As explained at length in the past, archaeologists don’t much like the use of the word ‘treasure‘. But this really is an archaeological treasure trove – lots and lots of artefacts, from which we shall learn lots and lots of fantastic information. Angel is responsible for this beautifully excavated feature, which we think was probably associated with the London and Paris House, a fancy goods store on Colombo Street in the 1860s and early 1870s. Enjoy!
The end of year is upon us again, and Underground Overground Archaeology is closing the boxes on our finds for the year.
The year we finished up our Christmas party with a scavenger hunt around the central city using cryptic clues to revisit spots important to the city and to Underground Overground. It seems archaeologists can’t help but constantly revisit the past, be it their own or others, and with that in mind it’s time to look back on the year that’s been.
2016 has been another busy one, and it feels like we’ve done even more archaeology than normal, thanks to that bloody leap day in February. Here’s a few highlights from the year that’s been.
This year we’ve stayed busy with exhibitions and presentations, including Christchurch Heritage Week, conferences for the New Zealand Archaeological Association, the Australasian Society for Historical Archaeologists, and the Society of Historical Archaeology in the United States. Members of the team were involved with filming of Heritage Rescue and The New Zealand Home television shows, and of course Under Over alumni Matt Carter has graced the cast of Coast New Zealand.
Work is hard sometimes, but fortunately I’m lucky to work with great people who make me laugh.
It’s time for us to tap out for the year, and leave you all till January. Time to kick back, grab a cold beverage, and put our feet up.
The blog will return in February next year. Thanks again for joining on our journey down the rabbit hole of the past. We really appreciate you tuning in and hope you enjoy the holidays. From all of us here at Underground Overground Archaeology, Merry Christmas and Happy New Year.
It’s that time of year again. Behold! Some of our favourite discoveries and images from 2015. It’s been an eventful twelve months.
Archaeology happened. Sites were surveyed, excavated, photographed, investigated, disseminated and ruminated upon. Clues were followed and mysteries unravelled. Adventures were had. Memories were made.
Site work was just the tip of the iceberg. Discoveries were discovered. Exhibitions were exhibited. Analysts analysed things. Photographers photographed even more things. Researchers researched all the things. Need I go on?
It’s been quite the busy year, really. We need a nap, or we might fall over from exhaustion.
From everyone at Underground Overground, Merry Christmas and a happy new year to you all! We’ll see you in 2016 (the blog will be back in February).
Earlier this year, we excavated a site on Armagh Street that revealed not only a large quantity of artefacts, but also a historical and material narrative set in the swampy bowels of a fledgling city, a tale of politics, commerce, secret societies, nefarious happenings and …BETRAYAL (cue ominous music). Well, maybe not those last two. And maybe not quite as melodramatic as all that.
This story, told in turns by the objects and features we found on site and the records of those who owned them, included everyone from Oddfellows and Freemasons (even the United Ancient Order of Druids) to radicals (free radicals, even!) and liberals and some of the prominent voices of early Christchurch. Among the many figures whose history formed a part of the tale of this site, one who stood out was a Mr Edward Hiorns, tinsmith, hotelier, victualler, and protagonist of this particular post.
Mr Hiorns first arrived in Christchurch in 1862 on board the Victoria. A plumber, tinsmith and metal-worker, he operated a business from premises on Armagh Street East during 1860s and 1870s. By 1872, however, he had branched out into hotel-keeping, becoming the proprietor of the Central Hotel (later the Masonic), located on the corner of Colombo and Gloucester streets. He seems to have had something of a colourful time as a hotel proprietor, appearing in the courts several times as plaintiff and defendant in cases ranging from stolen watches to bail forfeit, forgery and the inappropriate sale of alcohol.
Like so many of Christchurch’s early residents Hiorns was a man of many hats, not just in terms of how he made a living, but also in regard to his involvement in the community. Among other things, he was a prominent member of the Licensed Victuallers Association (yes, this was a thing) from the 1870s onwards, as well as involving himself in local politics, both successfully and unsuccessfully. In 1875, he ran for the city council but only managed to finagle 21 votes, a meagre offering when compared to the winning candidate’s 634. Not one to be easily put off, though, he ran again successfully in the 80s and 90s. Hiorns was also a member of the Canterbury Freehold Land Association in the 1860s, a liberal organisation that aimed to assist working men with the purchase of land (an important part of socio-political independence and status at the time).
On top of all this, he was also active in the Oddfellows society, attaining the rank of Provincial Grand Master, an occurrence which seems to have been something of a prerequisite for the residents of Armagh Street in the 19th century (no, seriously, they’re ALL Oddfellows and I have the flowchart to prove it). If they weren’t Oddfellows, they were Freemasons, and if they weren’t Freemasons there’s every possibility that they were Druids. To modern ears, these societies (and their unbelievably amazing names, thank you “The Mistletoe Lodge of Druids”) sound incredibly anachronistic, but they were one of the major vehicles by which people (when I say people, I mean men, sadly) interacted with and supported each other. In the case of the Oddfellows, that support was largely aimed at the working classes. Ostensibly apolitical, they also likely fostered the growth of political ideas and movements enacted outside of the organisations, helped by the membership of men like W. S. Moorhouse, W. Rolleston, Rowland Davis, William Pember Reeves and many others.
The initial date of Hiorns’ arrival at our site on Armagh Street is a bit unclear, thanks to the existence of the similarly named Mr W. Hyorns, who leased the section in 1867 and may be the same person, a completely different person or a 19th century typo made flesh. Nevertheless, we know that he was active on Armagh Street in the 1870s and had leased the section on which our site was located by at least 1878 (for the period of 14 years, at the grand total of £20 a year; LINZ 1878: 337). Interestingly, one of the clauses of his lease was that he had to make £1000 pounds of improvements to the section at his own expense over the following two years, suggesting that he had a reasonable yearly income at the time (this is a LOT of money for the time). As it turns out, he later went on to buy and reside in Linwood House, the super fancy Georgian/Regency style house first built for Joseph Brittan. Pretty good for a tinsmith turned hotelier.
From historic photographs and maps, we know that between 1878 and 1884, significant modifications were made to the site. Two smaller buildings that are present on an 1877 map have, by 1884, been replaced with a large two storey brick townhouse (visible in the image below). It seems likely that this building tied into Hiorns’s £1000 pounds of modification to the section. Unfortunately, we found no structural evidence of either this building or the earlier one during our excavations. What we did find, however, were several other archaeological features, including a large depression to the rear to the building that was completely and utterly filled with artefacts (unfortunately for us, this was the asbestos site was we’ve talked about previously on the blog, in the case of which more definitely wasn’t merrier). A smaller, rectangular pit feature was also found at the front of the section, containing a large quantity of tin and iron and a handful of artefacts, in addition to another small rubbish pit filled with domestic artefacts.
While it is difficult to associate the features found on the site with any one resident during the 19th century, it is almost certain that some of them were deposited by Hiorns and his family, including some of the 1037 artefacts found in the large depression to the rear of the building. That particular feature looks to have been used for the disposal of rubbish over an unknown period of time, based on the presence of small concentrations of objects within the feature as a whole, the size of the assemblage, and the wide range of manufacturing dates found among the artefacts. Many of the artefact dates, however, fit in well with the period in which Hiorns was resident on the section. On top of this, the assemblage contained a large number of alcohol bottles and several artefacts which are considered to be “higher status” items, or objects more often associated with people of reasonable wealth. It would make sense for the man who a) ran a hotel and wine bar and was in court more than once on alcohol related charges and b) later purchased the prestigious Linwood House, to have owned items like these.
The assemblage also contained large quantities of ceramic tea and table wares, as well as household and hygienic items like chamber pots, wash basins and ointment pots, a quantity of shoes and fabric, food containers, pharmaceutical bottles and children’s artefacts. One of the most interesting finds, however, was a cluster of clay tobacco pipes that included pipes with political motifs as decoration. These pipes – bearing the name and bust of William Gladstone, liberal English politician, and the name of Garibaldi, famously nationalist and progressive Italian general – can easily be tied into Hiorns’ political engagement (which I sort of alluded to above, but haven’t had time to go into detail about) and the politically charged narrative of this entire Armagh Street site (which I definitely haven’t had time to go into). They’re an example of material culture that is actively entangled with the more intangible ideas and ideals of the people and society by which they are made and used (a topic for another day, I think).
I may have started this post with a melodramatic paragraph that reads more as pulp fiction than historical narrative, but in truth, the story of Edward Hiorns (and all of the residents of this block of Armagh Street) is not all that sensational. What it is, however, is a tale we come across all the time in Christchurch. There are many interesting themes to be found in the archaeological and historical records of his life, but two of the most interesting from my perspective are the way he “improved” his situation in life, so to speak, and the way he involved himself so readily in the governance and development of the city in which he had settled. It’s a combination that we see again and again in the lives of Christchurch residents from the 19th century.
People talk a lot about the fluidity of class and social affluence in the 19th century, especially in colonial settlements like New Zealand, and the significance of the capitalist ‘entrepreneurial spirit’ in the prospering of Victorian society. These are both more than evident in the case of Mr Edward Hiorns (and Mr Jamieson, and Mr Ruddenklau and Reverend Fisher). What is just as evident, however, is the active engagement made by people like Hiorns with the present and future of the community in which they lived – be it at the local, national or global level. I could, with the aid of Mr Hiorns and others, very easily take you all down the rabbit hole with me here into the fascinating world of political and social change in 19th century Christchurch (the labour movement! radicalism! women’s suffrage!) and the lives of the people who fought to change the world around them, but that is too much for any one blog post, let alone this one. Nevertheless, it bears remembering that theirs were the hands that shaped a city and, though the city, helped to shape a nation.
LINZ, c. 1850. Deeds Index – A – Christchurch town sections and town reserves. Archives New Zealand, Christchurch Office.
McAloon, J., 2000. The Christchurch elite. In Cookson, J. and Dunstall, G., eds). Southern Capital Christchurch: Towards a City Biography, 1850-2000., pp. 193-221. Canterbury University Press, Christchurch.
Wright, G. R. 1998. The Petty Bourgeoisie in Colonial Canterbury; A Study of the Canterbury Working Mans’ Political Protection and Mutual Improvement Association (1865-66) and the Canterbury Freehold Land Association. MA Thesis, University of Canterbury.
Papers Past. [online] Available at www.paperspast.natlib.govt.nz.
This week on the blog, we look at what we found beneath a local landmark in the community of Lyttelton: the newly refurbished Albion Square.
The Albion Square, on the corner of London and Canterbury streets, is home of the Lyttelton War Memorial Cenotaph. It also acts as a community focal point, and is a testament to the recovery of the port town. However, the longer-standing residents of Lyttelton may recall that this was also once the site of the square’s namesake: the historic Albion Hotel.
We can trace the establishment of the first hotel at this site to 1858, when local merchant John Collier was granted a liquor licence, transforming his grocery store into the Albion Hotel. A year later he added a saddle horses for hire business to the rear of the hotel. An 1862 advertisement in the Lyttelton Times, for the lease of the hotel provides the first known description of Collier’s hotel:
The premises consist of a commodious bar, bar parlour, dining and sitting rooms, with 15 bedrooms, making up 24 beds; also skittle ground and outhouses. This establishment has for the last three years, been favoured with the support of the settlers of the Peninsula particularly.
Lyttelton Times 1/11/1862: 6.
A map of Lyttelton drawn in the 1860s shows the Albion Hotel fronting London Street. Two smaller buildings are shown to the rear of the hotel. These probably represent the outhouses and stables mentioned in newspaper sources (Lyttelton Times 8/1/1859: 5, 1/11/1862: 2).
Collier was fortunate that his hotel survived the Lyttelton fire of 1870, which destroyed much of the Lyttelton central business district. In 1881, the original building was sold and removed from the site (Press 14/1/1881: 4). The sale advertisement described the old building as:
Covered with slates, and contains a large quantity of timber and bricks while the intended replacement was a stylish brick edifice to be substituted in its place, whenever the ancient hostelry is removed.
Press 21/1/1881: 2.
Later in 1881 the stables behind the hotel caught fire (Press 22/8/1881: 2). Little damage was done, but the resulting newspaper item indicates the stables were constructed from galvanised iron. The new Albion Hotel continued operating into the 20th century and can be seen in a photograph taken in 1911. In 1943 a new façade was added to the building (Burgess 2009).
Over the course of the 19th century, the Albion Hotel and horse for hire business had at least 17 proprietors between them, and more still after the turn of the century. This high turnover complicated the task of attributing the artefacts recovered from the site to a specific individual. The dateable artefacts that were recovered from the site all post-date 1857, confirming that the assemblage was associated with the Albion Hotel. However, serval discreet archaeological features may have been deposited at different times. The deposition dates of these features range from 1861 to the late 19th century. It is possible that the piece of salvaged roofing slate may have been part of the original Albion Hotel which was removed from the site in 1881 (Press 21/1/1881: 2).
The archaeological material that was recovered was found in a series of rubbish pits, located mainly toward the rear of the hotel site. From this evidence it is apparent that the back of the section was seen as a convenient location to dispose of the breakages and detritus associated with the day-to-day operation of the Albion Hotel. It is possible that the proprietors of the hotel may have deposited waste into these rubbish pits to avoid rubbish collection costs.
The rubbish pits contained combinations of artefacts that are signatures of 19th century hotel sites, such as alcohol bottles, matching serving ware sets and food remains. The alcohol bottles consisted mainly of black beers, though wine bottles, case gin bottles, spirit-shaped bottles and matching glass tumblers were also present. The contents of these bottles cannot be confirmed, as specific alcohol bottle shapes were commonly re-used for alternative purposes. However, it is probable that beer, wine, gin and other spirits were being served at the Albion Hotel. These vessels are also likely to only represent a fraction of the alcohol that was served. The presence of disposable clay pipes with use-wear indicates that the hotel patrons were also smoking at this site.
The matching decorative patterns that were found on ceramic tableware and servingware sets are representative of a standardised material culture, and this fashion can be associated with the Victorian idea of social respectability (Samford 1997). It is possible that this servingware is an indication that food was served at the hotel. However, there was a notable absence of condiment bottles from this site. This is unusual, as condiment bottles are typically abundant in 19th century hotel sites.
A number of animal bones with butchery marks were also recovered, the most common of which were cuts of lamb and mutton leg. It is probable that these cuts were being served to the patrons of the Albion Hotel. Shellfish, including oyster, rock oyster, cockle and cat’s eye were also recovered. These are all species that were locally available. There is a notable absence of fish and bird remains from the faunal assemblage. This is unusual, as 19th century hotels have been found to be more likely to serve fish and bird than private houses (Watson 2000).
A newspaper advertisement indicates that the Albion Hotel had rooms at the back that were for the owner’s family (Press 9/5/1882: 3). While both commercial and domestic items were recovered from this site, there appears to be a lack of domestic items that are typically associated with family homes. With the exception of chamber pots, this may be because hotel guests would bring these personal items with them during their visits, and would be unlikely to leave them at the hotel to be discarded.
The Albion Hotel artefact assemblage is comparable to other 19th hotel assemblages in Christchurch, such as the Oxford-on-Avon Hotel and the Zetland Arms/Parkers Hotel. All three sites yielded large quantities of alcohol bottles, with black beer bottles being the most prominent. Glass servingware and matching decorative ceramic servingware sets were also present at all sites: the Asiatic Pheasants pattern was dominant at the Oxford-on-Avon, and Willow pattern was well represented at the Zetland Arms/Parkers Hotel, while the Albion Hotel appears to have had sets of Willow and unidentified sponged and leaf tableware sets. Unlike Zetland Arms/Parkers Hotel, no evidence that could be associated with the neighbouring stables (such as horseshoes) was recovered from this site, despite the fact that the saddled horse for hire business appears to have been long-running at this address.
By combining the historical and archaeological information from the Albion Hotel site, the activities of those who lived there was revealed to show the use and modification of the section over time. This assemblage has shed light on the operation of a 19th century hotel in Lyttelton, and the provision of food and drink in this context. This site is also comparable to other 19th century hotels within Christchurch, and has the potential to add to our general understanding of similar establishments in the area. This analysis has salvaged a snapshot of one of Lyttelton’s historic watering holes, adding to the charisma of the vibrant entertainment hub of modern Lyttelton.
Burgess, R., 2009. Registration Report for Historic a Area: Lyttelton Township Historic Area (Vol. 2). Unpublished report for New Zealand Historic Places trust Pouhere Toanga.
Lyttelton Times. [online] Available at: www.paperspast.natlib.govt.nz [Accessed July 2014].
Press. [online] Available at: www.paperspast.natlib.govt.nz [Accessed July 2014].
Rice, G., 2004. Lyttelton: Port and town. An illustrated history. Canterbury University Press, Christchurch.
Samford, Patricia M., 1997. Response to a market: Dating English underglaze transfer‐printed wares. Historical Archaeology 31 (2): 1‐30.
Watson, K., 2000. A land of plenty? Unpublished Masters thesis, Department of Anthropology, University of Otago.