The Langlois Eteveneaux cottage, Akaroa

The Langlois Etevenaux cottage, built in c. 1843, as it stands in 2016. The cottage is one of the oldest buildings in Canterbury and the only building constructed by French colonists that still stands in Akaroa. Image: L. Tremlett.

The Langlois Eteveneaux cottage, built in c. 1843, as it stands today. The cottage is one of the oldest buildings in Canterbury and the only building constructed by French colonists that still stands in Akaroa. Image: L. Tremlett.

The front door to the cottage. Note the ventilation grate partly hidden behind the front step and the arrow decoration in the transom above the door. Image: L. Tremlett.

The front door to the cottage. Note the ventilation grate partly hidden behind the front step and the arrow decoration in the transom above the door. Image: L. Tremlett.

Langlois Etevenaux cottage

A close up of the arrow detail in the transom. “Enter here”, perhaps? Image: L. Tremlett.

One of the two original exterior windows, with an inward opening casement. In our humble opinion, this is a superior example of a casement window. Again, note the arrow motif above the window itself. Image: L. Tremlett.

One of the two original exterior windows, with an inward opening casement. In our humble opinion, this is a superior example of a casement window. Again, note the arrow motif above the window itself. Image: L. Tremlett.

Close up of the arrows above the window. Look at the detail in the fletching! Image: L. Tremlett.

Close up of the arrows above the window. Look at the detail in the fletching! Image: L. Tremlett.

A close up of the decorative lion’s head found above the window. Image: L. Tremlett.

A close up of the decorative lion’s head found above the window. Image: L. Tremlett.

Decorative corbels beneath the sill of the same exterior window. Image: L. Tremlett.

Decorative corbels beneath the sill of the same exterior window. Image: L. Tremlett.

The window from the interior, set off by floral wallpaper and a shining autumn day. Image: L. Tremlett.

The window from the interior, set off by floral wallpaper and a shining autumn day. Image: L. Tremlett.

Looking out, with Akaroa beautifully framed in the background – the view from this cottage for at least the last century. Image: L. Tremlett.

Looking out, with Akaroa beautifully framed in the background – the view from this cottage for at least the last century. Image: L. Tremlett.

Hinges! This is a barrel door hinge from a door in the southern part of the cottage – it’s a type of hinge rarely seen in other Canterbury cottages, especially with the shaped ends. Image: L. Tremlett.

Hinges! This is a barrel door hinge from a door in the southern part of the cottage – it’s a type of hinge rarely seen in other Canterbury cottages, especially with the shaped ends. Image: L. Tremlett.

Another rare hinge! This one is known as an ‘HL’ hinge, with plain ends – also unusual in Canterbury cottages we’ve seen to date. Image: L. Tremlett.

Another rare hinge! This one is known as an ‘HL’ hinge, with plain ends – also unusual in Canterbury cottages we’ve seen to date. Image: L. Tremlett.

So, this is particularly cool. It’s the front door lock to the cottage, but if you look closely you’ll see that the door lock, key hole and escutcheon are upside down. On top of this, the hinge strike plate is shaped like a key, just to keep it all in theme. Image: L. Tremlett.

So, this is particularly cool. It’s the front door lock to the cottage, but if you look closely you’ll see that the door lock, key hole and escutcheon are upside down. On top of this, the hinge strike plate is shaped like a key, just to keep it all in theme. Image: L. Tremlett.

The maker’s mark on the front door lock. It reads “No. 60, Jas. Carpenter, Patentee” on the lower half with the British crest on the upper half. James Carpenter was a well-known locksmith based in Willenhall, England, from the late 18th century until his death in 1844 (his business continued after his death under the name of Carpenter and Tildesley). The No. 60 was a famous patent of Carpenter’s, patented in 1830 and popular around the world, including in the United States. Such locks are often found on buildings constructed in the 1830s and 1840s (Garvin 2001: 84), so that fits! Image: L. Tremlett.

The maker’s mark on the front door lock. It reads “No. 60, Jas. Carpenter, Patentee” on the lower half with the British crest on the upper half. James Carpenter was a well-known locksmith based in Willenhall, England, from the late 18th century until his death in 1844 (his business continued after his death under the name of Carpenter and Tildesley). The No. 60 was a famous patent of Carpenter’s, patented in 1830 and popular around the world, including in the United States. Such locks are often found on buildings constructed in the 1830s and 1840s (Garvin 2001: 84), so that fits! Image: L. Tremlett.

Lastly, an image of the cottage in the 1960s, before it was repainted. The timber pilasters which frame the door and windows are an interesting stylistic feature originating from Ancient Greek and Roman architecture – a nice compliment to the Louis-Phillipe style of furniture with which the cottage was furnished. Image: L. Tremlett.

Lastly, an image of the cottage in the 1960s, before it was repainted. The timber pilasters which frame the door and windows are an interesting stylistic feature originating from Ancient Greek and Roman architecture – a nice compliment to the Louis-Phillippe style of furniture with which the cottage was furnished. Image: L. Tremlett.

Jessie Garland and Luke Tremlett

References and acknowledgements

Christchurch City Council.

Garvin, J., 2001. A Building History of Northern New England. University Press of New England, New Hampshire.

Insight Unlimited.

Kura Tāwhiti

Today we’re going back to Christchurch’s hinterland, this time to Kura Tāwhiti/Castle Hill, a place that’s still an important and valued part of the city’s surrounds. But in the interests of full disclosure, I feel like I should let you know that, well, I don’t love it in the way that a lot of people do. I can see that it’s beautiful and those rocks are amazing and the archaeology and history’s pretty cool, too (read on for more of that), but it doesn’t move me in the way that it moves other people. I think it’s the lack of water – I need a lake or, better still, a river, to go with my mountains and tussocks. Now that I’ve got that off my chest…

Kura Tāwhiti. Image: K. Watson.

Kura Tāwhiti. Image: K. Watson.

The occupants of Otautahi/Christchurch have been visiting Kura Tāwhiti/Castle Hill for centuries. In fact, like Aoraki/Mt Cook, Kura Tāwhiti has Tōpuni status under the Ngāi Tahu Claims Settlement Act 1998. Kura Tāwhiti translates as “the treasure from a distant land”, which is a reference to the kumara. For tangata whenua, Kura Tāwhiti was an important mahinga kai, particularly for those living at Kaiapoi. It was a source of kākāpō, kiore (Polynesian rat), kiwi, tuna (eel) and weka. And it was closely associated with the Ngāi Tahu trails through the Southern Alps, because of the kai and the shelter it could provide. Ngāi Tahu left evidence of their presence here in the form of rock art.

Pākehā followed Māori in 1858, when the Porter brothers took up what would become Castle Hill station. The Porter brothers may have lived in a stone hut near the quarry on the road into what is now Porters ski field, and I believe that the remains of this hut can still be seen today. Six years later, some more brothers took over the station – the Enys brothers, who were in this farming business for the long haul (Acland 1975). Shortly after the Enys brothers came the gold miners, seeking a route to the West Coast (some hardy souls travelled over the Coleridge pass trail, at the head of the Porters ski area, following an old Māori trail), but then along came Arthur Dobson and now we have Arthurs Pass. (Side note: one other archaeological site near Porters that you should be aware of is the old coaching stop. There’s very little to see today, just some old fence posts and fencing wire, but it’s nice to know it’s there.)

The remains of the hut near the Porters ski area. Image: K. Watson.

The remains of the hut near the Porters ski area. Image: K. Watson.

So, yes, the Enys brothers. There were two of them, John and Charles, and it was John who had most to do with the station and was a regular Renaissance man, being heavily involved in scientific pursuits. And the science he was particularly interested in was that of butterflies (the name of which I will leave as a challenge for you, dear reader), but was also intrigued by plants and geology. Which was fortuitous for him. He is known to have collected fossils from Kura Tāwhiti (now held at Canterbury Museum and Te Papa Tongarewa). And it is perhaps John Enys who is responsible for having brought Kura Tāwhiti to the attention of the wider scientific world – Julius von Haast (director of the Canterbury Museum) visited in 1865 and 1873 and James Hector (director of the Colonial Museum) visited in 1869 and 1872. Enys’s interest in science led him to be the first to identify Ranunculus paucifolius at Kura Tāwhiti (although someone else may have described it earlier) – this is a rare native buttercup (Richards 1951).

The rocks were not just of interest for scientists – capitalists were interested too, because these rocks are limestone, a stone that’s easy to carve and has a beautiful colour that looks fantastic on Gothic buildings. Builders and the like were interested in the stone from at least 1863 (Press 3/5/1863: 2). Fortunately, transporting this heavy material was just too difficult in the absence of rail. Enys quarried some stone for his station buildings, and the Castle Hill hotel (built in 1871, near the modern Castle Hill village) was built from Castle Hill stone (Richards 1951: 6, Taylor 2005: 39). But perhaps the most prominent use of this stone is in our cathedral, Cathedral Church of Christ, Christchurch, where it was used for the font, in the western entranceway and the finial on the spire (Press 20/4/1877: 3, Star 3/6/1881: 3, 23/12/1881: 3). The stone is believed to have been carved by a mason named Davies (Richards 1951: 29). Frustratingly, this has been impossible to prove.

It is reputed that the stone for the cathedral font was cut from this stone. It's now fenced off to preserve the names carved in it. Image: K. Watson.

It is reputed that the stone for the cathedral font was cut from this stone. It’s now fenced off to preserve the names carved in it. Image: K. Watson.

Davie's signature carved into a shelter at Kura Tāwhiti. Image: K. Watson.

The signature of William Davis, carved into a shelter at Kura Tāwhiti. Image: K. Watson.

Enys used the rocks for another practical purpose, establishing yards on the north side of the rocks. Now, the important thing about these from my point of view is that there’s no direct historical record of them: they only survive in the archaeological record. And you too can go and discover them for yourselves today. Just be careful not to turn your ankle in the giant holes left by the posts that have rotted away. Yes, wooden posts. Who knows where the wood came from, but a good distance away.

The remains of a hopper associated with processing lime at Kura Tāwhiti. Image: K. Watson.

The remains of a hopper associated with processing lime at Kura Tāwhiti. Image: K. Watson.

Good heavens, so many words and we’ve not even reached the tourists. And it’s the tourism I find particularly fascinating – in the 1890s, Kura Tāwhiti was a popular health resort, believed to be very good for you because of that bracing mountain air and the spectacular scenery (Press 19/3/1890: 4, Star 25/6/1894: 4). No mention of the hellish coach ride, which would surely have taken several days to recover from. For a while, Kura Tāwhiti was even touted as the ideal location for a sanatorium. But it was the distance – and no doubt the coach ride – from Christchurch that saw Cashmere selected as a more accessible alternative (Press 22/7/1905: 11, 31/8/1905: 2; Star 5/2/1909: 1). The the idea didn’t go away: in the 1930s, the Sunlight League wanted to establish a solarium for tuberculosis sufferers at Kura Tāwhiti (Press 29/6/1934: 12, 6/4/1935: 2). And then there were just the general visitors, seeking to take in the beauty of the area and – as the outdoor recreation movement grew – the walks and other activities. Which leads us straight to rock climbing, and the somewhat more friendly-to-limestone pursuit of bouldering.

When you think about it, Kura Tāwhiti has a number of elements of the New Zealand story wrapped up in one beautiful package: Māori and Pākehā connections (and very likely, the restriction of Māori access to their mahinga kai following the Pākehā take up of land), pastoralism, science, nature, beauty, intriguing geology, tourism and sport. There’s art, too, which I’ve not had to time to mention. And preserving that story is archaeology. All of what I’ve related here can be seen in the physical fabric of the place – and more besides. We’ve only told you half the story.

Katharine Watson

Acknowledgements

Research by Christine Whybrew, & the Department of Conservation, who commissioned the work that led to this blog.

References

Acland, L. G. D., 1975. The Early Canterbury Runs. 4th ed. Christchurch: Whitcoulls.

Press [online]. Available at http://paperspast.natlib.govt.nz.

Richards, E. C. (ed.), 1951. Castle Hill. Christchurch: Simpson and Williams Ltd.

Star [online]. Available at http://paperspast.natlib.govt.nz.

Taylor, I. D., 2005. The Road to the West Coast: A history of the road over Arthur’s Pass. Heritage Press Ltd.

 

 

Death and Taxes

Link

He is bed maker to the dead. The pillows which he lays never rumple. The day of interment is the theatre in which he displays the mysteries of this art.

Thomas Lamb 1811.

 

Nothing in this would can be certain except for death and taxes. Benjamin Franklin’s proverb was never more true than in the case of John C. Felton, a cabinet maker/undertaker from Rangiora who went bankrupt just before the turn of the 20th century. In fact, a site that I was working on recently was occupied by a string of undertakers who moonlighted as carpenters of some description during the 19th and early 20th centuries. The men in question – George Dale, John C. Felton, and J. M’Auliffe – left little evidence of their macabre craft behind, save a chisel and a few nails and bolts. But this was not unexpected – it isn’t often that we find artefacts which form an obvious link to a more ephemeral business like undertaking (we do find the odd ‘mummified’ cat underneath demolished houses, but that’s a bit different). In cases like these, we rely heavily on historic records of land ownership and newspaper reports to connect archaeological assemblages to their 19th century owners.

New Zealand Tablet 2/2/1894: 32

New Zealand Tablet  2/2/1894: 32

Despite the fact that humans have been dying for as long as they have been alive, ‘the undertaker’ is a relatively new profession. Before the mid-19th century the term ‘undertaker’ referred to anyone who undertook a task or enterprise, and the ‘laying out’ of a corpse in preparation for burial was a task generally carried out by female family members of the deceased, or by individuals with other nurturing roles, such as mid-wives. This role eventually transitioned into a male dominated one, in conjunction with the rise of the ideas of feminine sensibility and Victorian female respectability (Burrell 1998).

 

The profession developed as a part-time industry, associated largely with cabinet makers and carpenters, who used their skills to build coffins on the side – Dale and Felton were also both cabinet makers/carpenters – and because of the early undertaker’s associations with furniture dealing, these individuals were probably more familiar to their clients and neighbours as handymen rather than being associated exclusively with death. This early picture of the undertaker developed as populations and commercial specialisation grew – as a result, undertakers were able to dedicate all of their time and effort to the one profession (Burrell 1998). As mourners required evermore elaborate funerary displays, as characterised by the mourning obsessed Victorian era, livery men joined the funerary procession. This group of merchants acted as the suppliers of the horses and carriages to transport the deceased. This in turn gave rise to the hearse bearing undertaker (Polites 2011).

Typical turn of the century Brisbane undertaker (1902).

Typical turn of the century Brisbane undertaker (1902). Image: Polites 2011

All of this sounds relatively profitable, right?  Multifaceted business ventures in an industry which theoretically had a steady and very reliable stream of potential clientele – particularly as the world was still coming to grips with the concept of germ theory (Tremlett 2016)… But alas, John Courtney Felton went bankrupt nonetheless (Star 20/11/1899: 2). One can only speculate as to why his business was unsuccessful.

Figure 3. Hard times for the undertaker (New Zealand Herald 15/09/1923: 3)

Hard times for the undertaker (New Zealand Herald 15/09/1923: 3)

 

The same fate was not met by another notable 19th century Christchurch undertaker – a prosperous business man: Herman Franz Fuhrmann, who was German. We have met Herman Franz Fuhrmann on the blog before, and it’s possible that his business success could be related to the catchiness of his name – it sounds like it was just made for a jingle! – but regardless, he managed to expand his own undertaking and cabinet making business to include a saddler, branched out into insurance, and made a killing in the sale of the Molesworth station in Marlborough.

 

Figure 4. Rhyming makes ads cooler (Free Lance 29/03/1902: 21 ) - Is it just me or do the finials on this hearse look like shrunken heads on spikes to anyone else? Creepy!

Rhyming makes ads cooler (Free Lance 29/03/1902: 21 ) – Is it just me or do the finials on this hearse look like shrunken heads on spikes to anyone else? Creepy!

This more capitalist version of undertaking brings us a little closer to some of the more recent attitudes toward modern funerary directors. Exposés starting in the 1960s tackled the controversy of the idea of the modern undertaking and funeral industry as a profit-driven empire – making a commodity out of death, and manipulating mourning people at their most vulnerable (Mitford, 1983). This is a large and complex debate that won’t be covered here. No price lists were found for any of the undertaking services of Felton, Dale or M’Auliffe, and their advertisements and others like them from this era seemed to focus more on being sanitary, speedy and available on short notice.

 

M’Auliffe is the only one of the three undertakers in question who also advertises an embalming service (Press 3/07/1903: 8). The idea of embalming corpses (the science of preserving human remains intact, for the sanitation, presentation and preservation), can be traced to at least 5000-6000 BC and the Chinchorro culture in present day Chile and Peru (Brenner 2014). Modern embalming began in the 17th century but really didn’t take off until the American Civil War, which saw soldiers dying far from home and their families wishing their bodies to be returned home for burial. The long journeys presented the need to slow down decomposition, and led to injecting various solutions into arteries of a corpse to prevent this natural process (Chiappelli, 2008). During the 19th century, arsenic was the most favoured embalming fluid, although it was eventually replaced with less toxic chemicals in the 1900s. This occurred in order to alleviate growing concerns about ground contamination from buried embalmed bodies seeping into local water supplies – not to mention the possibility of homicide cover-ups in which any evidence of arsenic poisoning could be disguised by embalming fluid (Mettler 1890). Formaldehyde eventually replaced arsenic as the favourite solution and is still used today.

 

M’Auliffe’s multifaceted service also appeared to have run more successfully than his predecessor Felton’s, although he also had his share of hiccups. M’Auliffe may have been a funerary director who harboured a death wish, as he was charged with riding bicycle in the street in the dead of night without a light, and a mysterious fire broke out at his premises in 1912 (also in the middle of the night), destroying his house and workshop. Luckily, the property was insured (Star 21/10/1902: 3, North Otago Times 16/10/1912: 3). Dazzling reports described a scantily-clad Mrs M’Auliffe having to make her way to the ground by a rope fire escape, “with a three-year-old child clinging to her neck. Fortunately, before making her descent she had the presence of mind to throw down a mattress, otherwise the child, who let go its hold when eight or ten feet from the ground, might have met with injury” (Star 15/10/1912: 3). I can only imagine how creepy it would have been to witness the local funeral home or mortuary burning down at the start of the 20th century!

Here’s a picture of another enterprising dame escaping from a building via bedsheet rope- not the same incident, but you get the idea.

Here’s a picture of another enterprising dame escaping from a building via bedsheet rope- not the same incident, but you get the idea. Image: The Amateur Examiner

But even without the burning building, why do we generally find the concept of an undertaker creepy, particularly one from ‘olden times’? When I hear the word ‘undertaker’ or ‘mortician’, the picture of a solitary guy in black and white, with a bit of a mad scientist vibe comes to mind. Pop culture, through the horror novel and film industry, is probably largely to blame for the demonisation of the profession, but the concept of ostracising those who handle the dead is not a new one. It can also be explained by human desire and the need to survive by disassociating one’s self with dead bodies and death. The idea has been explored by acclaimed social anthropologists such as Bronislaw Malinowski, making reference to the Philadelphia yellow fever epidemic of 1793, where the townsmen charged free blacks with the responsibility for picking up the dead and then “shunned them as infected, vilified them as predatory” (Burrell 1998).

 

Well that brings me to the end of this undertaking… Until next time…

 

                                                                                                                                                                Chelsea Dickson.

 

 

References

 

Burrell, D. 1998. Origins of Undertaking: How antebellum merchants made death their business. Seminar in Early American History.

Brenner, E. 2014. “Human body preservation – old and new techniques.” Journal of Anatomy. Vol. 224: 316-344.

Chiappelli, J. 2008. “The Problem of Embalming”. Journal of Environmental Health 71 (5): 24.

Lamb. T. 1811. “On Burial Societies, and the Character of an Undertaker.” The Reflector: A Collection of Essays on Miscellaneous Subjects of Literature and Politics. Vol. 2. London: 1812. 143.

Free Lance. [online] Available at www.paperspast.natlib.govt.nz. [Accessed June 2016].

Mettler, L. Harrison. “The Importance, from tire Medico-Legal Standpoint, of Distinguishing Between Somatic and Molecular Death.” Medico-Legal Journal 8 (1890): 172-79.

Mitford, J. 1983. American Way of Death. Fawcett.

New Zealand Herald. [online] Available at www.paperspast.natlib.govt.nz. [Accessed June 2016].

New Zealand Tablet. [online] Available at www.paperspast.natlib.govt.nz. [Accessed June 2016].

North Otago Times. [online] Available at www.paperspast.natlib.govt.nz. [Accessed June 2016].

Polites, T., M. 2011. The Undertaker Undertakes [online] Available at: http://taylorpolites.blogspot.co.nz/2011/11/undertaker-undertakes.html. [Accessed June 2016].

Press. [online] Available at www.paperspast.natlib.govt.nz. [Accessed June 2016].

Star. [online] Available at www.paperspast.natlib.govt.nz. [Accessed June 2016].

Tremlett, L. (2016). Medical Buildings and Medical Theory: An Archaeological Investigation of Ashburton Hospital, New Zealand. MA Thesis, University of Otago.

Odds and ends

A selection of recent discoveries for your perusal, complete with flippant commentary (as per usual). Enjoy!

cool plate thing

This rather dramatic pattern is called Andalusia and, as the name might suggest, features a Spanish scene with figures praying in the foreground and vignettes around the border. Someone has even helpfully coloured in the highlights with paint (a technique known as ‘clobbering’, an excellent term) to add to the drama of the whole thing. Image: C. Dickson.

lamp

The glass reservoir from an oil lamp, we think, made from bright cobalt blue glass. Quite the unusual artefact, this one. Image: G. Jackson.

dancing people

There are many possible captions to this image decorating the inside of a teacup. I’d like to think that they’re dancing, two people flitting their way across the room without a care in the world. Then again, she could also be about to faint (there is a slight sense of imbalance to her body language), as he prepares to catch her (there is also a sense of concern in his body language). You be the judge. Image: G. Jackson.

majolica

A majolica decorated dinner plate, a style that needs dark wood panelling and candle-lit interiors to properly appreciate the aesthetic, I think. Think great dark Gothic rooms with taxidermied decoration, high ceilings and undercurrents of tragedy. Image: G. Jackson.

floating temple

This pattern, known as ‘Grecian’, depicts what seems to be a floating building in the background and a temple precariously perched on a rocky precipice. European scenes like this one (and the Andalusia one above) were particularly popular during the mid-19th century, playing a ‘slightly exotic’ European counterpoint to the similarly popular scenes of British landscapes and architecture. Image: C. Dickson.

fell over

In which a person in a hat seems to have fallen over. Image: J. Garland.

water filter

This seemingly dull and utilitarian bit of ceramic is, in fact, the filter from a ceramic water filter, made by the firm of J. Lipscombe and Co., London. Ceramic water filters were an ingenious invention created in the 1830s in England to combat the water contamination problem they were facing. It worked by filtering water through a porous ceramic disc or filter, which removed the worst of the dirt and contaminants contained within. Incredibly, such filters are still used in some parts of the world today. Image: G. Jackson.

cool stoneware jar thing

Just a cool stoneware jar made by Hill and Jones, of Jewry Street, London. Image: J. Garland.

Curtis and co.

Curtis and Co. were Lyttelton based soda water manufacturers, in business from the mid-1890s until the early 20th century. We excavated the site of their aerated water factory recently, and found a number of their bottles in a variety of shapes and sizes. Image: J. Garland.

chamber pot

A chamber pot decorated with interesting architecture. Check out those crenellations. Image: J. Garland.

belt buckle

A brass belt buckle found in the central city. We’re unsure whether or not the 1866 impressed on the top line is an indication of date or simply a batch or manufacturer’s number. It would be great if it was the former. Image: C. Dickson.

tubes

And, lastly, tubes and pipettes and ampules and other instruments of scientific discovery. These are pretty cool and very rare, part of a much larger assemblage of similar objects that we’re looking forward to investigating. Image: J. Garland.

 

 

Anecdotes from the appraisalists

Call us appraisalists, historical researchers, or even cyber archaeologists. Most of our day consists of using a wide variety of historical material to pull together the histories of sites around Canterbury (and to make sure those archaeologists in the field are digging in the right spot). It is only a matter of time in the course of our research before we come across some unusual and quirky stories in Christchurch’s history. Some of these stories from the early times of Christchurch stay with us, and we are often heard exclaiming about some exploit of the early colonists in our office.

So today we thought we would share a couple of the not so successful exploits of the early settlers of Christchurch. We enjoyed the research and hope to post more of these stories later in the year (on a lighter note maybe?)

A poor remittance – the life and times of Horatio Parkes
Horatio John Parkes was the cousin of British diplomat based in China, Sir Henry (Harry) Parkes. Horatio was a ‘remittance man’ (Christchurch City Libraries 2016: 7–8). Those who were identified as receivers of a remittance were often immigrants to British colonies financially supported by family back home. Reasons for this support varied from those wishing to seek their fortune, establishing a base for family to follow, or safety from personal tribulations such as legal or family troubles. In Horatio’s case we think the latter applies as he was shipped out on one of the four first ships, the ‘Sir George Seymour’, in 1850. Horatio was supported by his cousin, and lived on a section purchased for him in Christchurch called the ‘Grange’. Part of this section would eventually be sold to the government for the ‘Roimata Settlement’ which now forms part of Woolston today (Christchurch City Libraries 2016: 7–8).

Horatio is first mentioned in the local papers in 1853 for escaping with his life in the swollen Selwyn River in 1853. Sadly, however, is also noted that the very expensive horse and dray that he was borrowing were swept away (Lyttelton Times 7/5/1853:6). Over the course of the next thirty years Horatio would appear in the local magistrate’s courts for drunkenness, a tussle in a pub, unlicensed dogs, and even supported a friend in court when his ducks were unlawfully shot (Lyttelton Times 25/2/1860:4; Star 27/1/1886:3; Press 29/7/1889:3).

It seems that for all intents and purposes Horatio was a good guy who, unlike some remittance men, wanted to live a simple quiet life. Unfortunately for him, his run of bad luck (and possibly bad decision making) all came to a head in 1897 with a tragic death and an arrest for murder!

‘The Woolston Homicide’ took place in January 1897. Michael (or Patrick, newspapers were conflicting in the name) Ryan had been released from gaol months prior with nowhere to stay. As the story goes, Horatio allowed Ryan to stay a couple of nights, but it seems that Ryan outstayed his welcome. It is noted in one newspaper that Ryan used to arrive home drunk and abusive. On the night in question, Ryan assaulted Horatio with an axe. Horatio then managed to wrangle the axe from Ryan and responded with two blows of the axe, killing Ryan. Horatio maintained it was self-defence and at the age of 71 was charged for murder and, later, manslaughter (Waikato Argus 23/1/1897:2; Star 22/1/1897:3; Timaru Herald 25/1/1897:3). The coroner’s jury returned a verdict of justifiable homicide and the Grand Jury at the Supreme Court threw out the bill against him. Horatio died 25 June 1898, aged 73, and is buried in the Woolston cemetery (New Zealand, Cemetery Records [Woolston] 1898Star 27/6/1898:1). Not much was recorded after this incident, apart from the Public Trust and the settlement of his estate in 1898 (Press 16/7/1898:10).

So, just remember that tucked away somewhere in the suburb of Woolston is the site of an unfortunate murder of circumstance. It could be said that bad luck followed Horatio Parkes to the ends of earth, or maybe just the outer reaches of the British colonies.

Waikato Argus 23-1-1897 pg2

Figure 1. Waikato Argus 23/1/1897:2

The severed hand – a mysterious case
On 16 December 1885, the Godfrey brothers, Elisha and Frederick, discovered a severed hand whilst fishing at Taylors Mistake (Star 17/12/1885: 3). This discovery precipitated one of the most widely reported and sensationalised criminal cases in 19th century New Zealand. Inquest into the severed left hand began the following day, and the gold strap and buckle ring found upon one of the fingers identified the owner as Arthur Robert Howard (Press 18/12/1885).

It was reported that on 10 October 1885 Howard had gone for a swim at the Sumner beach and had drowned. His clothes were found neatly folded on the beach the following day (Evening Post 19/12/1885: 2). His wife, Mrs Sarah Howard, soon sought to make an insurance claim. However, the insurance companies were suspicious of a mechanic who earned £150 per annum but whose life was insured for £2,400. They refused to pay without proof of his death. Mrs Howard quickly advertised a £50 reward for the retrieval of his body (Figure 2).

$50 Reward

Figure 2. Star 13/10/1885: 2

Little was heard of the case again until two months later when the severed hand was discovered. The Sumner area was relentlessly searched for Howard’s body, all to no avail (Star 19/12/1885: 3). The police were soon suspicious of the convenient discovery of the hand. To begin with, the hand showed little of the signs of decomposition which would be expected for a hand floating in the ocean for nearly two months. When medical experts were brought in to examine the limb, little consensus could be met as to the cause of the hand’s severance. Some believed the hand showed signs of being severed by a shark, while others noted blows which looked to be created by a sharp instrument. Other examiners even questioned the sex of the hand, believing it to look quite feminine (Press 22/12/1885: 3). The gold ring found on one of the fingers had the letters “A. H.” engraved on the inside, further identifying Arthur Howard as its owner. However, when jewelers examined the ring, they noted that the rough burrs around the engraving indicated it was done within the last fortnight and, while done with a sharp instrument, it was not made with an engravers tool (Press 23/12/1885: 3). On 21 December Elisha and Frederick were arrested for conspiracy to defraud the insurance companies (Star 21/12/1885: 2). Mrs Howard’s arrest soon followed (West Coast Times 23/12/1885: 3).

The case was further sensationalised when the supposedly dead Mr Howard was arrested in Petone, just outside of Wellington on 4 January, 1886 (Press 5/1/1886: 3). Mr Howard’s story was soon uncovered. Following the faking of his own death in October 1885, Howard had removed to Waitapi in the Wairarapa district, where he worked on the Cameron’s station under the pseudonym of “Watts”. In December he moved to Wellington, where he donned a dark wig and mustache and went by the name of “John Watson” (Press 6/1/1886: 3). Howard also wore a black glove on his right hand, with gutta percha stuffed in the inside of the thumb to disguise the missing appendage he lost while fighting in Mexico (New Zealand Herald 8/1/1886: 5; Press 15/1/1886: 3). When Mr Howard was arrested his trunk was searched and a secret drawer containing a plethora of wigs and pigments to assist in forming disguises was found (Star 8/1/1886: 4).

On April 8, 1886, Mr and Mrs Howard, along with the Godley brothers, appeared before the supreme court in Christchurch. Arthur Howard was convicted of attempting insurance fraud. He received the maximum penalty of two years in jail. Mrs Howard and the Godleys, however, were acquitted (Press 8/04/1886: 2). Despite a number of graves being exhumed in in the Christchurch, Wairarapa and Wellington area, no handless body was found (Southland Times 22/1/1886: 2). The owner of the hand that was found on the beach remains unidentified to this day.

The story of the severed hand created a sensation throughout New Zealand. Companies jumped on the band wagon of the media hype and used the case as a means of advertising their products (Figure 3). People even complained that unless an article was headed “Severed Hand” no one would even read it (Star 18/1/1886: 3). Even before the case reached the supreme court, advertisements for a copy of “The Severed Hand: A full account of the Howard Mystery” appeared in the Star, complete with illustrations of all the conspirators (Star 29/1/1886: 2). This tale continues to intrigue readers today, with many readers still wondering whose hand it was…

point the finger

Figure 3. Star 21/1/1886: 2

Lydia Mearns and Annthalina Gibson

References

Ancestry, 2006-2016. [online] Available at www.ancestry.com.au.  

Christchurch City Libraries, 2016. Christchurch Street and Place Names. [online] Available at www.my.christchurchcitylibraries.com/christchurch-place-names/.

Papers Past. [online] Available at www.paperspast.natlib.govt.nz.