Getting Inked.

The pen is mightier than the sword – and before the days of ball-points, one needed ink bottles to fire up their weapon of choice – that being the quill, the dip pen or the fountain pen.

Ink bottles are a common artefact found on archaeological sites – here in Christchurch and around the world. They‘re interesting artefacts, in that they’re not only special because they come in many attractive shapes, sizes and colours, but because they can also sometimes give personal insight into their past owner. They can be an indication of literacy and perhaps a penman’s attitude toward writing or correspondence – seen through the quantity or ornateness of their equipment. You may remember our “Cinderella moment” a few years back? This little glass number is a novelty inkwell in the shape of a glass slipper – the ‘burst off’ type finish is often found on ink bottles, and it’s also a manufacturing technique that can be dated (1890s to 1920s usually) – if old Cindy was a real girl, she would probably be really old by that time!

Inkwell. Also notable – the shoe style appears consistent with a late 19th century to early 20th century date. So even in the 19th century, getting inked was fashionable! Photo C. Dickson.

These are not examples that we have found in Christchurch, but I had to share them to get an idea of just how elaborate these simple ‘household’ items could be during this period…. Image: (Lindsey 2016; Pinterest).

We usually find more utilitarian examples of ink containers. Probably the most common type is also still one of the cutest. Colloquially referred to as the “penny ink”, it was named for its standardised price. This little stoneware gem was a nice, compact addition to your desktop, plus you could also balance your pen inside – and all for such an affordable price!

A penny for your thoughts? Penny ink bottle. Image: J. Hearfield.

SUCH an affordable price!! (Otautau Standard and Wallace Chronicle 27/09/1932: 3)

However, the humble penny ink is not the bottom line in the ink bottle department. Below is a picture of a few nice examples, from master inks, to church inks, to cone inks, etc. The stoneware bottles are often impressed with manufacture’s marks (usually English based ones) – these provide insight into where locally available goods were being imported from, and help us to determine when their associated artefact assemblages were deposited.

Clockwise from left: bulk ink, spouted ink, church ink (which commonly held red ink), Stephen’s ink, Blackwell & Co. ink, glass octagonal ink, open inkwell or fountain pen nib holder, glass cone ink and glass bell-shaped ink. Image: C. Dickson.

A little rarer: on the left is a Parisian or English made N. Antoine et Fils (Antoine and Sons) Encre Japonaise ink bottle. It held a dark violet to black coloured ink, and was likely to have been manufactured anytime from the 1870s (Daily Southern Cross14/07/1874: 4; Carvalho 1904: 158). On the right is a master ink labelled with an H. Morrel’s registration ink mark: “manufactured for the registrars of births, deaths and marriages.” This was a London-based ink manufacturing company. The bottle itself was also manufactured in London, by Doulton, Lambeth – which was, established in 1854 and was one of the most successful stoneware producers of the 19th century (Tyler et al. 2005: 12-13).

And lest we forget this little guy! The residue in the bottom on the bottle suggests this tiny example (or giant hand?), also once held ink.

Tiny ink on big hand? Image: C. Dickson. (Hand: J. Garland).

Again, what we have yet to find in a Christchurch context are inkwells which were designed to be portable. These came with a screw top lid to prevent spillage, and were developed around the time of the American Civil War – so soldiers could keep them on their person to write correspondence from the battlefield (Campbell 2017).  These handy items often came as part of a travel set. For enthusiasts, or for those in the writing industry, the ‘compendiums’ represented a box which held all of the equipment a scribe would require on the road: ink bottles with (travel safe) screw seal lids, quills, ink, and a sander (which held sand to sprinkle on the ink to prevent smearing; Campbell 2017).

An example that we do find of a savvy technological advance from the wonderful world of ink are syphon ink bottles. First patented in 1867 by Blackwood and Co., London – these represent an original technology in the refilling of ink bottles (Apostolakou 2014). The name is thanks to their distinctive spouted syphon tops or finishes (with pouring lip and hole to rear of neck). This finish type alleviated the (pesky?) need to pull out a cork out of the mouth of the bottle when refilling it – and the special rotatable stopper could be turned within a cork lining – this aligned the holes in the stopper with the holes in the neck and lining of the bottle, which allowed ink to flow freely out the spout as air entered the bottle through the hole opposite – and voila! No fuss, no muss…. No mess?

Blackwell and Co., syphon ink bottle, with impressed maker’s mark. Image: G. Jackson.

In reality, this invention may have saved a little elbow grease and hand staining, but its overall contribution to the evolution of writing and the ink industry pales in comparison to the widespread introduction of the fountain pen. There is a popular school of thought that Leonardo Di Vinci deserves the credit for the invention of the fountain pen – like that guy needs any more credit? (Tuscia Web, 2011). The fountain pen proved mightier than the quill because it had its own in-built ink reservoir – which one only had to refill occasionally – other dip pens and quills needed to be re-dipped in ink after every few lines of writing (just imagine the RSI implications!)

It works like magic!? (Sun 16/09/1918: 4).

These guys really know their audience… (Sun 13/09/1918: 5).

Like most things, the gradual replacement of the dip pen and inkwells with the fountain pen represents a shift made by changing technology. Human ideas were first communicated with ink-like substances through the media of cave paintings, using powered red ochre and binding animals fats. Such materials were held and transported in proto-inkwells in the form of clay pots and animal horns.  These were eventually replaced by India ink and dyes, and the glass and ceramic varieties of bottles and wells we have just discussed. The technology associated with them has come a long way, and certainly their use has become wider- spread since prehistory, as more and more people learned to read and write.

Having said this, literacy was once a concept and skill that was largely owned by the wealthy. As a rule, our capitalist societies save higher education and technological advances for the few at first, and the associated costs eventually decrease with the introduction of new and better technologies. As a result, the original form becomes more commonplace and obtainable by the masses instead of the few.  This is all too relevant to writing and writing equipment – not in the least because fountain pen nibs were originally made of gold – in favour of its non-corrosive properties, and wettability (having a smooth surface with reduced surface tension for ink to flow over). While a good fountain pen is still considered a luxury item today, this eventually became less of an issue with the introduction of better stainless steel alloy pen nips and less corrosive inks (Binder 2015).

(Free Lance 21/1/1915: 9.)

This lack of literacy might seem a foreign concept to those of us who learned to read and write from a young age – when words resonated with us and and flowed out of us like osmosis. New Zealand has one of the top 25 percent of literacy rates in the world, where 99 percent of us are literate, but this wasn’t always the case. The Education Act of 1877 saw free and secular education become compulsory the first time for 7 to 13 year olds in New Zealand (Swarbrick 2012). This did make a difference to our nations literacy,  despite the fact that this act was hard to follow for some in rural communities, where children were needed to help with manual labour. The act also standardised reading systems, when before the quality and resources between schools varied greatly (Swarbrick 2012). We have found direct evidence of our nation’s children learning to write in the forms of writing slates and slate pencils, as well as 19th century inkwells which fit into school desks. These date to before my school days – but my school desk did have the relevant hole in the top, which these bad boys would have fit into.

Well, well, well… this inkwell fits into a school desk. Image: J. Hearfield.

So what more can we expect? The introduction of the dip pen spelled the end for the quill, and was followed by the reign of the fountain pen which was halted by the typewriter. From the first personal computer to mobile phones and social media – to the introduction of the emoji and the GIPHY (my spellcheck didn’t even pick these up – they must be in the dictionary!), we are constantly replacing popular technology with new ways to communicate our personal ideas. These days we don’t even need the written or the typed word to satisfy every human emotion… we don’t even speech! So what’ s next then…Telepathy? 🙂

By Chelsea Dickson

 

References:

Apostolakou, L. 2014. Palimpsest: Ink a Day: Blackwood & Co Ink (wherein scant evidence is explored). [Online] Available at: http://www.thepalimpsest.co.uk/

Binder, R. 2015. To the Point: Nib materials[online] Available at:  http://www.richardspens.com/?page=ref/ttp/materials.htm (Accessed March 2017).

Campbell, A. 2017. History of the Inkwell/Inkstand/Desk Standish. [online] Available at: http://www.acsilver.co.uk/shop/pc/what-is-an-inkwell-history-of-inkwell-d118.htm (Accessed March 2017).

Carvalho, D., 1904. Forty Centuries of Ink. [online] Available at https://archive.org. [Accessed May 2015].

Daily Southern Cross[online] Available at: www.paperspast.natlib.govt.nz [Accessed March 2017].

Otautau Standard and Wallace Chronicle [online] Available at: www.paperspast.natlib.govt.nz [Accessed March 2017].

Sun [online] Available at: www.paperspast.natlib.govt.nz [Accessed March 2017].

Swarbrick, N. 2012. ‘Primary and secondary education’, Te Ara – the Encyclopedia of New Zealand, http://www.TeAra.govt.nz/en/primary-and-secondary-education/print (accessed 3 March 2017).

Tuscia Web 2011. Tuscia Web: Leonardo’s pen to control room. [online) Available at: http://www.tusciaweb.eu/2011/09/la-penna-di-leonardo-alla-sala-regia/ (Accessed and translated from Italian March 2017).

Tyler, K., Brown, J., Smith, T. P. and Whittingham, L., 2005. The Doulton Stoneware Pothouse in Lambeth: Excavations at 9 Albert Embankment, London. Museum of London Archaeology Service, London.

 

It’s better when we stick together.

What would we do without glue? Well, it’s estimated that each person in  U.S.A and the U.K. uses 18.2kgs of glue annually. I’m probably more of a Sellotape/Blu-Tack person myself, but those statistics sound impressive! The development of commercial synthetic glues dates from the 1920s and has taken us a long way from using flour and water as wallpaper paste to the point where modern super glues are able to surgically glue flesh wounds together (or accidentally glue your fingers together during your latest DIY project), or even take forensic fingerprints from glass or plastic surfaces.

It’s widely accepted that the first evidence of glue was a substance made by the Neanderthals ca.15000 years ago. They added animal fat to pigment to make water resistant cave paintings in Lascaux. Not to be left out, the Ancient Egyptians made use of similar animal glues in wooden furnishings and the production of papyrus, and the application of animal glue by the Ancient Greeks and Romans can still be seen today in mosaics and mended pottery. From this time until the innovations of the industrial revolution, glue was largely made from animal hides, bones, connective tissue (collagen) and hooves (not just from old horses that were sent to the glue factory). These organic sources were boiled and reduced to gelatine and could be used or dried and stored as a powder. The powder could be later mixed with water and cooked until the desired thickness was obtained (History of Glue 2016).

The first British glue patent was issued in about 1750 but, closer to home, the New Zealand Glue Company had been operating in Woolsten, Christchurch since before 1875. Christchurch’s drainage board petitioned the court for the factory to cease from discharging its effluent into the Heathcote River (Star 15/03/1918: 6, Sun 16/03/1918: 11).

Auckland Star 16/05/1936: 4)

Auckland Star 16/05/1936: 4)

From the industrial revolution to the 1920s both homemade and commercial adhesives were usually based on natural sources. Recipes required at least two basic components— a binder and a solvent.  Extra ingredients were used to increase tack, improve water resistance, flexibility, strength, shelf life and repel insects (Cannon 2010). For instance, animal glue was often cooked with an acid such as vinegar or nitric acid to keep it liquid at room temperature (Cannon 2010). The addition of coagulated cow’s blood was also handy, as it became waterproof when heated. Other binders such as gelatin, fish glue, starch, flour, dextrin, and gum arabic (from the acacia tree), rubber, and egg albumen were also used (Cannon 2010).

Phew! As a reward for sticking with me for the scientific portion of this post – hold tight for a selection of these really great vintage glue jokes…

(Wairarapa Daily Times 23/01/1897: 2).

(Wairarapa Daily Times 23/01/1897: 2).

(North Otago Times 06/07/1901: 1)

(North Otago Times 06/07/1901: 1).

Funny right? Now for the specifics – the pot of glue that inspired this post was one that we have found a few times in Christchurch. It was manufactured by Gloy Glue during the early 20th century, (though this company was formed by the 1890s). The proprietor was A. Wilme Collier who operated his adhesive business from 8th Avenue Works, Manor Park, London. This company also manufactured special pastes for photographic purposes, as displayed at the British Industries Fair in 1922 (Blanco & Bull 2013).

The recipe for the vintage Gloy Glue formula is not available. This is often the case with patent records (which can be vague), and they sometimes included statements allowing the patent holder the right to change the formulation or substitute ingredients at will (Cannon 2010). However, Gloy was later reported to have contained dextrin (from starch), mixed with magnesium chloride – which is sometimes used as a coagulant to make products thicker and more viscous. Vegetable glues like this were popular for paper, as they are fast setting, but have a low bond strength (Cannon 2010: 18). Modern day internet reviews appear to be critical of Gloy Glue’s quality. But in my opinion, any manufacturing company that survives for over a century shows real stick-ability, so they must have been doing something right.

Early 20th century Gloy Glue pot. Image: J. Garland.

Early 20th century Gloy Glue pot. Image: J. Garland.

Perhaps their success was partly due to their catchy marketing – Gloy was first advertised in New Zealand newspapers in 1914, and was amusingly described as “A clean paste for clean people.” Enticing!

 (Grey River Argus 6/06/1914: 5).

(Grey River Argus 6/06/1914: 5).

Rhyming works! A 20th century advertisement for Gloy. The texts reads: The label is red and “Gloy” pale blue, the bottle is one to remember you. Armed with brush you go ahead “Gloying” daily for daily bread.

Rhyming works! A 20th century advertisement for Gloy. The texts reads:
The label is red and “Gloy” pale blue,
the bottle is one to remember you.
Armed with brush you go ahead
“Gloying” daily for daily bread.

It may be that we come across adhesive bottles much more frequently than we are able to identify – they were often packaged in bottles that were the same as those used for ink, and the main defining characteristic of such a bottle would be a wide mouth to access its viscous contents (Lindsey 2016). As is the problem with most artefact identification, general shapes and typing can only take us so far – product manufacturers don’t always adhere to the status quo of shapes. For instance, here is another example of a Gloy glue pot: this type of wide mouth stone ware jar (without the Gloy label), could have contained any number of viscous products.

The type of adhesive pots that we most often see in our assemblages may also have originally contained mucilage – mucilage being the sticky substance found in plants like aloe vera. Although mucilage for adhesive purposes is generally made of seaweed, flax seed, bark and roots (Lindsey 2016).

uoarch-glue

Type of glue or mucilage pot commonly found in Christchurch. Image J. Garland.

Just like animal glue, mucilage is non-toxic. So in the 19th century it would have been fine for the weird kid at school to be eating paste – in fact, other usages for mucilage (that’s a mouth-full), was its common inclusion in cough medicine and as an alleviator of sore throats.  See below for a homemade recipe for children’s cough syrup from 1907. I’m not sure how many of us have exotic South American plant species in our pantries – but hey, it’s organic!

Cromwell Argus 13/05/1907: 7.

Cromwell Argus 13/05/1907: 7.

Using slightly more common ingredients, here’s a 19th century recipe for mucilage that you can try yourself:

New Zealand Herald 2/08/1893: 5.

(New Zealand Herald 2/08/1893: 5).

Within the New Zealand newspaper archives we can see the application of glue developing from more practical DIY uses – like plugging draughts in your floor (New Zealand Herald 29/08/1931: 6), and simple advertisements and recipes for strong glue (Otago Witness 23/10/1875: 3), or waterproof glue (Bruce Herald 8/6/1888: 6) – to its use in leisure projects for the 20th century idle housewife.

(New Zealand Herald 21/03/1874: 1). Perfume to taste? Hair is organic too.

(New Zealand Herald 21/03/1874: 1). Perfume to taste? Hair is organic too.

These more modern glue ads offered descriptions for an array of craft and knick-knack projects, from instructions for  “smartening” one’s umbrella by gluing a bottle cap to it (Evening Post 16/04/1938: 19), and  “silencing” one’s chairs and trays by gluing felt to their undersides (New Zealand Herald 1/08/1925: 6). You could even use glue to stiffen the train of your wedding dress, and thus render train bearers unnecessary in your wedding party (Evening Post 2/11/1938: 25). If you’re more even game than those dames, you could build an 8ft canoe out of 35 coat-hangers, a few strips of canvas, bit of oil cloth, two pieces of wood, a box of drawing pins, paper clips, and a bottle of glue (this sounds like MacGyver recipe!) – and it cost less than 30 shillings to make! (Evening Post 11/01/1937: 6).

The same archives inform us that glue was also employed for more criminal enterprises at this time – most amusingly, in a Parisian jewellery heist, featuring a Baroness with literal sticky fingers! She was caught stealing a diamond ring which was stuck with glue to the palm of her hand (Mataura Ensign 1/05/1911: 5 ). Also, you may have heard about the starving citizens of Leningrad having to eat the glue off their wallpaper during the siege of WWII? – Here, an Oldham street vendor uses glue to thicken and strengthen the gravy in his pies! To make matters worse, he stole the glue (Grey River Argus 13/06/1905: 4). When he was caught, he was sentenced to three months hard labour (for stealing the glue, not for feeding glue to his patrons). But like I said, it’s organic, and contains only 5.9 calories per postage stamp!

By Chelsea Dickson

References

Blanco & Bull 2013. Swift Polish & Blacking Co. [online] Available at:  http://www.blancoandbull.com/boot-cleaning/swift-polish-blacking-co/

Cannon, A., 2010 Australian Adhesives for Paper 1870-1920. 2010 AICCM Book, Paper and Photographic Materials Symposium. [online] Available at:  https://aiccm.org.au/sites/default/files/docs/BPG2010/AICCM_B%26P2010_Cannon_p15-21.pdf

Gloy Manufacturing Company, Ltd 1897, Patent, Application for Trade Mark titles Gloy depicting octopus in respect of a semi-fluid substances called ‘gloy’ which is used for adhesive purposes by the “Gloy” Manufacturing Company Limited, National Archives of Australia, series number A11708, control symbol 2001, barcode 4993635.

 

 

 

Good beard, bad beard, red beard, blue beard: facial hair in Victorian Christchurch

Part the First

Movember is upon us once again, and to celebrate Undershaved Overgrown Archaeology brings to you a brief history of facial hair in Aotearoa. Movember is all about men’s health, and we’ve previously covered health in the blog before, both mental health and otherwise, so this week it’s all beards and moustaches. Gird your goatees for a hirsute history of facial hair in the nation, followed by a review of classic beards of old Canterbury.

Important Māori who wore tā moko necessarily removed their facial hair in order to show it off, and trimmed their tui tufts by plucking with mussel shell. They may also have shaved with razor sharp tūhua/obsidian, as it was otherwise used for cutting hair (McLintock, 1966; Robley, 1896). However, some of the earliest Pākehā imagery we have of Māori – drawings done by Sydney Parkinson, the Scottish botanical illustrator on Cook’s first voyage – show a range of facial hair and top knots. It is not clear if within 3-4 years the top knots would all be replaced with the same vague haircut of shaved back and sides, and a floofy combover on top – you Millennials know who you are.

This painting was evidently done before Pākehā got the hang of drawing moko. The guy in the upper middle is so fed up with this man-bun business. Image: Parkinson, Sydney, 1745?-1771. Parkinson, Sydney, 1745-1771 :The heads of six men natives of New Zealand, ornamented according to the mode of that country. S. Parkinson del. T Chambers sculp. London, 1784. Plate XXIII.. Parkinson, Sydney, 1745-1771 :A journal of a voyage to the South Seas, in his Majesty's ship, 'The Endeavour'. Faithfully transcribed from the papers of the late Sydney Parkinson. London; Printed for Charles Dilly, in the Poultry, and James Phillips, in the George-Yard, 1784.. Ref: PUBL-0037-23. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/23044298

This painting was evidently done before Pākehā got the hang of drawing moko. The guy in the upper middle is so fed up with this man-bun business. Image: Parkinson, Sydney, 1745?-1771. Parkinson, Sydney, 1745-1771 :The heads of six men natives of New Zealand, ornamented according to the mode of that country. S. Parkinson del. T Chambers sculp. London, 1784. Plate XXIII.. Parkinson, Sydney, 1745-1771 :A journal of a voyage to the South Seas, in his Majesty’s ship, ‘The Endeavour’. Faithfully transcribed from the papers of the late Sydney Parkinson. London; Printed for Charles Dilly, in the Poultry, and James Phillips, in the George-Yard, 1784.. Ref: PUBL-0037-23. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/23044298

During Pākehā settlement of Aotearoa, the beard was a fairly recent phenomenon, growing in popularity during the Victorian period along with changing ideals of masculinity, at a rate roughly equivalent to Queen Vicki’s bloomers. Like the modern hipster beard, the Victorian beard craze coincided with conflict in the Crimea. During the Crimean War (1854-1856), the British army relaxed their long-standing ban on beards – due to the freezing winters and difficulty in obtaining shaving soap – and servicemen were russian to grow them. Beards soon became a mark of those who had served, and the fashion subsequently spread across the British Empire. Beards could be seen on the patriotically named Mount Victoria in Auckland and Wellington, the proud imperial city of Victoria in British Columbia, the humble Victoria harbour in Hong Kong, and probably even on Lake Victoria. It is no surprise then, that on the rugged outskirts of Wikitoria’s empire, the beard held particular sway.

God Save the Queen

God Save the Queen

The beard was also considered healthy, and recommended by doctors. The face tangle was believed to filter out impurities in the air, and prevent sore throats.

A Lyttelton Times article relating a ‘stache survey provides insight into just why men of the 1860s chose the old dental duster as an accessory (Lyttelton Times, 27/4/1861: 5). Helpfully for you dear reader, I’ve put it into a table! (please send your thanks and appreciation monies to T. Wadsworth C/- Underground Overground).

Reasons for wearing a moustache, 1861.

Given reason No.
To avoid shaving 69
To avoid catching cold 32
To hide their teeth 5
To take away from a prominent nose 5
To avoid being taken as an Englishman abroad 7
Because they are in the army 6
Because they are Rifle Volunteers 221
Because Prince Albert does it 2
Because it is artistic 29
Because you are a singer 3
Because you travel a deal 17
Because you have lived long on the continent 1
Because the wife likes it 8
Because it acts as a respirator 29
Because you have weak lungs 5
Because it is healthy 77
Because the young ladies admire it 471
Because it is considered “the thing” 10
Because he chooses 1

The most common reason to wear a moustache was to impress the ladies, but there are also reasons of vanity (“to hide their teeth, to take away from a prominent nose”), and again, the perceived health benefits (“because it is healthy, because it acts as a respirator, because you have weak lungs, to avoid catching cold”). The association of moustache and military is also clear, with “because they are Rifle Volunteers” the second most common reason given for the old Magnum P.I. It is not clear if the two who responded “because Prince Albert does it” had further ornamentation for similar reasons.

Prince Albert of ‘Stache-Moburg and Goatee.

Prince Albert of ‘Stache-Moburg and Goatee. Image: Wikimedia Commons.

When the Victorians kept a stiff upper lip, they need to make sure it looked good. Moustaches were tinted and combed, and fashions changed. In 1883, a local purveyor of cosmetics said that “a year ago the fashion was to have the end stick out in a fluffy fashion, but now they want me to make it drop at the corners of the mouth” (Star, 29/8/1883: 4). There were of course products to keep it looking fresh. The below bottle of Rowland’s Macassar oil – found on several sites in Christchurch – is  described as “unsurpassed as a brillantine for the beard and moustaches, to which it imparts a soft and silky appearance” (Press, 16/10/1897: 11). We’ve also found bottles of “bay rum”, which formed part of a recipe to darken grey hair and beards (Otago Daily Times, 9/3/1915: 8).

Rowland’s Macassar Oil. Like most 19th century products, this is essentially snake oil, but without the fun of being made from actual snakes. Image: J. Garland.

Rowland’s Macassar Oil. Like most 19th century products, this is essentially snake oil, but without the fun of being made from actual snakes. Image: J. Garland.

Bay Rum. Don’t drink it, just rub it on your face and head. Image: J. Garland.

Bay Rum. Don’t drink it, just rub it on your face and head. Image: J. Garland.

But how to keep one’s soup strainer from acting in its name? On a site in Christchurch, we found a fragment of a cup with a “moustache protector”. This “yankee notion” kept one’s lip toupee clean of coffee by way of a protrusion within the cup, as modelled here by our own beard-having Hennessey (Star, 15/2/1878: 2).

In the midnight hour, he cried mo, mo, mo.

In the midnight hour, he cried mo, mo, mo.

Part the Second

In which we focus on the facial hair of the founding fathers of our fair city. We revisit some of the figures from Christchurch and the blog’s past and Tristan provides a highly subjective fever dream review of their moustaches and beards.

James Jamieson

The man:

James Jamieson carried on the proud Victorian tradition of Firstname Firstname-son and together with his brother William ran one of the leading construction companies in Christchurch, including the Roman Catholic Cathedral and the Government buildings in Cathedral Square. We’ve talked on the blog before about Jamieson’s love of spreadable cheese long before Koromiko was a thing.

The moustache:

Jamieson grew the classic ‘walrus‘ moustache, and chose to draw maximum attention to it by banishing all other hair from his countenance. His care and attention in maintaining the structural integrity of his weighty moustache – enough to cause any lesser man to topple forwards – informed his construction style, and it is said[1]  that his own chrome-y dome inspired those of the basilica.

9/10

Draw your own conclusions. Confirmed Illuminati. Image: Photograph of Cathedral of the Blessed Sacrament by Greg O’Beirne.

Draw your own conclusions. Confirmed Illuminati. Image: Photograph of Cathedral of the Blessed Sacrament by Greg O’Beirne.

Charles Obins Torlesse

The man:

Nephew to New Zealand company agent Arthur Wakefield, Torlesse became a surveyor working under Captain Thomas, chief surveyor for the Canterbury Association. Torlesse made the very first sketch map of Canterbury in 1849, illustrating the vast plains and resources that would draw Pākehā settlers to the area (Montgomery and McCarthy, 2004). He is said to have made the first ascent of a Southern Alps peak – now Mount Torlesse – by a Pākehā. He was a pretty cool bloke, more (t) or less (e).

Sketch map of the country intended for the settlement of Canterbury. Charles Obin Torlesse, 1849. Image: Wikimedia Commons. (Attentive readers will note the originally intended location of Christchurch at the head of Lyttelton Harbour. Inattentive readers GET NOTHING).

Sketch map of the country intended for the settlement of Canterbury. Charles Obin Torlesse, 1849. Image: Wikimedia Commons. (Attentive readers will note the originally intended location of Christchurch at the head of Lyttelton Harbour. Inattentive readers GET NOTHING).

The moustache:

Torlesse sported what is known as ‘friendly’ mutton chops, as popularised by Lemmy from Motorhead, and the general Burnside, for whom sideburns are named (seriously). These are not the distinctly un-friendly sideburns worn by Hugh Jackman/Wolverine, Elvis, and every jerk from the 70s. Ever the surveyor, Torlesse surveyed himself 75% facial hair, leaving the lower lip and jaw free for you to swipe right on Chinder.

8/10

charles_torlesse

Charles Obin Torlesse. He’s seen some things. Image: Wikipedia Commons.

John George Ruddenklau

The man:

John George Ruddenklau, his name is my name too. Ruddenklau was one of Christchurch’s early success stories, being a self-made man who worked his way up from an hotelier in 1864 to a retired hotelier in 1869, and from Mayor of Christchurch in 1881 to a retired former Mayor of Christchurch in the late 1880s. Ruddenklau’s City Hotel was successful enough that it had its own brand of dinnerware, which we have found on other hotel sites in Christchurch.

Fragments of a saucer, teacup and mask jug (with beard!), decorated with the City Hotel pattern and the initials J. G. R. Image: J. Garland.

Fragments of a saucer, teacup and mask jug (with beard!), decorated with the City Hotel pattern and the initials J. G. R. Image: J. Garland.

The beard:

Old J.G. had the kind of dense ruggedy beard typical of big deal businessmen in the 19th century, modern hipsters, and, er, delicious mussels. This particular photo of sad Ruddenklau shows just how he kept it so lush: it was well watered by his mayoral tears. Poor, sad-looking Ruddenklau.

John George Ruddenklau, blinging it up. Image: Wikimedia Commons.

John George Ruddenklau, blinging it up. Image: Wikimedia Commons.

Dr Alfred Charles Barker

The man:

Dr A.C. Barker was one of Christchurch’s earliest amateur photographers, and is responsible for many of the earliest photographs of our city. Here at Underlit Overexposed, we’ve used Barker’s photography to illustrate how useful even the most mundane details of these images are in terms of historical information. So feel free to continue to capture your messy room in the background of your selfies, or even better, just go take photos of street kerbs! For anyone that’s interested in either selfies or photographs as a historical resource in little old New Zealand, you can go here to listen to oral historian Rosemary Baird discuss that very thing.

The beard:

Speaking of selfies, Barker took a few himself.

Here, Barker poses nonchalantly with his camera equipment, while showing off some serious mutton chops. If Bigfoot photographic evidence was this clear, he would have his own talk show by now. But nobody would watch it because podcasts fill that place in society these days. Get with the future Bigfoot!

dr_a-_c-_barker

“To gild refined gold, to paint the lily, to shave the face, is just friggin silly”. Apologies to Tim Minchin. Image: Wikimedia Commons.

This photo shows Bigfoot later in life, with a big old beard. Or Barker, probably. By this stage, Barker’s beard is perfectly complimented by a faux-Shakespeare haircut, which you don’t see enough these days. “There’s many a man has more hair than wit” the bard said, but considering Barker’s beard, I’m not sure what that says.

Sir John Cracroft Wilson

The man:

Wilson was a pioneering figure in Christchurch, being a former British army officer in India, who brought a number of his Indian servants with him when he settled in Christchurch. Cashmere is named for Kashmir in India/Pakistan, where Wilson served, and the adjacent suburb of Cracroft is named for…something. I forget. We’ve talked about Wilson’s home, now gone, before, but Wilson’s stone servant’s quarters still stands, and small portion of a mighty drain built by WIlson’s Indian servants remains nearby. This is a rare example of a drain lined with dressed stone, because, well, the dude liked stone. And who can blame him.

Cracroft's stone-line drain. Image: K. Webb.

Cracroft’s stone-line drain. Image: K. Webb.

The beard:

Wilson lived into his blankety blanks, and had the rare opportunity to grow a solid white beard. But as can be seen in the photo, Wilson’s facia hair went beyond the simple Santa beard and itself slipped into the snowy fey realm from which that fatherly character came, becoming an almost imperceptible, ethereal beard-shaped hole between realities. Wilson’s ghostly beard and eerie floating face were perfectly suited to snow-bound late 19th century Christchurch. Wilson would prowl the snows, camouflaged by his beard, shielding his nose with his hand to sneak up on unknowing foxes and seals. Or I might be thinking of polar bears. It is now impossible to tell.

10/10

cracroft

Sir John Cracroft Wilson, slowly fading from this photograph. Quick, somebody play “Johnny B. Goode”. Image, Acland, 1975.

 

Show your support for Movember, by visiting its website. Show your support for moustaches in general by doing the finger guns to the next person you see with one. Pew-pew-pew!

References

Acland, L.G.D., 1975. The Early Canterbury Runs. Fourth ed. Christchurch, N.Z.: Whitcoulls Ltd.

McLintock, A.H., 1966. Stone Tools. In: An Encyclopedia of New Zealand. [online] Te Ara, The Encyclopedia of New Zealand. Available at: <http://www.teara.govt.nz/en/1966/maori-material-culture/page-8>.

Montgomery, R., and McCarthy, K., 2004. The map that made Canterbury – or, how a little-known sketch map by Charles Obins Torlesse was transformed into Canterbury Association advertising in London. Records of the Canterbury Museum, 18, pp.51–65.

Robley, H.G., 1896. Moko; or Maori Tattooing. London: Chapman and Hall Ltd.

 

[1] By me, just now, completely unfounded.

Mr and Mrs Smith

 

Of all the house sections in all the world, ‘The Smiths’ had to walk into mine. Between 1897 and 1899, that is…

Today on the blog I’ll refrain from making jokes about ‘Brangelina’ and the 2004 movie that shares its name with this post (especially regarding news of their coincidentally timed divorce). Instead, I’ll tell you a tale about the trials, tribulations and triumphs that I experienced recently, while researching the history of a family with the most gloriously common name – Smith. You will also get a peek at how we carry out some of our historic research.

Smith has been the most common surname in New Zealand and England since the 19th century. So it wasn’t surprising that it was a difficult task to find information on the family of Smiths who owned a house section in Strowan between 1897 and 1899. Large deposits of domestic rubbish were found on this site, and they contained artefacts that were dated from 1897 onwards. This house section only had one previous owner, and he was known to be living in another area of Christchurch at the time, so it seemed logical that the Smiths could have deposited this rubbish.

lloyd-street-dig

Happy archaeologists recording a large rubbish pit. Image: C. Dickson

The information that we had about the Smiths was available from the certificate of title for this land parcel, and was limited to their names and occupation (Many Anne Smith, the wife of Henry William Smith (carrier)). Now this would normally be sufficient information for us to determine if this couple lived on this section at the time that they owned it, as they would usually be listed in the Wises Post Office Directories and/or the New Zealand Electoral Roll. In this instance, no one with the last name Smith was recorded to be living on or owning a section on the appropriate street in Strowan at this time, nor was there any mention of them in the newspapers – so it would be easy to assume that this rubbish pit must have been made by a later 20th century occupant of this site.

This being said, the rubbish deposits in question contained large quantities of artefacts – many with dateable manufacturers’ marks, and many which could be dated by the techniques used to make them. As no maker’s mark was later than 1897 and no machine made glass bottles were present (machine made bottles began to be produced in the first decade of the 20th century), it seemed more likely that these rubbish pits were filled in the 19th century.

lloys-street-bottle

Pharmaceutical bottle which probably represented Spencer Vincent Pharmacy, located at 214 high Street, Christchurch. This company was first mentioned in Christchurch newspapers in 1897, and this bottle represents the youngest dateable artefact from the rubbish deposit (Donaldson 1990: 151. Star 17/06/1897: 3). Image: C. Dickson

So who could have thrown out the rubbish? The neighbouring sections surrounding this land parcel were not purchased until the 20th century, and the land wasn’t located in the highly populated central city – so it also seemed unlikely that this rubbish was deposited here by people who lived in the area.  Our section was not located near the corner of an adjacent road, so it seemed unlikely that our residents would use another road for access…

However, the resources that we have available for this type of research were compiled during the 19th century when recording methods were not always reliable or consistent. As such, we do sometimes come across errors and missing information. A closer look at the postal records of an adjacent road provided a very welcome “Henry Smith (carrier)” as a resident of an unnumbered house in the relevant block along Strowan Road, despite the fact that our modern road (Lloyd Street) had been created more than a decade before! I won’t bore you with too many further details, but the situation became much more complicated from here, and involved making maps showing where all of the residents listed on both of these roads lived (for the next decade). This can be confusing, because the houses are unnumbered, and not all the houses are always listed – so the method involves chasing consistent occupation of unnumbered houses. Tricky right? (To add to the headache, there were about five mistakes in post office directory over this period, and the residents of Lloyd Street were listed on Lloyd Street some years, and Strowan Road other years). Needless to say, complicated and time consuming, but highly rewarding when the pieces (or people) fall into place (yay!). The situation resulted in evidence of consistent occupation of our section by the Smiths from 1897, and the two more families in early 20th century. Too easy?

Little personal information was available about Henry William Smith, apart from where he resided before and after he lived in Strowan, and the fact that he worked as a carrier in Christchurch in the late 19th and early 20th century. During this period, he gave evidence at a court case regarding an eviction dispute – he had helped an evicted shop owner move her soiled, rain drenched goods, after her landlord took the roof off her shop! Nice guy. Mary Anne’s occupation is recorded as a housewife carrying out domestic duties at this time.

henry-smith-hero

Henry Smith (hero!).  An excerpt from the long-winded court case. You think your landlord is unfair!? (Press 10/03/1905: 07).

In 1900, Annie and Robert Meynell purchased the property. Robert was a local contractor who cleaned rivers and drains and was wounded in WW1 (Sun 27/06/1917: 3). The Meynells had a similarly uneventful representation in the local newspapers during their lifetimes, but they leased the house for a couple of years to a character with a much more colourful past. Raphael Portelli (whose antics we have come across before), was a fishmonger who appeared in Christchurch court many times in the late 19th and early 20th century. He was charged with a flurry of misdemeanours, including, but not limited to: public drunkenness, using obscene language (Star 19/10/1892: 3), cruely ill-using a horse (Star 26/07/1899: 3), assault, and breaking a window (Star 13/06/1900: 3), driving a cart after sunset without lights 17/04/1901: 3), being drunk while driving a horse and cart (Press 17/07/1901: 3), crashing his cart into someone else’s deliberately (coincidentally, this was the cart of Peter Thompson,  who had previously charged him with assault Star 22/05/1902: 3). His ten-year-old son was even charged with stealing a tricycle (Star 18/06/1896: 3). Imagine how that getaway must have gone!

Ordinarily, it would be safe to assume that any of these residents could have deposited our assemblage, due to the time lag between the manufacture and the deposition of an artefact. However, this assemblage contained a group of artefacts which became a lot more exciting upon realising the Smiths lived here…

You may remember a matching ceramic tea set we posted on our page back in January –  It featured the monogram of a mysterious caterer that appeared to have two different initials and the ability to run his business posthumously? This tea set was found on our section.

smith-ceramic

L. J. Smith catering tea set, showing correct and incorrect monogram. Image: G. Jackson.

On further inspection, it appeared that one of the two similar sets of initials on these matching tea sets was a mistake. The correct monogram printed on these ceramics can be attributed to Leo Josephus Smith, who was a well-regarded caterer in Christchurch from 1891 to his death in 1897. He catered everything from balls and Lodge functions to school picnics, and – that’s right – he also had the last name SMITH! We have covered the fact that Smith represents a common surname, but it seems like too much of a coincidence that these artefacts turned up on a section occupied by someone with the same last name, during a contemporary time. The likely explanation is that Leo and Henry were brothers – we know from Leo’s obituary that he was the seventh son of Mr W. H. Smith, who arrived in Christchurch “with the pilgrims” (Star 25/10/1897: 4). Henry’s initials match those of Leo’s father’s and it is possible that he was given his father’s names. As the catering business appears to have continued after Leo’s death in 1897, it is possible that Henry and Mary Anne were involved in the continued operation of the business. This is supported by an advertisement in the Press in 1898 which names H. W. Smith as the caterer for a 40-year anniversary picnic of the ship Zealandia (Press 28/09/1898). It turns out that the Zealandia had a William Smith as steerage passenger (Lyttelton Times 22/09/1858: 4). It sounds a lot like this passenger was their father!

And so we come to the end of this historical journey. I hope you’ve shared my excitement about this site – it’s pretty unusual to find an artefact with someone’s name on it, and even more uncommon to have a connection between this person and the occupant of the site where it was found. What’s also cool is that fragments of this tea set were recovered from several rubbish pits at this site – which means that we can assume that they were all deposited at roughly the same time. In this instance, this can only have happened during the three years that the Smiths lived on the section – which is a small window of time in the grand scheme of archaeology!

A piece of the tea set where it was found – inside a metal barrel containing charcoal and other artefacts. Image: C. Dickson

A piece of the tea set where it was found – inside a metal barrel containing charcoal and other artefacts. Image: C. Dickson

Chelsea Dickson

References

Donaldson, B., Hume, G. and Costello, S., 1990. Antique Bottle and Containers of Christchurch and District. Christchurch Antique Bottles and Collectibles Club, Christchurch.

Keys to the city

Did you ever wonder where the concept of locking things up came from? The reality of human nature seems to be that ever since people have owned things that are deemed valuable, they need to be protected from theft. Not to mention the need for personal protection – locking yourself in away from harm, or locking away those things or people that have been deemed unsafe to others.

Interestingly, but perhaps unsurprisingly, it is thought that the Egyptians, Greeks and Romans developed mechanical locks independently from each other – highlighting the collective unconscious need to protect one’s valuables and person from this unseemly side of human nature. The idea evolved from the use of simple knots to detect if anyone had attempted to tamper with a locked place, and as time went on, locks made from wood and metal were developed and the security that they provided increased (History of Keys 2016).

Alexander the Great 'unlocks?' the Gordian knot. Image

Alexander the Great unlocks? the Gordian Knot. Image: Rugs 4.

We find several types of locks in the work that we carry out in Christchurch. Door locks from the pre-1900 houses that we record, and padlocks from excavations of pre-1900 material. The concept of a padlock is a great one! We have the Chinese from about 1000 BC to thank for the invention of a portable apparatus, the size and uses of which are so versatile that we can lock all manner of things up and away. The idea travelled to Europe via trade with the Romans several centuries later and the heart cast type became popular for locking up railway cars and controls, as they were durable in dirty and freezing conditions (History of Keys 2016).  These days we’re not just using them for railroads – they work well to secure static latches that have been fixed to the outside of a door or cupboard to keep it closed, or on the inside of a door to lock yourself in a room. How convenient! Latch and lock types that work well for this are hasp latches, and sliding bolt locks – the kind you might use on your garden shed, or on a public locker.

A hasp latch (Image: Priess 2002: 66).

A hasp latch (Image: Priess 2002: 66).

A sliding bolt is a bar which can be attached to a door and slid into a catch on the door frame to hold a door closed (Image: Priess 2002: 66).

A sliding bolt is a bar which can be attached to a door and slid into a catch on the door frame to hold a door closed (Image: Priess 2002: 66).

Padlocks consist of an enclosed body (housing), and curved bar (shackle) that is passed through a loop and secured (Priess 2002: 79). The housing shapes can vary, being symmetrical or asymmetrical, and some had key hole covers. These covers were originally attached with hinges, which were later replaced by pivoted examples. These keyhole covers can also offer additional dating and origin information as they were often stamped with maker’s marks. A popular mark was “VR”, after Queen Victoria during her reign 1837-1901 (Priess 2002: 81). Padlocks are a lock type which have been favoured historically for their flexibility, and because they are simple to make, with few working parts. But on the flip side, their simple structure means they are also easy to break open (Priess 2002: 82).

Cast iron padlock from an archaeological deposit west of the central city.

Cast iron padlock from an archaeological deposit west of the central city.

Door locks are more complicated in manufacture and form. The idea is simple – “A lock is any key-operated device attached to a door and equipped with a bolt or other member to keep the door closed” (Butter 1968: 163). But the 19th century saw many innovations in door lock technology. The most notable were the changes in material used – from wrought iron to cast iron, brass or steel, when it began to be economically viable (Priess 2002: 92).

Wooden and wrought iron rim lock. Image: K. Webb.

Wooden and wrought iron rim lock. Image: K. Webb.

Without delving into the tedious technical details – the locks that were available in the 19th century consisted of two main types – ones that are attached to the surface of the door and ones that are placed into a cavity that has been cut into the door. The surface locks consist of ‘stock locks’ and ‘rim locks’ and the cut locks are ‘flush locks’ (which were cut into the surface of the door) and ‘mortise locks’ (cut into the edge of the door).

These types are easily distinguished as the surface locks have their strike plates attached to the surface of one side of the adjacent wall, and the strike plates of a mortise or flush lock are placed within the door jamb. Also, only the front plate of the housing (lock cover) is visible with these mortise and flush locks. Sounds simple? Not always – lock reuse can make identification and dating of locks complicated, as broken locks were often replaced with new types.  Wrought iron examples could also be fixed and reworked into other things (Priess 2002: 92). Darn those thrifty Victorians!

Of the types mentioned above, rim locks and mortise locks are commonly found on the doors of Christchurch houses that were built during the 19th century. Some examples that some of our buildings archaeologists have found are pictured below.

Rim lock from a central city house. Image: P. Mitchell.

Rim lock from a central city house. Image: P. Mitchell.

 Mortise lock in situ and mortise lock close-up. Images: J. Garland and P. Mitchell.

Mortise lock in situ and mortise lock close-up. Images: J. Garland and P. Mitchell.

Mortise locks were more labour intensive to install than rim locks, as the mortise cavity in the door had to be cut. This lock type didn’t become popular until the late 19th century for this reason. But by the beginning of the 20th century mortise locks formed a major portion of the locks offered by prominent lock companies like Yale and Towne, and Sargent and Company (Priess 2002: 99). Flush locks are more commonly seen on furniture or closets, as they are inserted into the interior surface of a door or drawer, and they are usually out of sight when the drawer or door is closed (Priess 2002: 90).

The works of a few of the same lock makers are seen over and over again in our local examples – particularly the makers James Carpenter, Willenhall, England and H.&. T. Vaughan Standard Works, Willenhall (P. Mitchell and K. Webb, pers. comm.). Carpenter’s No. 60 patented lock was mentioned in the blog a few weeks ago, and this lock type was so popular that the design was counterfeited by rival lock-makers (Switzer 2013).

Jason Carpenter No. 60 rim lock and maker’s mark. The strike plate is shaped like a key! This maker was popular from the 1840s until the early 20th century (Sydney Living Museum 2016). Image: K. Webb.

Jason Carpenter No. 60 rim lock and maker’s mark. The strike plate is shaped like a key! This maker was popular from the 1840s until the early 20th century (Sydney Living Museum 2016). Image: K. Webb.

H. & T. Vaughan lock maker's mark. This company was founded in 1856, and was later responsible for the invention of the cylinder pin tumbler lock in 1910 – the easy self-locking kind which are still commonly used today (Evans 2002). Image: K. Webb.

H. & T. Vaughan lock maker’s mark. This company was founded in 1856, and was later responsible for the invention of the cylinder pin tumbler lock in 1910 – the easy self-locking kind which are still commonly used today (Evans 2002). Image: K. Webb.

So we have talked about the locks, what about the keys? They’ve enabled us to take better control of our locks and make them more exclusive as only the key holder can operate them. The first of their kind were made with wooden pins, but we can credit the Romans again for the production of metal keys – the strength of the material made it possible to make keys smaller than before and hence, more potable (History of Keys 2016). We find keys less commonly in the archaeological record, as it’s likely that the 19th century owners of these keys did not often discard them on purpose – the abundance of advertisements for locksmiths in 19th century Canterbury newspapers suggests that the skill of breaking locks was one in demand.

And who were these lock breakers behind the scenes? If you lost your key or if something went wrong with one of your locks, you’d need someone to pick it, break it, or blow it up (if you’re that desperate). Locksmiths seem to have been ‘a jack of all trades’ in New Zealand during the 1800s – they often moonlighted as plumbers, engineers, guns smiths, tinsmiths, bell hangers and gas fitters to name a few (Star 29/09/1873: 3). They appear to not only have had varied careers, but also exciting ones – among the many instances of getting called out on false alarm missions (having to open safes that were never locked, or even closed in the first place (Star 23/10/1897: 2). There were also many examples of locksmiths being the first called to the scene of a crime (often murders) to break through a locked door (Temuka Leader 16/12/1882: 3). They were also commonly called in as expert witnesses at court trials to prove if locks had been tampered with – a sort of 19th century forensics expert (Star 4/04/1900: 3). I’ve LOCKED in an example of one of these turbulent tales – it may be the craziest story I have ever read in the New Zealand newspapers – so I’ll leave it with you. Until next time.

Temuka Leader 5/5/1883: 3

Temuka Leader 5/5/1883: 3

Chelsea Dickson

References

Butter, F. J. 1968 An Encyclopaedia of Locks and Builders Hardware. Josiah Parkes, WillenhaIl, England.

Evans, J. 2002. A Gazetteer of Lock and Key Makers. [online] Available at: http://www.historywebsite.co.uk/Museum/locks/gazetteer/gazv.htm

History of Keys 2016 [online] http://www.historyofkeys.com/ [Accessed July 2016]

Press, P. J. 2000 ‘Historic Door Hardware’ in Karklins, K. 2000. (Ed) Studies in Material Culture Research.

Star [online] Available at www.paperspast.natlib.govt.nz. [Accessed July 2016]

Switzer, R., R. 2013. The Steamboat Bertrand and Missouri River Commerce. University of Oklahoma Press. Norman.

Temuka Leader [online] Available at www.paperspast.natlib.govt.nz. [Accessed July 2016]