Kura Tāwhiti

Today we’re going back to Christchurch’s hinterland, this time to Kura Tāwhiti/Castle Hill, a place that’s still an important and valued part of the city’s surrounds. But in the interests of full disclosure, I feel like I should let you know that, well, I don’t love it in the way that a lot of people do. I can see that it’s beautiful and those rocks are amazing and the archaeology and history’s pretty cool, too (read on for more of that), but it doesn’t move me in the way that it moves other people. I think it’s the lack of water – I need a lake or, better still, a river, to go with my mountains and tussocks. Now that I’ve got that off my chest…

Kura Tāwhiti. Image: K. Watson.

Kura Tāwhiti. Image: K. Watson.

The occupants of Otautahi/Christchurch have been visiting Kura Tāwhiti/Castle Hill for centuries. In fact, like Aoraki/Mt Cook, Kura Tāwhiti has Tōpuni status under the Ngāi Tahu Claims Settlement Act 1998. Kura Tāwhiti translates as “the treasure from a distant land”, which is a reference to the kumara. For tangata whenua, Kura Tāwhiti was an important mahinga kai, particularly for those living at Kaiapoi. It was a source of kākāpō, kiore (Polynesian rat), kiwi, tuna (eel) and weka. And it was closely associated with the Ngāi Tahu trails through the Southern Alps, because of the kai and the shelter it could provide. Ngāi Tahu left evidence of their presence here in the form of rock art.

Pākehā followed Māori in 1858, when the Porter brothers took up what would become Castle Hill station. The Porter brothers may have lived in a stone hut near the quarry on the road into what is now Porters ski field, and I believe that the remains of this hut can still be seen today. Six years later, some more brothers took over the station – the Enys brothers, who were in this farming business for the long haul (Acland 1975). Shortly after the Enys brothers came the gold miners, seeking a route to the West Coast (some hardy souls travelled over the Coleridge pass trail, at the head of the Porters ski area, following an old Māori trail), but then along came Arthur Dobson and now we have Arthurs Pass. (Side note: one other archaeological site near Porters that you should be aware of is the old coaching stop. There’s very little to see today, just some old fence posts and fencing wire, but it’s nice to know it’s there.)

The remains of the hut near the Porters ski area. Image: K. Watson.

The remains of the hut near the Porters ski area. Image: K. Watson.

So, yes, the Enys brothers. There were two of them, John and Charles, and it was John who had most to do with the station and was a regular Renaissance man, being heavily involved in scientific pursuits. And the science he was particularly interested in was that of butterflies (the name of which I will leave as a challenge for you, dear reader), but was also intrigued by plants and geology. Which was fortuitous for him. He is known to have collected fossils from Kura Tāwhiti (now held at Canterbury Museum and Te Papa Tongarewa). And it is perhaps John Enys who is responsible for having brought Kura Tāwhiti to the attention of the wider scientific world – Julius von Haast (director of the Canterbury Museum) visited in 1865 and 1873 and James Hector (director of the Colonial Museum) visited in 1869 and 1872. Enys’s interest in science led him to be the first to identify Ranunculus paucifolius at Kura Tāwhiti (although someone else may have described it earlier) – this is a rare native buttercup (Richards 1951).

The rocks were not just of interest for scientists – capitalists were interested too, because these rocks are limestone, a stone that’s easy to carve and has a beautiful colour that looks fantastic on Gothic buildings. Builders and the like were interested in the stone from at least 1863 (Press 3/5/1863: 2). Fortunately, transporting this heavy material was just too difficult in the absence of rail. Enys quarried some stone for his station buildings, and the Castle Hill hotel (built in 1871, near the modern Castle Hill village) was built from Castle Hill stone (Richards 1951: 6, Taylor 2005: 39). But perhaps the most prominent use of this stone is in our cathedral, Cathedral Church of Christ, Christchurch, where it was used for the font, in the western entranceway and the finial on the spire (Press 20/4/1877: 3, Star 3/6/1881: 3, 23/12/1881: 3). The stone is believed to have been carved by a mason named Davies (Richards 1951: 29). Frustratingly, this has been impossible to prove.

It is reputed that the stone for the cathedral font was cut from this stone. It's now fenced off to preserve the names carved in it. Image: K. Watson.

It is reputed that the stone for the cathedral font was cut from this stone. It’s now fenced off to preserve the names carved in it. Image: K. Watson.

Davie's signature carved into a shelter at Kura Tāwhiti. Image: K. Watson.

The signature of William Davis, carved into a shelter at Kura Tāwhiti. Image: K. Watson.

Enys used the rocks for another practical purpose, establishing yards on the north side of the rocks. Now, the important thing about these from my point of view is that there’s no direct historical record of them: they only survive in the archaeological record. And you too can go and discover them for yourselves today. Just be careful not to turn your ankle in the giant holes left by the posts that have rotted away. Yes, wooden posts. Who knows where the wood came from, but a good distance away.

The remains of a hopper associated with processing lime at Kura Tāwhiti. Image: K. Watson.

The remains of a hopper associated with processing lime at Kura Tāwhiti. Image: K. Watson.

Good heavens, so many words and we’ve not even reached the tourists. And it’s the tourism I find particularly fascinating – in the 1890s, Kura Tāwhiti was a popular health resort, believed to be very good for you because of that bracing mountain air and the spectacular scenery (Press 19/3/1890: 4, Star 25/6/1894: 4). No mention of the hellish coach ride, which would surely have taken several days to recover from. For a while, Kura Tāwhiti was even touted as the ideal location for a sanatorium. But it was the distance – and no doubt the coach ride – from Christchurch that saw Cashmere selected as a more accessible alternative (Press 22/7/1905: 11, 31/8/1905: 2; Star 5/2/1909: 1). The the idea didn’t go away: in the 1930s, the Sunlight League wanted to establish a solarium for tuberculosis sufferers at Kura Tāwhiti (Press 29/6/1934: 12, 6/4/1935: 2). And then there were just the general visitors, seeking to take in the beauty of the area and – as the outdoor recreation movement grew – the walks and other activities. Which leads us straight to rock climbing, and the somewhat more friendly-to-limestone pursuit of bouldering.

When you think about it, Kura Tāwhiti has a number of elements of the New Zealand story wrapped up in one beautiful package: Māori and Pākehā connections (and very likely, the restriction of Māori access to their mahinga kai following the Pākehā take up of land), pastoralism, science, nature, beauty, intriguing geology, tourism and sport. There’s art, too, which I’ve not had to time to mention. And preserving that story is archaeology. All of what I’ve related here can be seen in the physical fabric of the place – and more besides. We’ve only told you half the story.

Katharine Watson

Acknowledgements

Research by Christine Whybrew, & the Department of Conservation, who commissioned the work that led to this blog.

References

Acland, L. G. D., 1975. The Early Canterbury Runs. 4th ed. Christchurch: Whitcoulls.

Press [online]. Available at http://paperspast.natlib.govt.nz.

Richards, E. C. (ed.), 1951. Castle Hill. Christchurch: Simpson and Williams Ltd.

Star [online]. Available at http://paperspast.natlib.govt.nz.

Taylor, I. D., 2005. The Road to the West Coast: A history of the road over Arthur’s Pass. Heritage Press Ltd.

 

 

Majestical mountains

In the beginning there was no Te Wai Pounamu or Aotearoa. The waters of Kiwa rolled over the place now occupied by the South Island, the North Island and Stewart Island. No sign of land existed.

Before Raki (the Sky Father) wedded Papatūānuku (the Earth Mother), each of them already had children by other unions. After the marriage, some of the Sky Children came down to greet their father’s new wife and some even married Earth Daughters.

Among the celestial visitors were four sons of Raki who were named Aoraki (Cloud in the Sky), Rakiroa (Long Raki), Rakirua (Raki the Second), and Rārakiroa (Long Unbroken Line). They came down in a canoe which was known as Te Waka o Aoraki. They cruised around Papatūānuku who lay as one body in a huge continent known as Hawaiiki.

Then, keen to explore, the voyagers set out to sea, but no matter how far they travelled, they could not find land. They decided to return to their celestial home but the karakia (incantation) which should have lifted the waka (canoe) back to the heavens failed and their craft ran aground on a hidden reef, turning to stone and earth in the process.

The waka listed and settled with the west side much higher out of the water than the east. Thus the whole waka formed the South Island, hence the name: Te Waka o Aoraki. Aoraki and his brothers clambered on to the high side and were turned to stone. They are still there today. Aoraki is the mountain known to Pākehā as Mount Cook, and his brothers are the next highest peaks near him. The form of the island as it now is owes much to the subsequent deeds of Tū Te Rakiwhānoa, who took on the job of shaping the land to make it fit for human habitation.

Ngāi Tahu Claims Settlement Act 1988: Schedule 80: Tōpuni for Aoraki/Mt Cook

 

Welcome to Aoraki Mt/Cook, a place of breath-taking beauty and – as with any landscape – many layers of human history, the imprint of which is present in both tangible and intangible ways.

Surprisingly, I've no (digital) photographs of Aoraki/Mt Cook. Instead, I offer you the De La Beche Ridge, with the Tasman glacier in the foreground. Image: K. Watson.

Surprisingly, I’ve no (digital) photographs of Aoraki/Mt Cook. Instead, I offer you the De La Beche Ridge, with the Tasman glacier in the foreground, taken from the Ball track. Image: K. Watson.

This is the first in an occasional series of posts about places Christchurch residents would have holidayed in the past – and still do today. They also happen to be places I’ve been lucky enough to visit while doing work for the Department of Conservation (sometimes people forget that DOC is as much about protecting and preserving our cultural heritage as our natural heritage). These places tell us about the outdoor recreation and tourism opportunities available to Christchurch residents, and about the development of these spheres, because outdoor recreation and tourism weren’t really a particularly big deal when New Zealand was settled by Pākehā.

Let’s start at the beginning (from a human point of view, at least – I’m not getting into the geology). Aoraki/Mount Cook is so significant to Ngāi Tahu it is recognised with Tōpuni status under the Ngai Tahu Settlement Claims Act. For Ngāi Tahu, Aoraki/Mount Cook is the most sacred of their ancestors and is critical to their identity. There are no recorded Māori archaeological sites in the immediate vicinity of the mountain, there are further afield in the Mackenzie country, and these are a tribute to the resources of the area, particularly the stone and the food. Ngāi Tahu’s associations with the area also survive in the names used for landmarks in the area, from the lakes to the mountain itself.

The early European history of the area is a seemingly romantic one, with tales of rugged, intrepid men and women exploring and marvelling at the wilderness, with seemingly endless time to explore, retiring at night to the warmth and conviviality of either the Hermitage or Ball hut (or, later, Malte Brun hut), with the Hermitage in particular renowned for its egalitarian atmosphere (McClure 2004: 79-80). Glorious black and white photographs capture this era.

This was the first Hermitage, built in 1884 and destroyed by floods in 1913. You can still see the building site today and there was an excavation there in the early 1980s. In the early 2000s, I excavated the remains of the Hermitage stables. Unsurprisingly, we found a lot of horseshoes - as well as building remains. The Hermitage, Mount Cook. Ross, Malcolm 1862-1930 :Photographs by Malcolm Ross of New Zealanders in the Great War, Maori, mountaineering, New Zealand scenery, etc. Ref: 1/2-022364-G. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/23121689

This was the first Hermitage, built in 1884 and destroyed by floods in 1913. You can still see the building site today and there was an excavation there in the early 1980s. In the early 2000s, I excavated the remains of the Hermitage stables. Unsurprisingly, we found a lot of horseshoes – as well as building remains.
Inage: The Hermitage, Mount Cook. Ross, Malcolm 1862-1930 :Photographs by Malcolm Ross of New Zealanders in the Great War, Maori, mountaineering, New Zealand scenery, etc. Ref: 1/2-022364-G. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/23121689

Ball hut, 1907. Earlier photographs indicate that it was built without a fireplace, or the capacity to capture rainwater. The archaeological remains indicate that the hut expanded a lot before being destroyed by an avalanche in 1925. Image: Gifford, Algernon Charles, 1862-1948. Gifford tramping party at Ball Hut, Mt Cook. Gifford, Algernon Charles, 1862-1948 : Albums and photographs. Ref: 1/2-060503-G. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/22583972

Ball hut, 1907. Earlier photographs indicate that it was built without a fireplace, or the capacity to capture rainwater. The archaeological remains indicate that the hut expanded a lot before being destroyed by an avalanche in 1925.
Image: Gifford, Algernon Charles, 1862-1948. Gifford tramping party at Ball Hut, Mt Cook. Gifford, Algernon Charles, 1862-1948 : Albums and photographs. Ref: 1/2-060503-G. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/22583972

What this romantic vision ignores is the exclusion of Ngāi Tahu from the area and the literal walking on their most sacred ancestor, the disadvantaged position of women in this world (climb and explore they did, but in voluminous skirts or culotte-type garments and they had to battle against the social norms of the day, which frowned on the relationship between women and their male guides) and the fact that tourism in this period was the preserve of the wealthy. The rest of society simply did not have the time or money to travel in this way: initially, the journey from Fairlie to the Hermitage took three days by coach, with the horses having to be changed five times. The wheel ruts from this original dray track survive in parts of the Mackenzie country (and are difficult to photograph!) and are testament to what must have been a bone-shaking journey (and they used pigeons – yes, pigeons! – to send information to the Hermitage about the number of guests on the way). More to the point, however, if the journey took at least three days in each direction, you were going to want to spend a decent amount of time at the destination. And then there was the matter of hiring guides and/or horses, and the cost of the accommodation itself. Nonetheless, what was noteworthy about the Hermitage was that the guides were required to divide their attention equally between regular tourists and serious mountaineers (McClure 2004: 79-80).

This is just possibly the remains of Mannering and Dixon's camp on Ball Flat, to the north of the remains of the first Ball hut, described by Mannering (2000: 72) as their "well-known Ball Glacier camp" and built c.1886. Image: K. Watson.

This is just possibly the remains of Mannering and Dixon’s camp on Ball Flat, to the north of the remains of the first Ball hut, described by Mannering (2000: 72) as their “well-known Ball Glacier camp” and built c.1886. Image: K. Watson.

The government spent a lot on this elite tourist venture, helping to fund the construction of the road from Glentanner station to Aoraki/Mt Cook, financially supporting the operation of the Hermitage and constructing roads, huts and tracks in the area, including Ball hut and Ball track, which ran above the Tasman glacier from the Hooker River to Ball glacier. It was not until the involvement of one Rodolph Wigley, however, that the area became a serious tourist destination.

On the old road to Aoraki/Mt Cook. This road, built in partnership by the government of the day and the Mt Cook Road Board in late 1883, remained in use until the mid-late 20th century. Image: K. Watson.

On the old road to Aoraki/Mt Cook. This road, built in partnership by the government of the day and the Mt Cook Road Board in late 1883, remained in use until the mid-late 20th century. Image: K. Watson.

The Ball track, 1907. Image: On the track to Ball Hut, Mt Cook. Gifford, Algernon Charles, 1862-1948 : Albums and photographs. Ref: PA1-o-186-07. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/22916634

The Ball track, 1907. Image: On the track to Ball Hut, Mt Cook. Gifford, Algernon Charles, 1862-1948 : Albums and photographs. Ref: PA1-o-186-07. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/22916634

Scrabbling along the remains of the Ball track today (well, actually, in 2010). Image: I. Hill.

Scrabbling along the remains of the Ball track today (well, actually, in 2010). I’m standing on that track, and you can make out the line of towards the centre left. Image: I. Hill.

It’s a bit of a chicken-and-egg situation with Wigley and Aoraki Mt Cook: was he the catalyst that drove the development, or was he just the right man at the right time? Or a bit of both? Whatever the case, it is impossible to separate him from the story of Aoraki Mt Cook. Wigley was the man behind the Mt Cook Motor Company, which took over the lease of the (second) Hermitage in 1922, and set about opening up the area to a much broader sector of (Pākehā) society, by reducing costs, improving access and improving facilities. Wigley offered wooden floored tents as a cheaper form of accommodation and set out to offer a range of attractions beyond just the scenery, including golf. One of the key factors underlying Wigley’s success was the increasing popularity of exploring the outdoors, and the increasing availability of leisure time for the middle and working classes, a theme that will be returned to in another of these posts. The other was the motor car, and this underlay one of the key components of Wigley’s vision: the Ball Road.

The fantastic stone work that remains in situ along sections of the Ball Road. Image: K. Watson.

The fantastic stone work that remains in situ along sections of the Ball Road. Image: K. Watson.

The Ball Road was an ambitious plan to connect the Hermitage to (the second) Ball hut by motor car, enabling less mobile/athletic visitors the opportunity to get up close and personal with the alpine region, and also to promote the skifield he established on the Ball glacier. Nature, however, had other ideas and today the remains of the road are a testament to the power of Wigley’s vision, and to his ambition to make Aoraki/Mt Cook the site of domestic tourism for the masses. Not for any altruistic reason, one assumes, but very much driven by the profit motive – the two, of course, do not have to be mutually exclusive.

Ball Road, disappearing under collapsing moraine. Image: K. Watson.

Ball Road, disappearing under collapsing moraine. Image: K. Watson.

By the 1970s, keeping the road open was becoming increasingly difficult and by 1989 it had been closed for good. You can still walk the road today but one day the glacier will claim it for good, if the avalanches don’t get it first. I can’t urge you strongly enough to do so – it’s an easy walk, and a beautiful one. As you walk it, think of all those who have gone before you: Ngāi Tahu; Green, Emil Boss and Ulrich Kaufmass (who, in the first attempt on the summit of Aoraki/Mt Cook, came within 60 m – an amazing feat); Mannering and Dixon; Peter Graham; Freda du Faur; Hillary; and the thousands of others who’ve travelled this route to appreciate the beauty that is Aoraki/Mt Cook.

Ball Road, with the lateral moraine from the Tasman glacier looming above it, perilously close to collapsing into the glacier itself. Image: K. Watson.

Ball Road, with the lateral moraine from the Tasman glacier looming above it, perilously close to collapsing into the glacier itself. Walk it now, while it’s still there. Image: K. Watson.

Katharine Watson

References

Mannering, G., 2000. The Hermitage Years of Mannering and Dixon. GM Publication, Geraldine.

McClure, M., 2004. The Wonder Country: Making New Zealand tourism. Auckland University Press, Auckland.

How to read a landscape

Some of you might have been to the St James Conservation Area, a remote and beautiful area managed by the Department of Conservation. You might have been cycling or walking there, or you might have been drawn by the romance of the famous St James horses. While there, you’re sure to have marvelled at the landscape, and I’m hoping that you might have paused to consider the human history of the area. Today, I’m going to tell you about the story I – as an archaeologist – see when I look at this landscape.

Looking up the Stanley River from Stanley Vale (William Fowler's run) to Lake Guyon (W.T.L. Travers' run). Image: K. Watson.

Looking up the Stanley River from Stanley Vale (William Fowler’s run) to Lake Guyon (W.T.L. Travers’ run). Image: K. Watson.

But first, why the St James on a blog about Christchurch? The St James station (which the St James Conservation Area grew out of, as it were) is representative of the sheep stations that played such an important role in Christchurch’s development, from early struggles over land tenure in the fledgling settlement, to providing important economic stimulus, and not to mention the political and social power of the runholders. Please, however, forget all notions of the landed gentry: it’s a myth.

St James horses. Image: K. Watson.

St James horses. Image: K. Watson.

Let’s start before Europeans arrived in Aotearoa/New Zealand, when Māori roamed the land, passing through the St James on trails that connected the interior with the coast (Brailsford 1984). They left little tangible evidence of their passage, although an archaeological site at Lake Tennyson tells the story of moa hunting in the interior, working stone tools (although not where they were found), and of networks of trade and exchange linking people across the country.

On the shores of Lake Tennyson. Image: T. Wadsworth.

On the shores of Lake Tennyson. Image: T. Wadsworth.

Like their Maori predecessors, the first Pākehā in the St James left little sign of their passage. There are the remains of a sod hut in the Edwards valley, though, that could be from some of the earliest runholders in the area, possibly dating to the early 1860s. It’s the location that suggests this, along with the fact that this hut doesn’t appear on any maps or plans, even maps that show old, ruined huts. This hut lies on the south side of the valley, tucked into the hillside, looking up at the northern part of the St James Range. It was small, probably with just one or two rooms, and its builders (probably also its occupants) would have worked hard to build this. The sod used tells the story of a treeless landscape, which would have made keeping fires going hard work in an era when fires were used for all cooking, as well as heating.

In the Edwards valley, with the remains of a sod hut and ditch and bank fence in the foreground. Image: K. Watson.

In the Edwards valley, with the remains of a sod hut and ditch and bank fence in the foreground. Image: K. Watson.

There was a hut pretty similar to this a bit further up the valley, at a place known as Scotty’s camp (next to a 20th century hut), where the Edwards flows into the Waiau. The only difference is that the hut in the Edwards valley had a ditch and bank fence around it, meaning it had a garden, probably consisting of fruits and vegetables, because it was a long way to the nearest supply town – probably pretty much back to Christchurch in those days. At 700 m above sea level, it would have been hard to keep that garden going over winter. The hut at Scotty’s, though, had no fence, suggesting no garden – in those early runholding days, it was much cheaper and easier to fence stock out than in.

The 20th century hut at Scotty's camp. Image: K. Watson.

The 20th century hut at Scotty’s camp. Image: K. Watson.

The next phase in the story is two men whose stories I love, perhaps because I’ve spent a long time researching and thinking about them, and they’ve developed personalities for me (I make no claims to the accuracy of these).

They arrived in the area in the early to mid-1860s, a bit after the first Europeans, with W.T.L. Travers taking up Lake Guyon station and William Fowler taking up Stanley Vale, making the two men remarkably close neighbours, given their distance from anywhere else. As it happens, Fowler built his house on Travers’ land. From this distance, there’s no way of knowing whether this was deliberate, or simply an accident. There were no fences, after all, and boundaries were defined by vague descriptions about heading east from point X until point Y was reached, or for however many chains/miles. While there was a dispute about the location of Fowler’s house, however, there was never one about him grazing stock on land that wasn’t his. Which suggests to me that he knew full well where his boundaries were, and where he was building his house.

Lake Guyon. Travers, William Thomas Locke, 1819-1903 :Photographs. Ref: PAColl-1574-30. Alexander Turnbull Library, Wellington, New Zealand.

Lake Guyon. Travers, William Thomas Locke, 1819-1903 :Photographs. Ref: PAColl-1574-30. Alexander Turnbull Library, Wellington, New Zealand.

Travers was just your average Renaissance man – photographer, scientist, explorer, lawyer, politician, and one of the founders of the New Zealand Institute (now the Royal Society; Shepherd 2014). His biography doesn’t even mention that he was a runholder, and it seems unlikely that he spent much time at Lake Guyon, preferring to leave the station in the control of his manager, William Newcombe, who I like to think of as phlegmatic. From my point of view, Travers did make the most of the time he spent at Lake Guyon, taking photographs, such a rare but valuable resource for us to draw on (he also did quite a lot of exploring). These photographs are wonderful, not just for enabling interpretation of the archaeological remains, but for the life they show us.

Mr William Newcombe, his wife Mary (nee Embury) and children on the shores of Lake Guyon, circa 1870s. Photograph taken by William Thomas Locke Travers. Image: PA7-22-04, Alexander Turnbull Library.

Mr William Newcombe, his wife Mary (nee Embury) and children on the shores of Lake Guyon, circa 1870s. Photograph taken by William Thomas Locke Travers. Image: PA7-22-04, Alexander Turnbull Library.

In particular, they show us William Newcombe and his family. Yes, he lived up that remote valley with his wife and children, in a house that grew a bit like topsy. Today you can still see the chimney remains, mounds of stones peeking up through the grass, right on the water’s edge. Strangely close to the water’s edge to my way of thinking – the lake would have been lapping at the building – and so exposed to the nor’west winds that howl down the valley. What the photographs don’t show is another hut, tucked away amongst the (exotic) trees at the base of the hillside, nicely sheltered from the wind. Perhaps a shepherd’s hut? They also don’t show the garden Newcombe and his family grew and tended: cherry, mint, elderberry, strawberries, raspberries, gooseberries.

A hut tucked into the trees at Lake Guyon, next to Newcombe's garden. Image: K. Watson.

The remains of a hut, tucked into the trees at Lake Guyon, next to Newcombe’s garden. Image: K. Watson.

Fowler’s garden was actually a bit better: he had raspberries, hazelnuts, gooseberries, currants, rowans, hawthorns, ash trees, sycamores, primroses, willows, poplars and snapdragons. And all this at a considerable height above sea level. A lush garden he might have had, but Fowler faced many problems and cantankerous is the word that springs to mind when I think of him, as he was involved in innumerable court cases, including one against his own son. Some of the reports on these in the papers suggested a pretty grumpy man. I think he was probably stoic, too – he lasted here for some 30 years, long after Travers had sold out.

Looking down on the Stanley Vale homestead site, showing some of the exotic plantings. Image: K. Watson.

Looking down on the Stanley Vale homestead site, showing some of the exotic plantings. The poplars in the distance are on drains that Fowler dug. Image: K. Watson.

Part of the problem was that, in choosing the best location for his homestead (tucked neatly into the lee of the hill, with bush nearby for a good supply of firewood), Fowler had built on someone else’s land. Not only was this detrimental to good neighbourly relations, it also meant that he was isolated from the rest of his run. Also, there was no good road access to his station – of course, there wasn’t really any road access at all, just some flatter stretches of land than others. All of this meant that Fowler’s woolshed was some six miles from his house. Across someone else’s land. Which is never going to work out well in an industry plagued by scab. Travers had a woolshed on his land too, which was much closer, but neighbourly relations appear to have been such that it was not possible for Fowler to use Travers’ woolshed.

The sheep dip at Lake Guyon, which was adjacent to the woolshed. Image: K. Watson.

The sheep dip at Lake Guyon, which was adjacent to the woolshed. Image: K. Watson.

Instead, Fowler had to drive his sheep out over Fowler’s pass – a route some of you might have walked or mountain biked. If you haven’t, and you’re keen on that sort of thing, I’d highly recommend it. No doubt because of the distances involved, Fowler built a hut at the woolshed – not, I hasten to add, the hut known as Fowler’s hut, which was really built for a rabbiter named Henry Barker, and his wife. Nothing at all to do with Fowler, he just happened to own the land on which the hut was built. It’s a great hut, but not the sort of hut that runholders typically build: it’s a bit luxurious for that.

Fowler's Pass track, in somewhat inclement weather. Image. K. Watson.

Fowler’s Pass track, in somewhat inclement weather. Image. K. Watson.

Not only was Fowler running sheep, he was planting exotic grasses and draining paddocks, which has left drains and plough marks visible today. While there was lots of ploughing in 19th century New Zealand, little evidence of it survives, because the land continued to be worked, destroying the evidence of that earlier ploughing. But not on Fowler’s land. The plough lines are easy to see when you’re there today and, if you know what you’re looking for, you can see them on Google Earth. So cool! Something usually so ephemeral, preserved. And think, too, of those men and their horses, the effort to get the equipment to where it was needed, the seed, training the horses, draining the land. This was hard work.

Fowler's hut (before recent DOC work to preserve the structure). Image: K. Watson.

Fowler’s hut (before recent DOC work to preserve the structure). This hut was built in the early 1890s, for a caretaker on the rabbit-proof fence. Image: K. Watson.

In the end, though, both Fowler and Travers sold up and left, moving on to other things. I don’t have a clear picture in my head of the McArthurs, the brothers who added Lake Guyon and Stanley Vale to their holdings, creating a station of some 200,000 acres, most of it more than 800 m above sea level. Hard, economising Scotsmen, perhaps. And they made it work, in spite of the rabbits and the climate and the terrain. Ambitious and driven, then. Tough.

The St James woolshed. Image: K. Watson.

The St James woolshed. Image: K. Watson.

They moved the station homestead from the Styx River to the Peters valley, where many of the station buildings remain today. Not the homestead, though. It burnt down in the 1940s (by which time the McArthurs were long gone) and was never replaced. Today, though, you can wander amongst the trees that sheltered it from the southerly and the nor’west, inspect the long drop they would have used, and count the dog kennels that remain.

The St James homestead, as it is today. Image: T. Wadsworth.

The St James homestead, as it is today. Image: T. Wadsworth.

And think, too, of the men, women and children who lived here, in such splendid isolation. In a world where it was cheaper to build a concrete chimney than cart in bricks from Rangiora or Christchurch, where electricity must have come late in the piece, and where rabbits were such a problem that a fence was built to keep them out. We laugh now at this folly, but perhaps think instead of the men whose livelihoods were threatened by such a small, furry creature.

The rabbit-proof fence, alongside Tophouse Road. This was built by the Hurunui Rabbit Board in the 1880s. Image: T. Wadsworth.

The rabbit-proof fence, alongside Tophouse Road. This was built by the Hurunui Rabbit Board in the 1880s. Image: T. Wadsworth.

All of the sites I’ve mentioned – and more – exist in the St James Conservation Area. I say go, explore, and see what stories you can find in the landscape, on the trails that have existed for hundreds of years, in the ruined buildings, the remains of sheep dips, those glorious mountains.

Katharine Watson

References

Brailsford, B., 1984, Greenstone Trails: The Maori Search for Pounamu. A. H. and A. W. Reed, Wellington.

Shepherd, R. Winsome, 2012. Travers, William Thomas Locke. Dictionary of New Zealand Biography. [online] Available at: http://www.teara.govt.nz/en/biographies/1t105/travers-william-thomas-locke

The story so far

As life-changing experiences go, the earthquake on 22 February 2011 was fairly significant. On the one hand, our house was red-zoned (but still liveable), friends lost their lives and the city lost many of the old buildings that, for me, made it somewhere I loved: High Street, Strange’s and the ANZ building opposite, the late 19th/early 20th century buildings that lined parts of Lichfield Street, the Fisher building and the handful of Art Nouveau/Deco buildings scattered through the city centre. On the other hand, I gained a beautiful new house, a considerably expanded business (from one employee to something like 25 – not all of whom are full-time, I hasten to add), a proper workplace, a couple of extra storage units, and data. Lots and lots of data.

Detail of Strange's building, taken during archaeological recording. Image: K. Watson.

Detail of Strange’s building, taken during archaeological recording. Image: K. Watson.

Along the way, there have been sleepless nights, a considerable amount of stress, a whole lot of learning and, let’s face it, a whole lot of fun. As someone who worked largely on my own for the 10 or so years prior to the earthquakes, I’d never realised that working with a whole team of people could be so much fun, or so stimulating. There have also been incredible opportunities – radio interviews, a television appearance, newspaper interviews, a conference in the States, and, in my inbox this morning, an invitation to be part of this. And then there’s this blog, which would almost certainly never have happened without the earthquakes. Not to mention an editorial in the Press about archaeology, and its importance in the city.

In the office this morning.  Sculptures: F. Bradley. Image: J. Garland.

In the office this morning. Sculptures: F. Bradley. Image: J. Garland.

I’ve lived in Christchurch since 2000, having grown up on the Canterbury plains. As a child, Christchurch wasn’t a city we went to often, but it was significant as the only city I knew, and thus had all of the associated glamour that a country girl with a vivid imagination will inevitably project on a city. Our visits tended to revolve around the A&P show (I grew up on a farm), riding the escalators in Ballantynes, ballet, Shakespeare and visits to the hospital, Arts Centre and botanical gardens. As a teenager, I began volunteering at the museum, and staying with an elderly aunt up here – who memorably introduced me to art house movies, taking me first to Delicatessen (at the Arts Centre), where the woman behind the counter was somewhat reluctant to sell my 80+ aunt and 15 year old self the tickets. Needless to say, we both loved it.

Having studied anthropology at Otago, I moved to Christchurch to work at the museum, before starting work as an archaeological consultant. I worked from home and did work in the city, as well as on the West Coast and in Canterbury’s high country. As it happens, I was working on a project for EQC when the earthquake struck on 22 February 2011.

In the immediate aftermath of the earthquake, of course, everything was turned upside down. We escaped to my parents’ place, an oasis of calm in the craziness that was unleashed. I can still remember my somewhat shell-shocked feeling in those early days, particularly one the immediate problems of the mess and the liquefaction had been dealt with. Of not knowing what to do with myself, of trying to get back to normal but feeling like normal had to be something completely different from what it had been, given the scale of events.

Salvation came in the form of taking photographs for Heritage New Zealand (then New Zealand Historic Places Trust), of listed buildings and/or pre-1900 buildings that were being demolished, or slated for demolition. ‘Salvation’ isn’t too strong a word, either. This work, which another archaeologist and I started about a week after the quake, gave me a focus and a sense of purpose. It also enabled me to document the buildings I had loved, and to discover new hidden gems, albeit a little too late. It also felt good to be useful, and to be contributing in some way to dealing with the earthquake.

No words needed. Image: K. Watson.

No words needed. Image: K. Watson.

This work continued till about the middle of the year (the exact dates are unclear now), when the demolition work began in earnest, complete with foundation removal, which hadn’t really been happening up until that point. It was at this point that Heritage New Zealand developed the emergency archaeological authority process, enabling a streamlined approach to processing and issuing archaeological authorities. I guess the current form of UnderOverArch dates to this period.

Initially there were four of us, squished into less than half a portacom, complete with a computer that we didn’t use – fortunately (or maybe not – see the following sentence), we spent more time out on site than in the office. I learnt to drink coffee again; we froze outside on sites as it snowed, and then snowed again; we explained the authority process and why archaeology was important over and over again. I think we felt like we were achieving something, by collecting important data about the city and educating people about archaeology.

Artefacts

Artefacts. So many artefacts. Image: J. Garland.

From this my increasing interest in public archaeology grew. For how could we get people to protect their archaeology and heritage if they didn’t see why it was so important? And so the Facebook page, the public talks, the exhibitions and this blog. But it’s not just about showing people that archaeology is important, it’s about showing people what archaeology really is, it’s about telling Christchurch stories and highlighting the people who made our city what it is. It’s about showing that, while we’ve lost some pretty amazing heritage, we’ve gained some pretty cool heritage too. And it’s about doing research and turning all that data into something meaningful, something real. Something for Christchurch.

There’s still a long way to go. Those site reports we wrote in the immediate aftermath of the quake were even less than once-over-lightly. We need to plug the gaps in those, we need to index our data so that others can access and use it, and we need to facilitate, produce and disseminate more research that focuses on Christchurch’s archaeology. We have this unique opportunity – so many sites in such a short period of time – to understand our city through its archaeology, from the time of its first Māori settlement to the modern day, and we need to make the most of it.

Image: K. Webb.

Excavation in progress. Image: K. Webb.

It gets me every year, the earthquake anniversary. Kind of sneaks up on me and takes me by surprise, when I’m faced with all that we’ve lost. It’s not been an easy journey, but it has been a pretty amazing one – this is not where I thought I’d find myself when I finished at university, or even immediately after the quakes. I’m proud of what my team at UnderOverArch has achieved, and particularly the public archaeology we’ve done. And I’m excited about what the future holds – the discoveries to be made, the research to be carried out and the challenge of convincing people that archaeology is amazing.

Katharine Watson

From bottle to basement: uncovering a repository of information

Late in 2014 we were contacted by contractors working on a rebuild project in Christchurch’s city centre. It was reported that a number of bottles had been uncovered during routine earthworks and the area cordoned off until our arrival. The bottles themselves were in pristine condition but what was of particular interest was the area in which they were found. Behind us was a mound of dark dirt, strewn with displaced wooden planks and broken bottles. I’ll be the first to admit, it wasn’t one of the prettiest features I’ve ever seen and, oh yeah, it was 2 metres below the surface of the city. So, today I’m going to take you on a little ride, a pictorial one as such, down through that ugly mound of dirt, the archaeology involved and the story it told.

And so our tale begins…

It began with a phone call one Friday afternoon (when I was already thinking about a cold brew at the closest drinking hole), but it was answered and soon I was joined by fellow archaeologists, decked out in hi-vis vests and mud-caked boots, with WHS trowels in the back pocket ready to work.

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The feature on the arrival of the archaeologist. Image: K Bone.

 

Due to the unknown extent of the feature we established a simple quadrant system to allow us to record any material collected as we removed the debris from the area. This involved removing all the planks of wood that were no longer in situ, along with any large amounts of soil.

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Initial excavations following the removal of debris. Image: K Bone.

 

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Excavation begins… Image: K Bone.

Once the area was cleared of all debris, we set out to define the full extent of the feature, which was beginning to look a lot like a floor. Three trenches were dug, along the western, southern and eastern sides of the feature (the northern side had already been dug out during the earthworks). Following the completion of these three trenches, we established a grid system for the collection of artefacts.

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The feature once fully exposed, and the three trenches excavated . Image: K Webb.

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Artefacts from below the floorboards, many complete bottles were recorded but were mostly damaged or broken. Image: K Webb.

Once the top layer of dirt and debris was removed and all structural wood was exposed the feature was mapped using a Trimble M3 total station.

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Site plan. Image: K. Webb.

At the same time, the stratigraphy of the northern baulk was drawn (this was the only stratigraphic profile that could be recorded, due to the sheet piling around the section).

This….IMGP0474

                       Was recorded as this…

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                which became this….CS161 strat Kim amended

Then the wooden floorboards were removed and excavation of the subfloor space began, revealling a treasure trove of artefacts and structural information.

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The remains of some upright boards nailed to the bottom plate at the south end of the feature. Image: K. Webb.

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The stone piles supported the wooden floorboards. Three rows of piles were found, one down each of the east and west sides and one down the centre of the building. The piles were unevenly spaced. Image: K Bone.

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During the excavation samples of each of the different timber elements were taken so we could identify the species at a later date. Image: K. Webb.

Once the field work was completed preparation of the report began, with the historical research. Maps and newspapers revealed that this section of land was the site of Barnard’s repository and later Tattersall’s horse bazaar.

Next up: the artefact analysis, which was conducted by one of our in-house artefact specialists. The artefacts are analysed according to their material classes and recorded by a number of attributes, with research including place of manufacture, product type, company name and date of production. This research contributes to our final interpretation of the site.

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Clay smoking pipes were found below the floorboards: a John Reynolds pipe (top) and a J. M. Heywood pipe (see next week’s post for more on this interesting fellow from Lyttelton). Image: K. Bone.

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Plymouth gin tin capsule, still attached to the cork. Image: K. Bone.

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Two bottle capsules still attached to the cork, and the bottle. This suggests that these bottles had not been opened at the time of their deposition. The manufacturer of the capsule at right was the Victoria Stores distributor; that at left could not be identified. Image: K. Bone.

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One of two coins found on the site. This particular one has a profile of the young Queen Victoria, with the date 1853. The other coin was a George IV coin, with the date 1826. Image: K. Bone.

Following the artefact analysis a series of spatial distribution maps were produced to determine whether or not there were any patterns in the distribution of the artefacts.

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Example of one of the spatial distribution maps. This looked at the relationship between the different forms of glass recovered from the feature. Image: K. Bone.

So what does it all mean? The location of the floor 2 metres below the ground surface indicated that it was a cellar floor. The artefacts found indicated that the cellar was primarily used to store alcohol bottles and leather goods. Conveniently, the historical research indicated that there had been both a hotel and a saddlery on site.

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And that’s how the discovery of a few bottles led to us uncovering a unqiue piece of Christchurch’s history. From the field work to the research, the artefact analysis to the final write up, the process is important in allowing us to tell the story of Christchurch.

Kim Bone