, meaning there’s something for everyone. Made by Tower Press London, the compendium likely dates to the mid-twentieth century . My favourite part about the set is that it includes play money, even though none of the games require money. I’m just picturing kids playing the steeplechase game and taking bets on whose ‘horse’ was going to reach the finish line first. Image: C. Watson.

This paper figurine was found tucked away in the corner of the room behind the wall. Lots of the finds discussed on this blog post were found in similar places. Images: B. Thompson, C. Watson.

This piece of cardboard in a delightful shade of pink reads “wrong for once Mr Sharp Eyes, I’m same size as my brother.” It was half of an optical illusion produced by the Stereoscopic Company, advertised as a ‘novelty and trick for winter evenings.’ The other half of the illusion, which we did not find, was a similarly shaped piece of cardboard (this time in blue) reading “Come! Guess now the larger. This one, or the other?” No doubt the illusion must have been arranged in such a way that the answer wasn’t staring the observer straight in the face. Image: C. Watson.

This paper plane was a very cool find, made even cooler by the fact that we can date it based on the piece of paper its made from. The plane is constructed from an unused Airfix Products Ltd product complaint form. Airfix Products Ltd formed in 1939, meaning the paper plane must postdate this year. Image: C. Watson.

This “Indestructible” comb appears to have been reasonably accurate, with only a few teeth missing. Indestructible was a favourite descriptor for various household items, with Indestructible Shoes, Indestructible Hats, and even the Indestructible Davis, a brand of sewing machine advertised in nineteenth and early twentieth century newspapers. Image: C. Watson.

A selection of lolly wrappers found around the vicarage. The top right wrapper is for sweet cigarettes. These were a white sugar stick, similar to a modern spaceman lolly, with a red end imitating a cigarette. No doubt the child who ate it pretended they were smoking a real cigarette, something which would be very non-PC today. The bottom right wrapper is for Cadbury’s Maple Nuggets. Cadburys has a long history in New Zealand, with the brand introduced by Richard Hudson in 1868 . A quick google search revealed no results for a Cadburys Maple Nuggets product making the wrapper something of an enigma. However, lollies called maple nuggets were advertised in newspapers from 1916 through into the 1930s, suggesting the lolly was sold based on its name as opposed to the brand it was from. Image: C. Watson.

A selection of other toys found at the vicarage. Clockwise from top left: tin enamel shaped instruments, decorated with a slightly terrifying tiger and monkey. Glass marbles – these were all found under a fireplace. We think there must have been a crack in or close to the fireplace which the children would lose their marbles down when they played on the floor in front of it. Play money, possibly from the board games discussed above, and two puzzle pieces, one with a lion and the other a girl. Image: C. Watson.

Of course, it couldn’t be a post about old toys without a slightly terrifying one. This miniature plastic horse is scratching its nose with its hind leg. This is something which real life horses do, and apparently is quite hilarious to watch. Unfortunately, the manufacturers of this toy horse haven’t quite nailed the hilarity of the position and have instead ended up with something which looks more like a demon possessed horse. I think it was colouring the eyes red where they went wrong. Image. C. Watson.

If you thought the horse was terrifying then this doll’s eye is equally creepy. As a general rule of thumb Victorian era dolls are scary (check out more here) however the realism of this one, especially with its fake eye lashes, makes it particularly creepy. Image: C. Watson.

Clara Watson