In which the emanation of effluvia is offensive to one’s senses

Continuing on from last week’s blog, today’s post takes a look (or a sniff, if you will) at the aromas of everyday life inside a Victorian house. Smell is such an intrinsic part of human life, yet so fleeting that it can only be experienced directly in the present moment. The smells of the past, as Hamish mentioned last week, are only available to us indirectly, through written descriptions and the power of our imagination (itself based upon our own past olfactory experiences).

As far as the 19th century is concerned, many of the everyday scents and aromas experienced by people in Christchurch would still be familiar to us, even now. Others, however, have faded from daily life during the intervening decades as household products and technologies have gradually been replaced by modern, odourless, alternatives.

A lovely brass candlestick (used by Colonel mustard in the library, perhaps...). We think that the pieces of fabric stuck to the metal are just the remnants of the wrapping it was thrown out in, rather than a functional or decorative part of the candlestick itself. There's even a candle stub still visible inside the holder, near the base. Image: J. Garland

A brass candlestick found in Christchurch. Image: J. Garland

The smell of lighting, for example, is something that wouldn’t even register as a household smell now. Yet, in the 19th century, everything that produced light (with the exception of the sun, of course) – candles, kerosene lamps, gas lamps, wood or coal fires – would also have produced a smell.  Some of these have featured on the blog before, in the form of candle sticks and fireplaces found on Christchurch sites, but we’ve not really considered them in the context of their smell before.

Many of the fireplaces we’ve come across would not have ‘drawn’ well, meaning there would often have been coal or wood smoke in the room while they were lit. Kerosene lamps were notorious for their smell, to the point that advertisers made an effort to emphasise the less ‘distasteful’ smell of their own products (Wairarapa Daily Times 7/2/1913: 7). Candles were made from a variety of materials, from cheap tallow to spermaceti (a wax found in sperm whales) and paraffin wax, some of which gave off distinctive smells and some of which did not. Even ‘odourless’ candles, though, such as ‘sperm candles’, would still have contributed to the scents of the household through the smell of the wick as it was extinguished, or matches as it was lit.

Advertisements for household lighting and heat

Advertisements for household lighting and heat. Left to right: advertisement for gas lighting, which avoids the “soot, smell and sadness” of other lighting methods (Northern Advocate 6/8/1920: 4); advertisement for Apollo Sperm Candles (Evening Post 8/8/1903: 15); advertisement for clean Shell kerosene heaters (Wairarapa Daily Times 7/2/1913:7)

Article on the creation of an allegedly odourless 'super-cabbage'. Image:

Article on the creation of an allegedly odourless ‘super-cabbage’. Image: New Zealand Herald 21/5/1935: 4.

On the other hand, the smell of cooking – and food, in general – is one that we’re used to today, although perhaps not to the same extremes as in the 19th and early 20th centuries.  As well as the smell of coal ranges or cooking fires, people during the period seem to have been particularly concerned with the aromas of cooked vegetables and meat permeating through the house (Ashburton Guardian 31/3/1900: 4). Newspapers from the time are full of advice on how to prevent the smell of cooking from spreading, with noticeable emphasis on the smell of cooking cabbage, onion and other boiled green vegetables (North Otago Times 20/12/1906: 1New Zealand Herald 5/07/1930:7). Of course, some of the cooking smells of the time must have been more palatable than others: the aroma of fresh bread or baking, for example, is unlikely to have provoked such negativity.

Advice on how to prevent cooking smells from permeating through the house. Images:

Advice on how to prevent cooking smells from permeating through the house. Images: Evening Post 21/4/1939: 6Ashburton Guardian 31/3/1900: 4New Zealand Herald 7/9/1929: 7

However, food smells wouldn’t have been limited to cooking. Without the refrigeration that we have today, even the storage of food in a house would have generated a variety of smells – some good (spices, perhaps) and some bad. We talked about a few of the foodstuffs that we’ve found on sites in Christchurch a little while ago. Some of these – the anchovy paste, for example – probably smelled quite pungent to start with, let alone after they’d been sitting in unrefrigerated storage for any length of time. In fact, many of the food-related artefacts we find, from vinegar bottles to Bovril to jars of ground cheese, would have had fairly distinctive aromas that we tend to forget about when we’re looking at them.

An Anchovy Paste jar found in Christchurch and accompanying recipe from 1904. Image: J. Garland, Otago Witness 17/08/1904: 67.

An anchovy paste jar found in Christchurch, and recipe from 1904. Image: J. Garland, Otago Witness 17/08/1904: 67.

Perhaps the most obvious difference between the household smells of then and now is, as it was with the smells of the outside world, related to the management of human waste, sanitation and personal hygiene. Last week, Hamish mentioned one site with a crudely made drain, which might have contributed to the smell of the sewer travelling up the pipe and into a house. We don’t know how common an occurrence this might have been in 19th century Christchurch, but we do know that the smell of human waste would have been a strong presence in houses anyway, thanks to the use of chamber pots – a multitude of which have been found on sites in the city.

Part of a chamberpot decorated with the May Morn pattern. Image: J. Garland.

Part of a chamberpot decorated with the May Morn pattern. Image: J. Garland.

For many 19th century households, the toilet (or privy) would have been located outside, separate from the main house or attached to the rear of the dwelling (Butcher & Smith 2010). While this set-up would have been fine for use during the day, chamber pots were common household items for use during the night, when it was too cold or too dark to stumble outside to the privy. Even when emptied frequently, the smell must have been fairly pervasive and less than pleasant.

An 1870s article describing the use of coffee as a disinfectant and de-odouriser. Image:

An 1870s article describing the use of coffee as a disinfectant. Image: Southland Times 3/6/1870: 3

However, there were a number of methods and products available in the 19th century to combat the more unpleasant household smells, products that would have themselves contributed to the overall aromatic signature of the Victorian Christchurch home. Examples of 19th and early 20th century cleaning products from Christchurch sites have featured here on the blog before. All of these would have provided a fairly strong assault on the nostrils, particularly the disinfectants like Kerol, Lysol and Jeyes Fluid (New Zealand Herald 22/1/1912: 8). Other methods of preventing ‘noxious odours’ in the home included the cooking tips mentioned above, the careful placement of flowers or floral scented sachets (lavender or rose, usually; New Zealand Herald 26/10/1912: 6), or the use of coffee as a “powerful means…of rendering animal and vegetable effluvia innocuous” (Southland Times 3/6/1870: 3).

 

 

Kerol bottle found in Christchurch, along with 1920s poem singing the praises of the disinfectant. Images:  Colonist 24/02/1920; J. Garland.

Kerol bottle found in Christchurch, along with 1920s poem singing the praises of the disinfectant. Images: Colonist 24/02/1920; J. Garland.

Sadly, due to the constraints of space, in this post I’ve really only touched on the plethora of smells that would have defined a household in the 19th century. I’ve not mentioned the smell of the building itself (wallpapers, particular types of timber, the damp; Bruce Herald 23/10/1872: 9) or the smell of household animals or pets or many of the other scented household products (for better or for worse) that would have been in use (Evening Post 20/2/1930: 7). Not to mention the personal smells created by people themselves, from the smell of their clothing (washed and unwashed), the smell of leather shoes, individual perfumes or lack thereof, the smell of a person’s hair (which may have been washed with beetle juices!) or the soap that they used.

There are so many individual scents that make up the olfactory experience of our daily lives that it can be difficult to imagine that experience as a whole in the past, to combine all of the smells we’ve mentioned, this week and last, into an idea of what it was like to breathe in deeply in 19th century Christchurch. It can also be difficult to separate out the various smells that contribute to our own experience, especially the ones we’re so used to that we barely notice them anymore. You have to wonder if perhaps it was a bit like that for people in the 19th century as well: perhaps, so many of these smells were so common that they hardly registered in day to day life. For us, though, even imagining such smells has the power to make that daily life – those past scenes and experiences – more real, in a way that few other senses do.

Jessie Garland

References

Ashburton Guardian. [online] Available at www.paperspast.natlib.govt.nz

Bruce Herald. [online] Available at www.paperspast.natlib.govt.nz

Butcher, M. & Smith, I., 2010. Talking trash: classifying rubbish-bearing deposits from colonial New Zealand sites. Journal of Pacific Archaeology 1(1): 43-61.

Colonist. [online] Available at www.paperspast.natlib.govt.nz

Evening Post. [online] Available at www.paperspast.natlib.govt.nz

New Zealand Herald. [online] Available at www.paperspast.natlib.govt.nz

North Otago Times. [online] Available at www.paperspast.natlib.govt.nz

Otago Witness. [online] Available at www.paperspast.natlib.govt.nz

Southland Times. [online] Available at www.paperspast.natlib.govt.nz

Public faces and private spaces: domestic pride and hygiene in the 19th century

Today’s post continues the theme of the last one (a little), in terms of exploring the relationship between products and industries in the past and their connection with our lives today. It’s easy to scoff at some of the things we learn about the 19th century – like how backward the ideas were – but there are certain aspects of history that remind us how some human traits transcend time and generations. One such aspect of human behaviour that’s come to my attention recently, thanks to some artefacts we’ve found in Christchurch, is to do with cleaning the house, of all things. Specifically, how we can see delineations between public and private spaces in the products used by a 19th century household as much as we can see it in the actual physical structure of the house itself.

The object that triggered this train of thought was found recently, on a site in the Christchurch CBD. It’s a small ceramic pot, similar to others that we’ve come across before, that has the useful distinction of still having its label attached. This label identifies the original contents of the pot as Joseph Pickering & Sons’ “celebrated polishing paste”, for “cleaning and beautifying” a range of metal objects. The significant word here, I think, is ‘beautifying’. Products like this polishing paste had a very specific purpose, and that purpose had everything to do with appearance. After all, something is polished so that it can be seen, is it not? Shiny harness ornaments, gleaming silver and brass, burnished copper – they’re there to look good, and to make the people associated with them look good in the eyes of others. The virtue of keeping a clean house, and the reflection of that virtue on a person’s character, is not a new concept to any of us (even if we don’t always follow through as much as we should). Pickering’s polishing paste is a product that has everything to do with this concept, with that public face of a household or business and the social construct of domestic pride.

This pot of Pickering & Son's polishing paste was found on a site in Christchurch's CBD. The label reads:

This pot of Pickering & Sons’ polishing paste was found on a site in Christchurch’s CBD. Often, ceramic pots like this are identified as toothpaste pots. However, the  attached label on this one reads: “JOSEPH PICKERING & SONS / CELEBRATED POLISHING PASTE / For cleaning and beautifying brass, copper, tin, German Silver, Brittania metal goods, harness ornaments, carriage glasses, windows.” Another piece of the label was found inside the pot. Not all of it was legible, but what we could make out reads: “Directions of Use / Take piece of wet flannel or woolen cloth with  little of the …tion and rub well on the article to best… afterwards polish….cloth for ornamental….” Image: J. Garland.

It got me thinking about the other household products we find in archaeological sites and how they fit within this notion of public and private space in the home. With the exception of polishing paste, almost all of the other cleaning products we find are disinfectants. Products like Kerol, Jeyes Fluid & Lysol were all advertised primarily as disinfectants for the home (and on the farm, in some cases), although they also claimed medicinal properties among their applications. Kerol was advertised as a remedy for infantile paralysis (polio), due to its germ-killing properties (Wanganui Chronicle 24/03/1916: 6), while Lysol had some interesting (and disturbing) alternative uses (Evening Post 4/10/1930: 27). In the early 20th century, along with causing a number of deaths, it was marketed and used as a form of birth control and feminine hygiene product (Sanger 1917). Unfortunately for women, the extremely caustic and highly toxic disinfectant, which was applied by douching, created all manner of disastrous and highly painful health problems rather than solving them (Palmer & Greenberg 1936:142-146).

These astoundingly sexist advertisements for Lysol claim "in easily understood language", that good feminine hygiene can protect a woman's youth & vigor and save her marriage. Clockwise

These astoundingly sexist advertisements for Lysol claim “in easily understood language”, that good feminine hygiene can protect a woman’s youth & vigor and save her marriage. Clockwise from left: 1934 advertisement for Lysol; Lysol bottle base found in Christchurch; Lysol advertisement from 1930. Images: Museum of Women’s Health;  J. Garland; Evening Post 4/10/1930.

All of these disinfectants are associated with the gradual acceptance of germ theory during the late 19th century, along with the new understanding that personal and household hygiene formed an important aspect of individual health. For that very reason, as cleaning products, they form something of a contrast to Pickering’s polishing paste as products that sit firmly within the private sphere of household cleaning. Their ability to kill germs notwithstanding, disinfectants like these would have little to contribute when it came to presenting the public spaces of the household to guests and visitors. In fact, horrifying feminine hygiene aside, their use in the home hasn’t really changed during the past 100 years.

Kerol bottle found in Christchurch, along with 1920s poem singing the praises of the disinfectant. Images:  Colonist 24/02/1920; J. Garland.

Kerol bottle found in Christchurch, along with 1920s poem singing the praises of the disinfectant. Images: Colonist 24/02/1920; J. Garland.

This is what I’m getting at, really. The products themselves may have uses that seem barbaric (douching with disinfectant, ouch), or ingredients that we wouldn’t touch with a ten foot pole, but the driving force behind their use hasn’t changed so much. The average household today might not have a lot of silver and saddlery to polish (to be fair the average household then probably didn’t either) but a bottle of furniture polish wouldn’t be unusual in most cleaning cupboards. Nor would glass cleaner, starch, or shoe polish, all of which are used more for the presentation of a clean house (or footwear) than for hygienic reasons. At the same time, although many solely ‘private’ products, like bleach or disinfectant, are common in modern households, so too are products that combine the appearance-based cleaning with the hygienic side of things. Anti-bacterial Spray & Wipe is an excellent case in point.

Perhaps that’s the real difference between then and now. There’s still the same drive to have a clean house, the same kind of domestic pride and same wish to be free from illness or disease: it’s just easier to fulfil now. More convenient. The people haven’t changed, not so much, but we’ve changed the world around us, one product at a time.

Jessie Garland

References

Colonist. [online] Available at www.paperspast.natlib.govt.nz.

Evening Post. [online] Available at www.paperspast.natlib.govt.nz.

Museum of Menstruation and Women’s Health, 2014. [online] Available at http://www.mum.org/

Palmer, R. L. & Greenberg, Sarah K., 1936. Facts and Frauds in Women’s Hygiene: A Medical Guide Against Misleading Claims and Dangerous Products. Vanguard Press. 

Sanger, M., 1917. Family Limitation. [online] Available at http://archive.lib.msu.edu.

Wanganui Chronicle. [online] Available at www.paperspast.natlib.govt.nz.

Let me tell you a story…

Historical archaeology has many facets, it includes recording buildings and features, artefact analysis, names and dates, but if you take a moment, collaborate all that data, you have a powerful tool for telling someone’s story. Some call this type of analysis ‘interpretative archaeology’ or ‘storytelling’ and both of these are right in a way. In its most simplest form, it is an attempt tell the story of those ordinary moments lost in time. When an assemblage containing a large number of children’s toys came through our doors we believed we had a topic to blog about. If we could, through the analysis of both the archaeological remains and the historical documents, identify the children who had played with these toys, how interesting would that be, what stories could be told. I’ll be the first to admit it, this proved more difficult than I initially anticipated.

Selection of children's items from Moorhouse Ave. Image Gwen Jackson.


Selection of children’s items from Moorhouse Ave. Image: Gwen Jackson.

These artefacts were part of an assemblage from Moorhouse Avenue, where over 600 artefacts were recovered, many of them domestic in form. Preliminary historical research showed that there was a house on the section in 1877; however, the vague nature of land transaction records and land occupation records mean that we can’t definitively pin down who lived in this house. This was complicated further by a range of other factors: the owner of a section was not always its occupant in 19th and early 20th century Christchurch; the next map or plan that shows the area in question wasn’t published until 1915 (LINZ 1915); and, worst of all, the street numbers in central Christchurch changed completely in 1911 – the streets were numbered from a different end, and the odd and even numbers switched sides. One can only describe this as a researcher’s nightmare.

Street Adress Numbers 2


Wise’s Directory (left to right) 1910, 1911 and 1912 – note 1911 changes from odds to evens and from higher to lower numbers.

In spite of these complications, we know that the section was the site of domestic occupation until the mid 1910s (when ownership was taken over by the Tai Tapu Dairy Company), and we have at least two potential candidates: Jason and Maggie Isbester, who may have lived on the site from 1905-1908; and Frederick Hammond, who may have lived on the section from 1908 to at least 1913. But both proved elusive in the historical records, so we had no way to confirm our hypotheses.

 Aynsley tea cup. Moorhouse Ave. Image: Jaden Harris.


Aynsley tea cup. Moorhouse Ave. Image: Jaden Harris.

So in absence of definitive historical records we turn to artefacts: what do the artefacts tell us, what story do they unravel to both the trained and untrained eye? A number of artefacts can be identified as ‘early’ due to their functional nature. The presence of candlesticks, gas lanterns and chamber pots suggest occupation of this house predated the advent of utilities such as sewerage and electricity. Moorhouse Avenue was connected to Christchurch’s sewerage system by 1882 (Wilson 1989) and electricity was available in the early 1900s. These artefacts represent Christchurch prior to the installation of modern services.

Tea pot, Moorhouse Ave. Image: Jaden Harris.


Tea pot, Moorhouse Ave. Image: Jaden Harris.

Whoever was living at the site in the late 19th and early 20th century appear to be reasonably affluent and may have been from the middle class. This assumption is based on the composition of the artefact assemblage, with a number of food serving dishes and the large number of children’s toys and other personal items. A number of serving platters or deep square dishes, champagne bottles, vinegar bottles and food vessels suggest the occupants liked to entertain at dinner parties, as was common for the middle and upper classes in the 19th and early 20th century. To find such a concentration of children’s toys in a single archaeological deposit is rare, as children are often surprisingly invisible in the archaeological record. Items of personal hygiene included everything from a toothbrush and accompanying toothpaste jar but also numerous perfume and cosmetic jars.

plate


Dinner plate, Moorhouse Ave. Image: Gwen Jackson.

Entertaining ad for Kruschen. The Evening Post 16/01/1928: 19

Ad for Kruschen Salts (Evening Post 16/01/1928: 19).

A variety of pharmaceuticals were found in the deposit, which suggests a reliance on selfmedication for ailments – this is a common feature in historic New Zealand sites and as common as finding a Panadol box in your rubbish. Some of those bottles found included Jeyes Fluid, which acted as a disinfectant and antiseptic, Wood’s Great Peppermint Cure for coughs and colds and one called Kruschen salts which, well, let’s say it dealt with the more unpleasant side of the digestive tract.

bottle1


Bottle with the label of J. Berry, a Christchurch chemist. Image: Jaden Harris.

A number of paint supplies were also collected from the site, with one paint dish identified to Reeves and Son Ltd, a firm which started operation in 1891 (Grace’s Guide 2007). It is assumed that the paint brushes found in the site were used at the same time as the paint dish, due to their functional association.

Ad for Reeves and Son Ltd. Grace's Guide: 1924

1924 ad for Reeves and Son Ltd (Grace’s Guide 2007).

So what does it all mean really? I did say we tend to use numbers, dates and names.  But we also tell stories. Perhaps what we have is a story of a girl in the late 1890s who grew up in a somewhat affluent Christchurch home. As a daily chore she would exit the rear of her house and empty the chamber pots and as payment for her daily chores her father, the painter, rewarded her with toys (given New Zealand’s “servant problem”, there was probably no servant). As she sits with her figurine dolls and her tea set, her parents entertain with food served in large Willow patterned and Wild Rose vessels with candles glimmering in the night light. The cold air means the Wood’s Great Peppermint Cure will be on hand tomorrow. Actually, her mother’s bad cooking probably means Kruschen will be used as well. As the wine pours, the little 19th century girls heads to bed, she brushes her teeth and says her prayers, for tomorrow is another day of more chamber pots and the promise of new toys.

This is only one interpretation, and yes, it is a story but it’s that one moment lost in time given life for a brief moment. Perhaps I could encourage you to offer us your interpretation?

 Kimberley Bone

 References

Evening Post. [online] Available at http://paperspast.natlib.govt.nz/cgi-bin/paperspast

Grace’s Guide, 2007. Reeves and Sons. [online] Available at: http://www.gracesguide.co.uk/Reeves_and_Sons [Accessed on 14th June 2013].

 LINZ, 1915. DP 4334, Canterbury. Landonline.

National Portrait Gallery, 2013. British Artists’ Suppliers, 1650-1950 -R. [online] Available at: http://www.npg.org.uk/research/programmes/directory-of-suppliers/r.php [Accessed on 14th June 2013].

Wilson, J., 1989. Christchurch Swamp to City: A short history of the Christchurch drainage board 1875-1989. Te Waihora Press: Lincoln, New Zealand.

Wise’s New Zealand Post Office Directories. [microfiche] Held at Christchurch City Libraries.

Medicating the masses: a wholesale druggist in Edwardian Christchurch.

In our last post, Jeremy talked about the site of H. F. Stevens, wholesale druggist, on Worcester Street near Cathedral Square. We excavated the site in 2011 and found a number of artefacts, including the Udolpho Wolfe’s bottles featured last week. We also found a range of other pharmaceutical remedies, local and international in origin, and a few household artefacts. These artefacts let us catch a glimpse of what went on inside a successful wholesale pharmaceutical company in Edwardian Christchurch.

One of the artefact deposits exposed during our excavation of the H. F. Stevens site on Worcester Street. Image:

One of the artefact deposits exposed during our excavation of the H. F. Stevens site on Worcester Street. Image: Matt Carter

H. F. Stevens. Image: Jeremy Moyle.

H. F. Stevens. Image: Jeremy Moyle.

Henry Francis Stevens established himself as a wholesale druggist in 1887. It’s not clear whether he had any official medical or pharmaceutical training before he began his business , but his father, George, had been a dispensing apothecary in England. It’s quite likely that Henry gained some experience with the distribution and retail of pharmaceutical products as a result of his father’s occupation and applied it to his fledgling business in Christchurch.

Initially, Stevens operated out of a building at 112 Manchester Street, but shifted to premises at 138 Cashel Street in the early 1890s.  Finally, in 1906, he moved again, this time to a large custom-built building in Worcester Street, a prime location in the heart of the Christchurch’s central business district. The new building was designed by local architect Alfred Henry Hart, who died fairly soon after its construction, in 1908. Described as having an “elaborate Edwardian façade” (Christchurch City Libraries), the building was laid out with a warehouse and yard to the rear and offices and a service counter at the front of the building. Stevens employed a number of clerks and assistants in the business, who would have filled these offices and manned the counter every day.

Loasby's Mighty Cough Cure

Advertisement for Loasby’s Cough Remedy, stocked and distributed by H. F. Stevens.
Image: Ashburton Guardian, 1909.

Stevens was a successful businessman, something we can see in the numerous advertisements for his products in the newspapers of the time. These ads tell us that he sold and distributed all kinds of things, from culinary essences, scented oils and shampoo to cures for dyspepsia, coughs, headaches and various other ailments. Products like Golden Valley Ointment, Wilson’s Pepsin and Cascara, Hendy’s Celebrated Juleptia for the Hair and Loasby’s Mighty Cough Cure were all available ‘wholesale from H. F. Stevens’.

Golden Valley Ointment

Advertisement for Golden Valley Ointment, a skin remedy stocked by H. F. Stevens. Image: Press, 1916.

 

 

 

 

 

 

 

 

 

 

 

During our archaeological investigation of the site, a range of domestic and commercial artefacts were found, including a toothpaste pot, food-related objects, animal bones and soda water and alcohol bottles, as well as a large number of pharmaceutical and cosmetic containers. This is typical of the range of artefacts found during the archaeological excavation of late 19th and early 20th century businesses in Christchurch.

Artefacts from the H. F. Stevens site

Some of the artefacts found at the H. F. Stevens site. From left to right are three Symington’s Coffee and Chicory bottles, an Udolpho Wolfe’s Aromatic Schnapps bottle and a small ceramic bottle of Stephen’s Ink. Image: Jeremy Moyle.

The pharmaceutical bottles and cosmetic products found would have been stocked in the H. F. Stevens warehouse and sold, along with items like the toothpaste pot. A number of different ink brands were excavated, including Stephens Ink, Fields Ink and Antoine’s ‘Encre Japonaise’. These were almost certainly used by the clerks employed by Stevens, as they recorded incoming and outgoing goods and kept the accounts of his thriving business. It’s possible that the soda water bottles (sometimes known as aerated water) were also being sold on the premises, but it’s equally possible that they were being drunk by Stevens or his employees during their working day.

Anchovy paste jar found at the H. F. Stevens site. The label reads “ANCHOVY PASTE / For SANDWICHES. / BY APPOINTMENT / PURVEYORS to / Her MAJESTY. / PREPARED BY/ CROSSE & BLACKWELL / ESTABLISHED / IN 1706 / 21.SOHO SQUARE. / LONDON”. Image: Jeremy Moyle.

And what about the food-related artefacts found at the site? These included a platter, a tureen and an egg cup, as well as the bones from several meals, a jar of anchovy paste and salad oil and Worcestershire sauce bottles. While the last three products may have been sold by H. F. Stevens, the presence of the other meal debris suggests that meals may have been served at the building. Not enough is known about the company to know whether they may have served their employees meals, or whether they may have had functions for the directors on the premises.

Although we found numerous pharmaceutical bottles at the site, only a few were labelled with a product name. These included cosmetic and so-called medicinal products such as Bonnington’s Irish Moss, Eno’s Fruit Salts, Barry’s Pearl Cream and Resinol. Both Bonnington’s Irish Moss and Eno’s Fruit Salts may be a familiar names to many, as they’re still made today.

Advertisement for Eno's Fruit Salts from 1935. Image: Auckland Star, 1935.

Advertisement for Eno’s Fruit Salts from 1935. Image: Auckland Star, 1935.

 

 

Bonnington’s was created by George Bonnington in Christchurch in the 1870s and sold throughout the following decades for the relief of coughs, colds and other respiratory illnesses, while Eno’s Fruit Salts were marketed as an antacid or remedy for gastrointestinal complaints. Resinol and Barry’s Pearl Cream, on the other hand, were both cosmetic products. Resinol (“for a fresh and velvety complexion!”) was created in Baltimore, Maryland, by Dr Merville Hamilton Carter, while Barry’s Pearl Cream (“for an alabaster complexion!”) was first made by an American named Alexander Barry, in New York.

Bonnington's

Advertisement for Bonnington’s Irish Moss published in 1915. Image: Hawera and Normanby Star, 1915.

Barry's Pearl Cream

Advertisement for Barry’s Pearl Cream from 1876. Image: New Zealand Herald, 1876.

One of the most interesting things about the pharmaceutical bottles from the site is that no advertisements were found in newspapers of the time connecting H. F. Stevens with these products. This is despite the many, many, advertisements found in contemporary newspapers for products sold by Stevens. This contrast between the archaeological and historical record highlights the power of archaeology to provide us with information about a site or a business that might be missing from the historical record.

Although we didn’t find many artefacts from this site, they did tell us some things about H. F. Stevens’s business that we weren’t aware of. From products we didn’t know he stocked to information about the daily activities of the people he employed, the archaeology revealed some of the little pieces of history that had been lost from our records and, in doing so, enriched our understanding of this site and its place in Edwardian Christchurch.

Jessie Garland

Bibliography

Ashburton Guardian. [online] Available at http://paperspast.natlib.govt.nz.

Auckland Star. [online] Available at: http://paperspast.natlib.govt.nz.

Carter, M. and Moyle, J., 2011. 148 Gloucester Street, 32 Cathedral Square, 103 & 105 Worcester Street, Christchurch: Report on archaeological monitoring. [online] Available at: https://quakestudies.canterbury.ac.nz/store/download/part/20449.

Christchurch City Libraries, Digital Collections. [online] Available at: http://christchurchcitylibraries.com/heritage/photos/disc6/IMG0061.asp

Cyclopedia of New Zealand [Canterbury Provincial District], 1903. [online] Available at: http://nzetc.victoria.ac.nz/tm/scholarly/tei-Cyc03Cycl-t1-body1-d3-d36-d7.html.

Hawera and Normanby Star. [online] Available at: http://paperspast.natlib.govt.nz.

Lost Christchurch: Remembering our Lost Heritage. [online] Available at http://lostchristchurch.org.nz/bonningtons-chemist.

Moyle, J., 2012. An Exploration of the EAMC Database: The Assessment of a Potential Tool for Developing the Practice of Historical Archaeology within New Zealand. Unpublished BA Hons dissertation, University of Otago.

New Zealand Herald. [online] Available at http://paperspast.natlib.govt.nz.

Press. [online] Available at: http://paperspast.natlib.govt.nz.

Star. [online] Available at: http://paperspast.natlib.govt.nz.

“He’s jist sharpening his teeth”

One of the exciting things about being an archaeologist in Christchurch at the moment is that we’re digging up lots and lots of artefacts. And the more artefacts you dig up, the more chances there are of finding something rare or unusual. Sometimes the rarity relates to the monetary or sentimental value of the artefact, such as the fobwatch we talked about a couple of weeks ago. And sometimes the unusual artefact is something pretty ordinary.

Like a toothbrush.

Toothbrush

Bone toothbrush handle found on an archaeological site in Christchurch. This was made by S. Maw, Son & Thompson. Their trademark is impressed on the handle, along with the words “ALPASS LIVERPOOL” (Photo: K. Webb).

This teardrop-shaped bone toothbrush handle was found during archaeological work on an historic hotel site in Christchurch, along with a ceramic toothpaste pot (below) and other personal artefacts. We were pretty excited to find it, since toothbrushes (or even parts of them) aren’t often found on 19th century archaeological sites in New Zealand. Our research suggests that this may be a result of vastly different attitudes towards oral hygiene at this time, not only in New Zealand but throughout the world.

toothpaste-pot-copy

John Gosnell and Co. cherry toothpaste pot and lid found along with the toothbrush. The lid is decorated with a polychrome transfer print that features the image of a young Queen Victoria. More information about Gosnell’s products is available here.

The humble bristle toothbrush originated in China, although ‘toothsticks’ and the like are known to have been used for thousands of years. These earliest bristle toothbrushes weren’t so humble, being made of expensive materials like ivory, gold (imagine!), silver or precious wood. So only the very wealthy could afford them, although there were some cheaper toothbrushes around. In Europe, however, people cleaned their teeth using sticks or rags… Toothbrushes were available in England from at least the 17th century but weren’t common until a certain William Addis was thrown in jail in 1780 for starting a riot. At least, that’s how the story goes. Whatever the truth of the matter, Addis is credited with introducing cheap bone-handled toothbrushes to England, and no doubt kick-starting a revolution in dental hygiene. Addis’s toothbrushes were typically made from animal bones and the bristles also came from animals. Badger bristles were apparently the most expensive but pig bristles were more common.

Pages from Maw and Sons Book of Illustrations to S. Maw & Son’s Quarterly Price-Current.

We know that from c.1850 on many toothbrushes were imprinted with trademarks, slogans or details of the manufacturer and our toothbrush is no exception. It’s stamped with the mark of S. Maw, Son & Thompson (see photo above). From this, we know that the toothbrush was made between 1870 and 1901, when this firm was in operation.

The Maw firm was the largest pharmaceutical wholesaler in Britain and was actually a distributor of toothbrushes, not a manufacturer (i.e. a middleman). From 1870-1901, they sold toothbrushes made by William Addis & Son Brushworks, the company founded by William Addis almost a century earlier and continued by his son. The words “ALPASS LIVERPOOL” were also stamped on the handle and probably indicate the place of manufacture: Alpass Road in Liverpool, England. The number ’29’ stamped below the head indicates the manufacturer’s model number.

So why are toothbrushes – and toothpaste pots – so rare on 19th century archaeological sites in New Zealand, given that they’re such everyday items today (not to mention items that are thrown out pretty regularly)? Lots of chemists and druggists in New Zealand were advertising toothbrushes for sale, so they were definitely available.

We think that the rarity reflects a lack of awareness of the importance of dental hygiene, and possibly also that a rag – which would always be readily available and would cost nothing – would do the job just fine, thanks. And dentists in the 19th century had a pretty fearsome reputation, so anything to do with dental hygiene may have been a little suspect. But there might have been some other factors too, including the cost of toothbrushes.

So who used our toothbrush? It could have been the proprietor of the hotel, or a guest. If it was the proprietor, however, we might have found more toothbrushes, given that probably even 19th century toothbrushes needed to be replaced regularly. Our guess, then, is that it was used by a guest. We don’t know for certain that the same guest left the toothpaste pot behind, but it seems reasonably likely, given the rarity of both artefacts in 19th century archaeological sites in New Zealand. And who knows, maybe a hotel servant who chanced to see this guest brushing their teeth thought the guest was in fact sharpening his teeth.

Kirsa Webb

Bibliography
  • Mattick, B., 2010. A Guide to Bone Toothbrushes of the 19th and early 20th Centuries. Barbara E. Mattick, USA, available from Xlibris Corporation.
  • Maw, S & Son, 1869. Book of Illustrations to S. Maw & Son’s Quarterly Price-Current. Butler & Tanner, London. Available at: http://archive.org/details/bookofillustrati00mawsuoft.
  • Press, 18 February 1874, page 3.
  • Taranaki Herald, 1 November 1880, page 4.