Baker, hotel-keeper, confectioner, merchant…..mayor.

Posted on 12 August 2013 by Jessie Garland

Once upon a time, there was a baker (a pie-maker, even) who left his home in Germany and travelled the length of the world to a small country in the South Pacific. There, in a young city built on a marsh, he made his name offering food, drink and lodging to weary travellers and local settlers alike. From near and far, they came to his hotel, his pie shop and his vault of wine until, eventually, he became so greatly esteemed that the citizens of the city on the marsh put forth his name and elected him to be their mayor. After he had retired, he still could not rest and continued to work tirelessly for the city, never once asking for recognition…

John George Ruddenklau, taken c. 1892. Image: Christchurch City Libraries, file reference CCL PhotoCD 15, IMG0097.

It may seem a little silly, but the life of John George Ruddenklau, one time Mayor of Christchurch and a man involved in so much of Christchurch’s early history, reads a bit like a fairy tale. Or, at least, like the archetypal tale of the man who sets forth to find adventure and make his fortune in the big wide world.

He was born in the town of Hesse Cassel in Germany in 1829, and “brought up in the bakery business” (Cyclopedia of New Zealand 1903: 107) before leaving for London in the early 1850s. There, he continued to work as a baker until he took a berth aboard a ship to New Zealand in 1857, landing in Lyttelton later that same year (Press 16/12/1891: 5).

In Christchurch, he opened a bakery (also referred to as a pie shop and confectioner’s) and a beer shop at either end of a row of four buildings on the corner of High and Colombo streets, in the heart of the business district (Andersen 1949: 270-71; Lyttelton Times 3/4/1861: 1). Initially, he shared the location with two other businesses (a grocery and an eating house), before gradually taking over the whole corner. As well as operating as a “fancy bread and biscuit maker” (Andersen 1949: 270-71; Press 14/09/1861: 7), he had established the City Wine Vaults there by 1861, offering rooms for refreshment as well as supplying alcohol (Lyttelton Times 17/8/1861: 5).

An advertisement for the City Wine Vaults (left) and a drawing of what became the City Hotel block, with Ruddenklau's pie shop and beer store visible at either end (right). Image: Lyttelton Times 17/8/1861: 5; Andersen, 1949: 270.

Left: An advertisement for the City Wine Vaults (Lyttelton Times 17/8/1861: 5). Right: The corner of Colombo & High streets before the establishment of the City Hotel, with Ruddenklau’s pie shop and beer store visible at either end (Andersen 1949: 270).

An 1864 advertisement for the opening of J. G. Ruddenklau’s City Hotel. Image: Lyttelton Times 12/4/1864: 5

Eventually this part of town came to be known as the City Hotel block, after the hotel that Ruddenklau opened there in 1864. In opening this hotel, Ruddenklau combined his various skills to provide “every comfort and convenience appertaining to a first-class hotel” (Lyttelton Times 12/4/1864: 5). By all accounts the City Hotel was a large, well-furnished establishment, claiming such luxuries as the “best billiard room in New Zealand” (Star 15/6/1868: 1). Its central location must have been great for business, especially after a cab stand, which later grew to include Hansom cabs, set up right outside his front door.

Unfortunately, when we excavated the site of the City Hotel (which later became the Triangle Centre) we found almost nothing in the way of archaeological material, a result of the long history of construction in that location (Hennessey 2012). The wooden City Hotel building that Ruddenklau built in the early 1860s was demolished before 1910 to make way for a stone and brick building known as Mitchell’s City Hotel (Rice 1999: 46).

A photograph of the City Hotel building on the corner of High Street and Colombo Street. This was taken in 1880s, after Ruddenklau's retirement, by E. Wheeler & Son. Image: Rice 1999: 46

The City Hotel building on the corner of High Street and Colombo Street. This was taken in 1880s, after Ruddenklau’s retirement, by E. Wheeler & Son. Image: Rice 1999: 46

What we did find, however, through archaeological excavations at other sites in Christchurch’s central business district, were fragments of ceramics printed with a pattern specific to the City Hotel and to Ruddenklau himself. The pattern is a rather garish pink and brown design, but the use of both the City Hotel name and Ruddenklau’s initials provides an interesting example of Victorian personal and commercial branding. It also suggests that Mr Ruddenklau was prosperous enough to warrant his own custom china set (which would have been made elsewhere in the world (probably Staffordshire) and imported into New Zealand).

Fragments of a saucer, teacup and mask jug, decorated with the City Hotel pattern and the initials J. G. R. Image: J. Garland.

The spout from a mask jug decorated with the City Hotel pattern and found in a site at the corner of Cathedral Square. Image: J. Garland

A closeup of the spout of the City Hotel mask jug found in a site at the corner of Cathedral Square. Image: J. Garland

One of the fragments, found at a site on the corner of Cathedral Square, formed the spout of a ‘mask jug’, a jug decorated with the moulded relief of a face on the spout. Jugs like this are relatively rare archaeologically (although there are a couple of complete ones in the Canterbury Museum), and can feature a variety of different ‘faces’,including the male bearded face depicted here.

The other City Hotel china fragments include pieces of a tea cup and a saucer, also found at the Cathedral Square site, as well as another sherd from a (different) hotel site on Lichfield Street. It’s interesting to consider how, exactly, such distinctively branded tea-wares (which were presumably, part of a much larger set) ended up in the ground at sites with no known connection to either the City Hotel or to J. G. Ruddenklau.

The most likely explanation probably revolves around the fact that Ruddenklau retired from the hotel business in 1869 and was succeeded by J. Oram, who ran the ‘J. Oram Sheppard City Hotel’ until the late 19^th century (Hennessey 2012: 3-4). Ruddenklau’s personalised china would have had no place in the new establishment and may have been sold off, probably cheaply, to those who didn’t mind drinking their tea out of cups and saucers decorated with someone else’s name. The appearance of such china, however, is particularly surprising at another – presumably competing – hotel.

Ruddenklau appears to have retired to his home in Addington after he left the City Hotel in 1869, at the relatively young age of 40 (Press 16/12/1891: 5). However, he apparently found retirement “irksome” (Press 16/12/1891: 5), and set himself up into business as a grain merchant, as well as getting involved in local politics.

Details of a testimonial presented to J. G. Ruddenklau for his efforts as Mayor during the International Exhibition hosted in Christchurch in 1882. Image: Evening Post 22/11/1882: 3

He was first elected to the Christchurch City Council in 1863, then again in 1873 and 1877 (Press 16/12/1891: 5). He followed this up by running for and being elected as Mayor of Christchurch in 1881 (Press 16/12/1891: 5) and again (unopposed) in 1882 (Star 22/11/1892: 3). During his time in office Christchurch hosted the International Exhibition, a showcase of exhibits from all over the world held in Hagley Park from April to July of 1882 (Christchurch City Libraries 2013). Numerous accounts of his mayoral career mention the success of this event (Evening Post 22/11/1882: 3; Press 16/12/1891: 5). Later, in 1884, he was exhorted to stand as one of the Canterbury members of parliament by the electors of Stanmore, which he then did as part of Sir Julius Vogel’s party (Press 15/07/1884: 4; Star 17/07/1884: 3).

A photograph of the temporary buildings constructed to house the New Zealand International Exhibition, hosted in Hagley Park in 1882.

The temporary buildings constructed to house the New Zealand International Exhibition, hosted in Hagley Park in 1882, during Ruddenklau’s tenure as mayor. Image: Christchurch City Libraries, file reference CCL PhotoCD 2, IMG0008.

As well as his involvement in local politics, it seems that John Ruddenklau was also a particularly active member of the local Christchurch community, like so many of the early Christchurch figures we’ve featured here on the blog. He served as the treasurer of the Albion Cricket Club (Lyttelton Times 3/10/1868: 1), Chairman of Christchurch Young Men’s Club Committee (Press 20/12/1883: 2), on the Board of Directors for the Canterbury Brewing Malt and Distillery Company (Press 2/07/1867: 3), and as President of the Christchurch German Association (Press 26/5/1863: 3), along with various other roles.

It was in that last role, as President of the German Association, that he was instrumental in procuring the ‘German Bells’ for Christchurch in 1873. These were church bells made for the German Church (Deutsche Kirche) from gun metal taken from the French by Germany during the Franco-Prussian war and gifted to the Association by Kaiser Wilhelm I (Press 26/5/1873: 3). The site of the German Church, on Montreal Street, was excavated as part of the construction of the Christchurch Art Gallery, which now stands in the same location. Interestingly, the church bells were taken down and melted following the end of World War I, seemingly as a result of anti-German and pro-French sentiments (Dominion 9/06/1919: 4).

John George Ruddenklau died in 1891 at the age of 72, following a long illness (Press 16/12/1891: 5). His name is not one that has endured in the public eye since his death, nor is he one of Christchurch’s more well-remembered figures. Yet his contribution to the early prosperity of this city is undeniable, and his tireless work, as a businessman, as a politician, and as an involved member of the 19^th century Christchurch community, makes him a man worth remembering. Thankfully, and it’s one of the greatest things about this job, the archaeological work we’re doing here at the moment gives us the chance to do just that.

Jessie Garland

Bibliography

Andersen, J. C., 1949. Old Christchurch in Picture and Story. Simpson & Williams Ltd, Christchurch.

Christchurch City Libraries, Digital Collections. [online] Available at: <http://christchurchcitylibraries.com/heritage/photos/disc6/IMG0061.asp>.

Cyclopedia of New Zealand [Canterbury Provincial District]. 1903. [online] Available at <http://nzetc.victoria.ac.nz/>.

Dominion. [online] Available at <http://paperspast.natlib.govt.nz>.

Evening Post. [online] Available at <http://paperspast.natlib.govt.nz>.

Hennessey, M., 2012. High, Colombo and Cashel streets triangle, Christchurch: A report on archaeological monitoring. Unpublished report for Mackey Leighs Demolition.

Rice, G. W., 1999. Christchurch Changing An Illustrated History. Canterbury University Press, Christchurch.

Press. [online] Available at <http://paperspast.natlib.govt.nz>.

Star. [online] Available at <http://paperspast.natlib.govt.nz>.

‘Is your breathing embarrassed?’

Posted on 26 July 2013 by Jessie Garland

Many of you will probably have heard of Baxter’s Lung Preserver, a local Christchurch product created in the 19^th century and still sold today. Bottles of Baxter’s, with the name of the product embossed on the sides, are common finds on late 19^th century sites throughout Christchurch.

A 19th century bottle of Baxter’s Lung Preserver found at a site in central Christchurch. Image: Jessie Garland.

As far as we know, the product originated in the late 1860s in Christchurch as the brainchild of a man named John Baxter, who set himself up as a chemist in the young city. The actual start date of the business is a bit unclear, as we have one advertisement from 1884 that claims over 25 years of operation (suggesting a date of 1859; Taranaki Herald 1/02/1884: 4) and another from 1939 that claims a 75 year history (suggesting a date of 1864; Evening Post 16/10/1939: 13). The 1864 date seems more likely, since we know that John Baxter died in 1895 at the age of 49 (Star 14/09/1895: 4), meaning he was born in 1846. It’s a little unlikely that a 13 year old would start a pharmaceutical business, but an 18 year old doing so isn’t quite so much of a stretch.

Advertisement for Baxter's Lung Preserver from 1939.

Advertisement for Baxter’s Lung Preserver (Evening Post 16/10/1939: 13).

Whatever the start date, it’s clear that by the 1870s, Baxter was well established in Christchurch, with premises on Cashel Street in something called ‘Medical Hall’ (Star 13/08/1875: 4) as well as on the corner of Victoria and Durham Street. The business continued at the Victoria Street address well into the 20^th century, with his sons taking over after Baxter’s death in 1895 (Cyclopedia of New Zealand 1903).

Advertisement for Professor Brown’s herbal remedies, sold at Baxter’s chemist, Christchurch (Press 17/04/1885: 4).

Like George Bonnington, John Baxter became well known for his own creations, and also sold products created by other chemists. Along with his lung preserver, Baxter advertised Baxter’s Anti-Neuralgic ‘magic pills’, Compound Quinine Pills, cures for indigestion and remedies for liver complaints. He was also known to stock herbal remedies and ointments from a Professor O. P. Brown, as well as non-pharmaceutical objects like the 1885 Shakespearian Almanac and various other things (Press 17/04/1885: 4).

Like so many pharmaceutical remedies of the late 1800s, Baxter’s was often advertised in local newspapers using testimonials from apparently satisfied clients. Just a quick scroll through 19^th century newspapers from all over the country brings up countless enthusiastic letters and quotes from “faculty, clergy and others” who claimed that Baxter’s Lung Preserver had cured them of their ills and succeeded where other remedies had failed (Press 04/08/1873: 2).

Testimonials for Baxter’s Lung Preserver (Press 4/10/1883).

Other advertisements played on concerns of the time and offered to cure a range of complaints, most of which were respiratory illnesses or problems – cough, colds, bronchitis, congestion of the lungs. My personal favourite offers Baxter’s Lung Preserver as a remedy for “embarrassed breathing” as well as the more common respiratory problems (Evening Post 29/01/1887: 2).

Advertisement for Baxter’s Lung Preserver (Evening Post 29/01/1887: 2).

We’re not sure exactly how effective Baxter’s Lung Preserver would have been at curing the things it claimed to fix, since we don’t know exactly what was in it. The modern version, still sold today, uses the active ingredient ipecacuanha (a Brazilian plant used as an expectorant and emetic; API Consumer Brands 2013), but we have no way of knowing if this is the same as the Victorian recipe. Some anecdotal information suggests that it might have had a high alcoholic content, which would be in line with many of the other patent medicines of the time, especially those directed at coughs and colds.

Whatever its ingredients, it’s clear from the wealth of historical information and archaeological finds, that Baxter’s Lung Preserver was a hugely popular product, not just in Christchurch, but throughout New Zealand. It’s a testament to Baxter’s legacy and the tenacity of his products that his business lasted so long after his death and his products continue to be sold in shops today.

Jessie Garland

References

API Consumer Brands. 2013. [online] Available at <http://www.api.net.nz/brands/consumer-division/baxters-range>.

Cyclopedia of New Zealand [Canterbury Provincial District]. 1903. [online] Available at <http://nzetc.victoria.ac.nz/>.

Evening Post. [online] Available at <http://paperspast.natlib.govt.nz>.

Manawatu Standard. [online] Available at <http://paperspast.natlib.govt.nz>.

Press. [online] Available at <http://paperspast.natlib.govt.nz>.

Star. [online] Available at <http://paperspast.natlib.govt.nz>.

Taranaki Herald. [online] Available at <http://paperspast.natlib.govt.nz>.

West Coast Times. [online] Available at <http://paperspast.natlib.govt.nz>.

A humble home

Posted on 21 June 2013 by Jessie Garland

Today’s post presents the story of William Bowen, a prominent Christchurch builder, as told by his residence at 441 Madras Street. Archaeologists recorded this building using building archaeology techniques before and during its post-earthquake demolition. 441 Madras Street was initially numbered 9 and then 13 Madras Street before the Christchurch’s street addresses were reorganised in 1911.

William and Ellen Bowen emigrated from Birmingham in 1873 and settled in Christchurch (Macdonald Dictionary of Canterbury Biography B604). William plied his trade as a carpenter in the city over the next decade. In 1891 William and Ellen purchased an empty section on the St Albans extension of Madras Street (LINZ 1891). Here William constructed the house that became the Bowen family home.

The house that William Bowen built at 441 Madras Street.

Over the next 18 years William developed a very successful construction business in Christchurch, becoming one of the city’s foremost builders. As well as his St Albans residence, William owned large premises on Kilmore Street in the central city from which he operated his construction business (Press 2/3/1910). William worked on many major building projects in Christchurch. Some of these became well-known buildings of 19th century Christchurch, such as the Theatre Royal on Gloucester Street (Press 2/1/1907) and Warners Hotel in Cathedral Square (Press 12/7/1900). William was also very active in the building industry’s political scene, being the director of the Industrial Building Society (Press 21/5/1897) and president of the Builders and Contractors Association of Canterbury (Press 29/7/1906). He also seems to have enjoyed participating in Christchurch’s social and recreational clubs. William was vice-president of the Christchurch Amateur Rowing Club (Press 3/9/1904) and a member of the Canterbury Automobile club, for which he drove a ‘French car’ in their Easter rally (Press 8/4/1904).

William Bowen’s professional advertisement (Star 1/5/1908).

William also dabbled in property development. The year after they purchased 441 Madras Street William and Ellen Bowen bought the neighbouring property at 443 Madras Street and built a house there before selling it in 1896, presumably for a profit (LINZ 1890). This building was also recorded by archaeologists before it was demolished.

William Bowen died in 1909 (Star 8/10/1909). At the time of his death he owned another house and section at 483 Madras Street and two more undeveloped sections on Madras Street near Canon Street (Press 8/12/1910). The auction of his estate in 1912 provides an insight into his lifestyle through the list of chattels.

Advertisement for the sale of 441 Madras Street (Press 21/9/1912).

In contrast to his thriving professional and social life, the archaeological investigation of his house at 441 Madras Street revealed a surprisingly modest residence. The Bowens purchased 441 Madras Street at a time when the outskirts of Christchurch were rapidly developing their suburban character. William Bowen, with his residential life in St Albans and large business premises in the inner city, was typical of the movement towards separation of work and living space that was becoming increasingly common as the city of Christchurch grew and developed.

The section at 441 Madras Street was originally larger than it is today, with room for stables, a carriage shed and a motor shed (perhaps used to house the French car’ that William drove in the 1904 Automobile Club rally). However, the house itself, with eight rooms, was surprisingly modest for a man of means with a large family. In contrast, John Cracroft Wilson built himself an 11-roomed house in Cashmere for his family of three (in the 1850s). Bowen’s house was a single-storey weatherboard villa typical of those constructed in late 19^th century New Zealand and, like most villas, was formulaic in design. The house was situated on the street front, with a verandah on its front elevation. A central hall ran the length of the house, with rooms opening off to either side.

Floor plan of the house at 441 Madras Street. Image: K. Webb.

No overt indications of conspicuous display were identified in the house. One might have expected a man such as William Bowen to have had a two-storey house, with ornate decorations, such as stained glass and cast iron work, on its exterior. The only stained glass around the front entrance of 441 Madras Street was installed in the 1980s. However, several decorative features were recorded inside. These included a mosaic of tessellated tiles at the foot of the front door, a moulded plaster hallway arch, and several ornate ceiling roses and picture rails. These features are not unusual in late 19^th century Christchurch houses, and are particularly common in houses occupied by the respectable middle-class.

Decorative features in the house at 441 Madrass Street. Clockwise from left: the mosaic of tessellated tiles at the foot of the front door; detail of the moulded hall arch; detail of a picture rail; one of the moulded ceiling roses. Images: K. Watson.

The house had five fireplaces, four of which remained in their original condition. These fireplaces had moulded timber surrounds and were decorated with embossed patterns or colourful painted tiles. One fireplace was of particular interest. Along with decorative tiles, the fireplace had embossed panels emblazoned with the words ‘The Congo’ and the head of a mustachioed man flanked by two lions. This man was identified as Sir Henry Morton Stanley, a Welsh-American journalist and explorer famous for uttering “Dr. Livingstone, I presume” upon discovering the missionary in Tanzania in 1871. Stanley had a long and complicated association with the Congo region, one that has subsequently been approached with criticism (Driver 1991). It is not clear why Stanley’s head was considered appropriate decoration for a suburban fireplace in Christchurch. Perhaps it was created in celebration of his feats of exploration. Or perhaps it was produced by a fireplace manufacturer named for the Congo. At the height of his popularity, Stanley’s image was used to sell “everything from soap to Bovril” (Driver 1991: 134).

Fireplace panel embossed with the head of Sir Henry Morton Stanley. Image: K. Watson.

The historical sources depict William Bowen as an extremely industrious and successful tradesman, active in both professional and social organisations. He was not only employed on major construction projects, but dabbled in property development and was presumably wealthy. The archaeological examination of his residence adds a new dimension to this image. While a comfortable residence, 441 Madras Street was more modest than what could have been expected of a prominent tradesman with a large family. It is possible that the house was built before the height of William’s success, and the family did not feel the need to change it. Alternatively, the residence could be attributed to William’s personal taste, and presumably that of his family, and may have been related to his religious faith.

William Bowen was a member of the Methodist (Wesleyan) church, and prominent in Methodist affairs in Christchurch. Several contemporary newspaper items indicate that both William and Ellen were active members of the St Albans Crescent Road Wesleyan Church (Press 1/5/1897) and that William was president of the Wesleyan Sunday School Union (Press 8/12/1900). The Methodist church emphasised discipline and social responsibility (Shoebridge 2012), and their religious affiliation no doubt influenced the Bowens’ lifestyle, including the house William built for his family on Madras Street.

Rosie Geary Nichol

References

Driver, F., 1991. Henry Morton Stanley and his Critics: Geography, Exploration and Empire. Past and Present 133: 134-166.

LINZ, 1890. Certificate of title, CB144/91. Landonline.

LINZ, 1891. Certificate of title, CB147/38. Landonline.

Press. [online] Available at: http://paperspast.natlib.govt.nz/cgi-bin/paperspast.

Shoebridge, T., 2012. Methodist Church. [online] Available at: http://www.TeAra.govt.nz/en/methodist-church.

Star. [online] Available at: http://paperspast.natlib.govt.nz/cgi-bin/paperspast.

Medicating the masses: a wholesale druggist in Edwardian Christchurch.

Posted on 31 May 2013 by Jessie Garland

In our last post, Jeremy talked about the site of H. F. Stevens, wholesale druggist, on Worcester Street near Cathedral Square. We excavated the site in 2011 and found a number of artefacts, including the Udolpho Wolfe’s bottles featured last week. We also found a range of other pharmaceutical remedies, local and international in origin, and a few household artefacts. These artefacts let us catch a glimpse of what went on inside a successful wholesale pharmaceutical company in Edwardian Christchurch.

One of the artefact deposits exposed during our excavation of the H. F. Stevens site on Worcester Street. Image: Matt Carter

H. F. Stevens. Image: Jeremy Moyle.

Henry Francis Stevens established himself as a wholesale druggist in 1887. It’s not clear whether he had any official medical or pharmaceutical training before he began his business , but his father, George, had been a dispensing apothecary in England. It’s quite likely that Henry gained some experience with the distribution and retail of pharmaceutical products as a result of his father’s occupation and applied it to his fledgling business in Christchurch.

Initially, Stevens operated out of a building at 112 Manchester Street, but shifted to premises at 138 Cashel Street in the early 1890s. Finally, in 1906, he moved again, this time to a large custom-built building in Worcester Street, a prime location in the heart of the Christchurch’s central business district. The new building was designed by local architect Alfred Henry Hart, who died fairly soon after its construction, in 1908. Described as having an “elaborate Edwardian façade” (Christchurch City Libraries), the building was laid out with a warehouse and yard to the rear and offices and a service counter at the front of the building. Stevens employed a number of clerks and assistants in the business, who would have filled these offices and manned the counter every day.

Advertisement for Loasby’s Cough Remedy, stocked and distributed by H. F. Stevens.
Image: Ashburton Guardian, 1909.

Stevens was a successful businessman, something we can see in the numerous advertisements for his products in the newspapers of the time. These ads tell us that he sold and distributed all kinds of things, from culinary essences, scented oils and shampoo to cures for dyspepsia, coughs, headaches and various other ailments. Products like Golden Valley Ointment, Wilson’s Pepsin and Cascara, Hendy’s Celebrated Juleptia for the Hair and Loasby’s Mighty Cough Cure were all available ‘wholesale from H. F. Stevens’.

Advertisement for Golden Valley Ointment, a skin remedy stocked by H. F. Stevens. Image: Press, 1916.

During our archaeological investigation of the site, a range of domestic and commercial artefacts were found, including a toothpaste pot, food-related objects, animal bones and soda water and alcohol bottles, as well as a large number of pharmaceutical and cosmetic containers. This is typical of the range of artefacts found during the archaeological excavation of late 19^th and early 20^th century businesses in Christchurch.

Some of the artefacts found at the H. F. Stevens site. From left to right are three Symington’s Coffee and Chicory bottles, an Udolpho Wolfe’s Aromatic Schnapps bottle and a small ceramic bottle of Stephen’s Ink. Image: Jeremy Moyle.

The pharmaceutical bottles and cosmetic products found would have been stocked in the H. F. Stevens warehouse and sold, along with items like the toothpaste pot. A number of different ink brands were excavated, including Stephens Ink, Fields Ink and Antoine’s ‘Encre Japonaise’. These were almost certainly used by the clerks employed by Stevens, as they recorded incoming and outgoing goods and kept the accounts of his thriving business. It’s possible that the soda water bottles (sometimes known as aerated water) were also being sold on the premises, but it’s equally possible that they were being drunk by Stevens or his employees during their working day.

Anchovy paste jar found at the H. F. Stevens site. The label reads “ANCHOVY PASTE / For SANDWICHES. / BY APPOINTMENT / PURVEYORS to / Her MAJESTY. / PREPARED BY/ CROSSE & BLACKWELL / ESTABLISHED / IN 1706 / 21.SOHO SQUARE. / LONDON”. Image: Jeremy Moyle.

And what about the food-related artefacts found at the site? These included a platter, a tureen and an egg cup, as well as the bones from several meals, a jar of anchovy paste and salad oil and Worcestershire sauce bottles. While the last three products may have been sold by H. F. Stevens, the presence of the other meal debris suggests that meals may have been served at the building. Not enough is known about the company to know whether they may have served their employees meals, or whether they may have had functions for the directors on the premises.

Although we found numerous pharmaceutical bottles at the site, only a few were labelled with a product name. These included cosmetic and so-called medicinal products such as Bonnington’s Irish Moss, Eno’s Fruit Salts, Barry’s Pearl Cream and Resinol. Both Bonnington’s Irish Moss and Eno’s Fruit Salts may be a familiar names to many, as they’re still made today.

Advertisement for Eno’s Fruit Salts from 1935. Image: Auckland Star, 1935.

Bonnington’s was created by George Bonnington in Christchurch in the 1870s and sold throughout the following decades for the relief of coughs, colds and other respiratory illnesses, while Eno’s Fruit Salts were marketed as an antacid or remedy for gastrointestinal complaints. Resinol and Barry’s Pearl Cream, on the other hand, were both cosmetic products. Resinol (“for a fresh and velvety complexion!”) was created in Baltimore, Maryland, by Dr Merville Hamilton Carter, while Barry’s Pearl Cream (“for an alabaster complexion!”) was first made by an American named Alexander Barry, in New York.

Advertisement for Bonnington’s Irish Moss published in 1915. Image: Hawera and Normanby Star, 1915.

Advertisement for Barry’s Pearl Cream from 1876. Image: New Zealand Herald, 1876.

One of the most interesting things about the pharmaceutical bottles from the site is that no advertisements were found in newspapers of the time connecting H. F. Stevens with these products. This is despite the many, many, advertisements found in contemporary newspapers for products sold by Stevens. This contrast between the archaeological and historical record highlights the power of archaeology to provide us with information about a site or a business that might be missing from the historical record.

Although we didn’t find many artefacts from this site, they did tell us some things about H. F. Stevens’s business that we weren’t aware of. From products we didn’t know he stocked to information about the daily activities of the people he employed, the archaeology revealed some of the little pieces of history that had been lost from our records and, in doing so, enriched our understanding of this site and its place in Edwardian Christchurch.

Jessie Garland

Bibliography

Ashburton Guardian. [online] Available at http://paperspast.natlib.govt.nz.

Auckland Star. [online] Available at: http://paperspast.natlib.govt.nz.

Carter, M. and Moyle, J., 2011. 148 Gloucester Street, 32 Cathedral Square, 103 & 105 Worcester Street, Christchurch: Report on archaeological monitoring. [online] Available at: https://quakestudies.canterbury.ac.nz/store/download/part/20449.

Christchurch City Libraries, Digital Collections. [online] Available at: http://christchurchcitylibraries.com/heritage/photos/disc6/IMG0061.asp

Cyclopedia of New Zealand [Canterbury Provincial District], 1903. [online] Available at: http://nzetc.victoria.ac.nz/tm/scholarly/tei-Cyc03Cycl-t1-body1-d3-d36-d7.html.

Hawera and Normanby Star. [online] Available at: http://paperspast.natlib.govt.nz.

Lost Christchurch: Remembering our Lost Heritage. [online] Available at http://lostchristchurch.org.nz/bonningtons-chemist.

Moyle, J., 2012. An Exploration of the EAMC Database: The Assessment of a Potential Tool for Developing the Practice of Historical Archaeology within New Zealand. Unpublished BA Hons dissertation, University of Otago.

New Zealand Herald. [online] Available at http://paperspast.natlib.govt.nz.

Press. [online] Available at: http://paperspast.natlib.govt.nz.

Star. [online] Available at: http://paperspast.natlib.govt.nz.

Making a mark on Christchurch – tea sets, houses and cathedrals

Posted on 15 May 2013 by Jessie Garland

In 1863, the Captain Cook departed Glasgow for the small port of Lyttleton, New Zealand. On board was a man by the name of Samuel Jamieson, who was travelling to Christchurch with his wife Maria and four children.

Like so many early settlers in Christchurch, Samuel established a business in the city. A joiner by trade, he started a building firm that his sons, James and William, subsequently took over and ran well into the 20^th century. By the turn of the century, J & W Jamieson, as it became known, was one of the leading construction companies in Christchurch. They were responsible for the erection of the Roman Catholic cathedral on Barbadoes Street in the early 1900s, as well as the Government buildings in Cathedral Square (1911), the Christchurch Press building (also in the Square), and the Auckland Post Office.

James Jamieson. Image: Cyclopedia of New Zealand, 1903.

James Jamieson, who we’re interested in today, married and he and his wife had three daughters, Mary, Maria and Jeannie. Tragically, his wife, Jeannie Hay Jamieson, died in 1887 at the age of 24, possibly during childbirth. We don’t know if James remarried, but in 1906, he and his now adult daughters moved to a large house on Hereford Street, and in 1909 built what became known as Williams House on the same site.

We excavated part of the Williams House site on Hereford Street last year and found an interesting collection of artefacts. We believe these were discarded by the Jamieson family during the first few years of their life in Hereford Street, before they moved into Williams House. The assemblage is filled with bits and pieces of household rubbish, much of it ordinary, like pharmaceutical and perfume bottles, plates and chamber pots, metal containers and old sheep bones.

Excavation of the basement found at the Wiliams House site. You can see some of the artefacts emerging from the ground in the center of the photo. Image: Kirsa Webb.

There are, however, a few things which are especially evocative of the daily life of James Jamieson and his daughters. A few bottles of artistic and photographic materials suggest an interest in painting or photography (or both). This is perhaps not surprising, given that James collected art, had a gallery in Williams House and was involved in the Canterbury Society of Arts. We didn’t know, however, that James – or his daughters – were actively involved in artistic pursuits themselves.

Winsor and Newton glass bottle found at the Williams House site. Winsor and Newton were famous suppliers of artist’s materials from 1837 onwards, including inks and paints. Image: Kirsa Webb.

Maclaren’s Imperial Cheese jar found at the Williams House site. Image: Kirsa Webb.

Another glass jar contained something called Maclaren’s Imperial Cheese, an early spreadable cheese imported from Canada. It must have been disgusting, but its presence makes us wonder which of the family bought it and whether or not they liked it.

Perhaps the most interesting of the artefacts found was an almost complete blue and white tea set, which we can easily imagine one or more of the Jamiesons using to entertain guests in the home or provide daily afternoon teas for the family.

A tea set found at the Williams House site on Hereford Street, Christchurch. The set was made by a Staffordshire pottery, John Aynsley and Sons, between 1891 and 1909 and is decorated with a transfer printed floral pattern and gilt banding around the edges. Image: Jessie Garland.

A ladies tea gown, as advertised in the Auckland Star in 1895. Image: Auckland Star.

Tea drinking was an important aspect of Victorian and Edwardian life in New Zealand, in a way that it isn’t really anymore. As well as being a social and cultural link to Britain, an afternoon tea party could be a social event in itself. Afternoon tea originated in the 1840s with the Duchess of Bedford, a friend of Queen Victoria, and had its own etiquette and rituals, involving everything from elaborate tea gowns to beautiful, fine, matching tea sets to food (Maclaren’s Imperial Cheese, perhaps?).

This particular tea set is made of bone china, a type of fine china often used for tea-wares, especially those bought by people of higher social status and/or wealth than average. It’s not surprising to find a bone china set in this context – we already know that, as the co-owner of a very successful company, James Jamieson was prosperous, and this part of Christchurch was fairly popular with the city’s elite at the time. The large house that they moved into had previously belonged to George and Julia Hart, who built it in the 1870s and were prominent members of society in Christchurch.

It is, however, quite rare to find a complete or almost complete tea set in one archaeological site. People are much more likely to throw away a single cup or saucer than they are to discard an entire set. We have to wonder then, what happened to lead to James or his daughters throwing this one away. Personally, I like to think that someone tripped over a cat and flung the tea tray across the room. Alternatively, the tea set may simply have been replaced by a newer and more fashionable set.

However it was thrown away, this tea set, along with the art and photography bottles and the spreadable cheese, allows us a glimpse into the lives of the Jamiesons and the opportunity to follow them through time. We started with a man, his wife and their children, who travelled half way across the world to a new life. They and their descendants built a successful business, helped to build a city and, in so doing, established a prominent position for themselves in Christchurch.

Jessie Garland

Bibliography

Auckland Star. [online] Available at: http://paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=CL1.AS&e=——-10–1—-0–.

Acland, L. G. D., 1975. The Early Canterbury Runs (4th ed.). Whitcoulls, Christchurch.

Christchurch City Council, 1986. The Architectural Heritage of Christchurch. 5. Government Buildings. [online] Available at: http://christchurchcitylibraries.com/Heritage/Publications/ChristchurchCityCouncil/ArchitecturalHeritage/GovernmentBuildings/.

Christchurch City Libraries, 2012. The Cathedral of the Blessed Sacrament. [online] Available at: http://christchurchcitylibraries.com/Heritage/Places/Buildings/Worship/BlessedSacrament.

Cyclopedia of New Zealand [Canterbury Provincial District], 1903. [online] Available at: http://nzetc.victoria.ac.nz/tm/scholarly/tei-Cyc03Cycl-t1-body1-d3-d36-d7.html.

Press. [online] Available at: http://paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=CL1.CHP&e=——-10–1—-0–.

Star. [online] Available at: http://paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=CL1.TS&e=——-10–1—-0–.

Wises New Zealand Post Office Directories. Held by the Christchurch City Library.

Our thanks also go to Erin Kimber (Macmillan Brown Library), Gareth Wright (Christchurch City Council) and Sarah Murray (Canterbury Museum) for their assistance in tracking down information for this post.

Christchurch uncovered

Exploring Christchurch's past through archaeology

Author Archives: Jessie Garland

Baker, hotel-keeper, confectioner, merchant…..mayor.

‘Is your breathing embarrassed?’

A humble home

Medicating the masses: a wholesale druggist in Edwardian Christchurch.

Making a mark on Christchurch – tea sets, houses and cathedrals