Church and Chocolate: A History of Easter in New Zealand

One of our final blog posts of 2016 took a look at the history of Christmas in New Zealand. In the same festive spirit, this week it seems appropriate to explore the tradition of Easter – from the time when the idea first arrived here with the European settlers until today.

An Easter greeting card (Auckland Star 31/3/1934: 2).

As is the case with Christmas, we all know that Easter was primarily regarded in New Zealand as a religious holiday. But it wasn’t always a ‘holiday’ as such – Good Friday was regarded by Catholics and Anglicans (the two religious groups who recognised Easter in 19th century New Zealand), to be the most solemn day of the year. Good Friday represents the crucifixion day of Jesus, and was traditionally preceded by a (very un-festive) 40 days of Lent, which involved fasting, celibacy and no celebration to speak of. Possibly not unexpectedly, this practice didn’t really catch on with other religious groups in New Zealand – even Anglicans didn’t adhere to Lent with as much fervour as the Victorian Catholics (Clarke 2007: 123-124).

Of course, this doesn’t mean that colonial New Zealand was more secular than the home country, just that attitudes toward religious belief valued the idea of religious freedom. Even though Anglicans were the largest religious group in 19th century New Zealand, they made up less than half of the pakeha population, and it was hard for any one church to impose their ideas onto communities with such diverse views (Clarke 2007: 120).

It also must have been difficult to get into the spirit of a festival that was supposed to celebrate the start of spring – during New Zealand’s autumn. The name ‘Lent’ comes from ‘lengthen’ (West Germanic), and ‘lencten’ springtime (Old English), reflecting the start of spring when the days become longer (Clarke 2007: 120). It made good sense for the Europeans to fast at the end of winter, when food supplies were lowest, but in the southern hemisphere, Easter falls at the end of summer, when food was most abundant (Clarke 2007: 120) – and we know kiwis are just as sensible as the Europeans, right!?

Easter Monday in Cathedral Square, Christchurch (1907). Image: Christchurch City Libraries, File Reference: The Weekly Press 10/4/1907: 50.

The evolution of the Easter break turning into just that – a break, happened in New Zealand before the same occurred in the motherland. New Zealand was first to introduce Easter Monday as a day off work, which was a result of the Easter holiday being slowly adopted by New Zealand Presbyterians, Baptists and Congregationalists in the 20th century, as they mixed with Catholic and Anglican communities (Swarbrick 2012). With the introduction of the five day, instead of six-day working week, the introduction of Easter Monday as a holiday offered the opportunity of an extended break for holiday makers (Clarke 2007: 161). It was declared to be the “second carnival day of the year” in 1881, “the close of the summer and the precursor to the winter season.” (New Zealand Herald 19/4/1881: 4). This idea was also a carryover from Lent, when feasting, sport and recreation followed the end of the fasting (Clarke 2007: 151). Travelling out of town for the long weekend was well ingrained in our national psyche by at least the early 20th century – the advertisement below represents one of many that were directed toward Easter holiday makers.

(Hastings Standard 13/4/1916: 2).

Holidaying was not the only leisure activity typically enjoyed by the Easter crowds. Sports like hunting were popular activities among men and boys of most backgrounds (Star 21/4/1897: 4). It was possibly so desired by the colonists because hunting was very restricted by England’s poaching laws during the 19th century and long before – at a time when this activity was only available to the wealthy (Clarke 2007: 155). In New Zealand, anyone could hunt or fish within the (much more lax), game laws, and licences were so affordable that most people had the opportunity to shoot or fish legally (Clarke 2007: 155). But let’s not forget sports that involved women! Racing and golf tournaments over the Easter break were also plentiful.

Miss Cowlishaw competing in the Christchurch Golf Club’s Easter Tournament held on the Shirley Links (1908). Image: Christchurch City Libraries, File Reference CCL PhotoCD 11, IMG0073.

Military training camps were also a weekend activity undertaken by Easter revellers. These represented the predecessors to today’s territorial forces, and included 50 to 100 volunteers per camp (Clarke 2007: 156). During the mid 1880s, 8000 men were part of this nation-wide force. Some Māori participated alongside Pākehā, and some made up distinctively Māori corps, such as the Thames Native Rifle Volunteers (formed 1874; Clarke 2007: 156). But it wasn’t all target practice and taking orders – these groups were as much social clubs as serious military forces (Clarke 2007: 156).

A view of the camp of the Blue Force at Sheffield. Webb and Bunz (photographer). Image: Christchurch City Libraries, File Reference: The Canterbury Times, 10/4/1907: 45.

Demonstrations were held by the cops each Easter at a few locations around the country. The weekend schedule consisted of drills on Thursday and Good Friday, a parade on Sunday, and the celebrations culminated on Easter Monday with a major field exercise or sham-fight (Clarke 2007: 157). But all the fun wasn’t just to be had by the men-at-arms, many spectators attended, and some camps included contests, bands and balls (Clarke 2007: 158).  Nearby hotels also made roaring trades in the evening from associated celebrating (Clarke 2007: 159).

The Easter manoeuvres of the Canterbury volunteers at the Sheffield Camp. 31 Mar. 1907 Webb and Bunz (photographer). Image: Christchurch City Libraries, File Reference: The Canterbury Times, 10/4/1907: 45.

But what about the chocolate? And the bunny who brings the chocolate? Like Easter itself, the tradition of the humble Easter egg has its birth in Europe too. During the middle ages, eggs were included in the long list of foods that were forbidden to be consumed during Lent – until Henry VIII relaxed these uncomfortable rules to only exclude meat (good old Henry – that guy loved to make changes; Clarke 2007: 120). The chocolate covered treats that we know today are a 20th century invention, as is the fluffy bunny who carries them. However, both ideas do have their roots in history which pre-dates Christianity – the name ‘Easter’ derives from the pagan fertility goddess ‘Eastre’ – who was a figure of worship relating to spring harvest rituals and celebrations. She was associated with rabbits (due to the speed in which they multiply), and eggs are also commonly associated with fertility and rebirth (Holloway 2014).

Eastre – pagan goddess of spring. Image.

The little chocolate balls of joy began life in Germany and France during the late 18th century, but their association with Easter didn’t become widely spread until the late 19th century when technological advances allowed for mass production. Instead, it was common to decorate eggs – probably often with coloured dyes. Such festive eggs were given as gifts to children at Easter time, and the happy recipients would play games with them such as rolling them down hills (Clarke 2007: 148). Does that sound familiar to anyone else? It immediately reminded me of the annual Jaffa Roll down Baldwin Street, Dunedin (the word’s steepest street). I couldn’t find any links between these two activities, but doesn’t the idea seem very reminiscent?

Jaffa Roll, Baldwin Street. Let’s assume smaller scale? Image.

Image: Pintrest.

Unfortunately, we have never found any evidence of these festive eggs on a Christchurch archaeological site. The closest things we’ve found are decorated egg cups, which were commonly used as part of a breakfast table setting. Less commonly, we also come across undecorated ceramic eggs – thought to have been used in chicken coops to encourage hens to lay their eggs in a common place. It’s probable that real eggs were the ones that were decorated at home for the season (Clarke 2007: 148), although it’s also possible that pre-decorated ceramic eggs may have had their place among the Eastertide celebrations of the wealthy.

Egg cups and an undecorated ceramic egg. Yes, that beige egg cup is in the shape of a dog…

Eggs and bunnies aren’t the only Easter traditions that have origin in pagan belief. This article published in the Evening Post outlines the hot cross buns classical roots – linked with fertility, hunting and the Moon:

Evening Post 21/5/1938:17

We can’t argue that today the common belief is that hot cross buns reflect the crucifixion of Jesus on the cross. This was also obviously the common conception of our ancestors, but it seems that some of our predecessors had a few different ideas regarding the origin of the tasty treats:

King Country Chronicle 8/5/1915:3

This article also touches on the superstition that hot cross buns were baked on Good Friday because it was considered lucky. Bread that was baked on this day was thought by some to not spoil and have magical healing properties. Again, this superstition pre-dates Christianity (Clarke 2001: 150). But regardless of their mystical powers or where they came from, there’s no denying that hot cross buns were enjoyed by the masses here in the 19th century – much as they are today. Nineteenth century newspapers were filled with advertisements for hot cross buns, stating that no pre-orders were too small, nor too large.

Wanganui Herald 11/4/1906: 7

They were so well loved that one’s Thursday night pre-orders were not always safe. Newspaper report an 1890s Easter crime spree – describing thieves who followed a baker’s delivery man doorstep to doorstep, stealing the buns on Easter morning (New Zealand Times 5/4/1890:5). How disappointing! So, if I could leave you with a piece of advice this Eastertide – maybe don’t store your hot cross buns on your back doorstep this year guys!

Happy egg day, you eggs.

By Chelsea Dickson

 

References

Alison Clarke, 2007. Holiday seasons: Christmas, New Year and Easter in nineteenth-century New Zealand. Auckland: Auckland University Press.

Holloway, A. 2014. Ancient Origins: The Ancient Pagan Origins of Easter. [online] Available at: http://www.ancient-origins.net/myths-legends/ancient-pagan-origins-easter-001571?page=0%2C1

Swarbrick, N. 2012. ‘Public holidays – Easter, Christmas and New Year’, Te Ara – the Encyclopedia of New Zealand, http://www.TeAra.govt.nz/en/public-holidays/page-2 (accessed April 2017).

Piles, bones and marbles: what was under the Godleys’ house?

Way back in the winter of 2012, at the height of the post-earthquake demolition, I was pretty excited to learn we were going to get the chance to investigate the site of John and Charlotte Godley’s house in Lyttelton. John was a prominent figure in the Canterbury Association, the young settlement’s Chief Agent and is often regarded as one of Canterbury’s founding fathers. Charlotte was his wife and the author of a fantastic volume of letters that record so much detail about life in the new settlement and – importantly for this tale – the house they lived in. And then there was Arthur Godley, their son, born in 1847.

John Robert Godley. Image: Wikipedia.

The house was built for the Godleys in late 1849/early 1850, by the advance party of Canterbury Association surveyors sent to carry out some of the ground work to establish the colony. The house was ready for occupation when the Godleys arrived in Lyttelton in April 1850, although the Godleys only stayed a few days before travelling to Wellington to await the arrival of the first Canterbury Association ships. John Robert Godley later recorded that “after seeing it, we could not help laughing at our own anticipation of a shed on a bare beach with a fire at the door”, while Charlotte thought the house to be “…the best looking house we have yet seen in New Zealand”, and she particularly admired the “… kind of pantry” (Amodeo 2003: 117).

Charlotte Godley, 1877. Image: Wikipedia.

The house might have looked good, but the practicalities of living in it were trying, as Charlotte was to discover when the family returned to the house in December 1850: both dust and rain came in through the walls, depending on the weather. Charlotte records one sleepless night when the wind howled all night and the house creaked like a ship. She rose in the morning to find the inside of the house covered in dust, including all the furniture and all her dresses. The rain that seeped in through the poorly lined walls caused the drawing room wallpaper to come unstuck (Godley 1951: 170, 191). This anecdote’s a great one, because it tells us that (a) the house had wallpaper – in early 1850s Lyttelton! – and (b) that it had a drawing room. Historical records tell us that the house had six rooms (although it’s worth noting that Victorian room counts often didn’t include halls, pantries and/or similar service rooms), but don’t list what these were.

Lyttelton, with Immigrants’ Barracks and settlers’ houses, 1852? Frederick Aloysius Weld, 1823-1891. Alexander Turnbull Library, Reference number: B-139-004. The Godleys’ house is the building with three gables in the middle of the picture.

In spite of the “kind of pantry”, meat did not last well in the house, lasting on average two days before going off (Godley 1951: 155). This wasn’t really anything to do with this particular house, it was more about life in the 19th century… but it is relevant to this story. For John and Charlotte’s position in Canterbury meant that they entertained very regularly, hosting tea parties nearly every evening in December 1850 (Godley 1951: 153, 155, 161). And then there were the guests who stayed the night – or several nights, leading Charlotte to refer to John’s dressing room (yes, a dressing room! More on that in a moment), as “the spare room of Lyttelton” (Godley 1951: 172).

So, the dressing room, which seems fairly extraordinary to me in Lyttelton in the early 1850s. But John was an important man in the colony, and perhaps his status was such that a dressing room may have been required. I also wonder if the dressing room functioned as a study/office for John. When he got the chance to use it. Early in 1851, there was a plan to turn it into a dining room (Godley 1951: 153) – indicating both that the house didn’t already have one (perhaps guests ate in the kitchen or the drawing room?) and that the dressing room was of a decent size. Whether or not it ever became a dining room isn’t clear – there may not have been the opportunity, given how frequently it was used as a bedroom.

The dressing room wasn’t the only room to have been used as a bedroom – in August 1851 the bathroom was converted into a bedroom for a visiting Canterbury Association official (Godley 1951: 226). Perhaps John had finally put his foot down about the use of dressing room as a bedroom? The presence of a bathroom is also intriguing. Clearly the house didn’t have any running water, although a well was dug specially for it (Amodeo 2003: 116). The bathroom may have contained a bath or even a commode.

In terms of the other rooms in the house, Charlotte records the presence of a kitchen in the house, although the initial one must have been somewhat unsatisfactory, as Charlotte referred to a new kitchen in March 1851, complete with stove and “refractory chimney” (Godley 1951: 184). We know, too, that Charlotte and John had a bedroom in the house, as did young Arthur – the three seemed to alternate between sleeping up and downstairs. We know the Godleys had servants, and it’s possible that a servant may have lived in too. But perhaps the most interesting use of a room in the house was as the Lyttelton library, which started operation here in June 1851 (Burgess 2009: Appendix 4).

When it came time to do the archaeological work on the site, I really wasn’t sure what we’d find. Or, indeed, if we’d find anything related to the c.1850 building. But we did! Lots and lots of piles, and some pile holes: brick piles, timber piles and stone piles, specifically. The house sat on timber piles (identified as mātai and kōwhai) and its verandahs – on the north and west elevations – sat on stone piles. This is interesting, because it wasn’t long before houses in Christchurch and Lyttelton were supported by stone piles, stone being a much more readily available material than timber. The other intriguing feature found under the house was a mysterious brick pit…

Underneath the Godleys’ house. Image: G. Gedson.

We’ve no idea what this was used for, or even how old it was – it certainly predated the 1943 building constructed where the Godleys’ house had stood, but this feature was able to remain in situ and so we didn’t get to look at the bricks it was made from. One of the notable things about this feature was that it contained lots of animal bones, almost all of which was bird bone and all of which is likely to have been food waste. The bones were from at least two domestic ducks and at least one brown teal duck. The brown teal duck must pre-date the 1900s, as it gradually disappeared from the South Island prior to this date (Williams and Dumbell 1996). So, perhaps food from the Godleys’ table? There’s no way of knowing.

The mysterious brick pit, found at the rear of the house. Image: G. Gedson.

Amongst the other intriguing artefacts from under the house were several marbles, which were found scattered on the ground surface, and in some of the pile holes. Marbles aren’t uncommon on archaeological sites (see here for more information), but finding eight is. Half of these were lying on the surface under the 1943 building and the other half were in the piles holes. Realistically, given the nature of marbles – small round things designed to roll – these could have been deposited at any time from the house’s construction until the site was built on again following its demolition. So, sadly, we can’t say that young Arthur Godley was playing with these marbles, but nor can we entirely discount the possibility (although some of the types found date to the later part of the 19th century, so he definitely wasn’t playing with those ones).

Marbles! Image: J. Garland & L. Dawson.

We found a range of other artefacts at the site, too, most of which was the normal detritus of mid-late 19th century European life in Canterbury. Nothing, regrettably, that could be associated directly with the Godleys. But we only looked at part of the site, and it is possible that more remains outside the footprint of the area we excavated. And possibly the best outcome of this project is that the piles – and the mystery brick feature – have been preserved in situ for the future. And for me, the site provided a great opportunity to explore the lives of John and Charlotte Godley, leading me to Charlotte’s wonderful letters and to a wealth of information about life in Lyttelton at the beginning of the European settlement.

Katharine Watson & Kirsa Webb

References

Amodeo, C., 2003. Forgotten Forty-Niners: being an account of the men & women who paved the way in 1849 for the Canterbury Pilgrims in 1850. The Caxton Press, Christchurch.

Burgess, R., 2009. Lyttelton Township Historic Area. Registration report for a historic area (Volume 2). Unpublished report for the New Zealand Historic Places Pouhere Taonga.

Godley, C., 1951. Letters from Early New Zealand. Whitcombe & Tombs Ltd, Christchurch.

Williams, M. and Dumbell, G. 1996. Brown teal (pateke) Anas chlorotis recovery plan. Threatened Species Recovery Plan No 19. Department of Conservation, Wellington.

2016: It’s the end of the year as we know it

The end of year is upon us again, and Underground Overground Archaeology is closing the boxes on our finds for the year.

The year we finished up our Christmas party with a scavenger hunt around the central city using cryptic clues to revisit spots important to the city and to Underground Overground. It seems archaeologists can’t help but constantly revisit the past, be it their own or others, and with that in mind it’s time to look back on the year that’s been.

2016 has been another busy one, and it feels like we’ve done even more archaeology than normal, thanks to that bloody leap day in February. Here’s a few highlights from the year that’s been.

Luke records remnant 19th century wharf material in Lyttelton Harbour. Image Angel Trendafilov.

Luke records remnant 19th century wharf material in Lyttelton Harbour. The green-ness of the water is due to it being shipped in from the Rio Olympics (Deep dive! Remember the Olympics? That was this year!) Image Angel Trendafilov.

Kirsa did some helicopter survey of mining sites on the West Coast. For Kirsa, it was a chance to see what people had been hiding from her on the top shelf.

Kirsa did some helicopter survey of mining sites on the West Coast. For Kirsa, it was a chance to see what people had been hiding from her on the top shelf.

Annthalina and Francesca do some buildings archaeology. After serving several back-to-back sentences in the scaffolding, they were eventually acquitted on the grounds that scaffolding jail is not a real thing. Image: Annthalina Gibson.

Annthalina and Francesca do some buildings archaeology. After serving several back-to-back sentences in the scaffolding, they were eventually acquitted on the grounds that scaffolding jail is not a real thing. Image: Annthalina Gibson.

Megan, Shana, Angel and Kirsa excavate a number of brick floor and rubbish features in the central city. Image: Hamish Williams

Megan, Shana, Angel and Kirsa excavate a number of brick floor and rubbish features in the central city. Image: Hamish Williams.

The occasional fashion accessory for archaeologists. Chelsea and Peter celebrate exposing a brick floor in the central city. Image: Chelsea Dickson.

The occasional fashion accessory for archaeologists. Chelsea and Peter celebrate exposing a brick floor in the central city. Image: Chelsea Dickson.

A rubbish pit of scrap metal at a foundry site exposed in section. My doctor says I don’t get enough iron in my diet, so I ate a bunch of those cogs. Image: Tristan Wadsworth.

Curb your enthusiasm. An alignment of basalt stones associated with an 1870s grain storage warehouse building on St Asaph Street. and a 4 legged archaeologist. Image: Hamish Williams.

Curb your enthusiasm. An alignment of basalt stones associated with an 1870s grain storage warehouse building on St Asaph Street. and a 4 legged archaeologist. Image: Hamish Williams.

This year we’ve stayed busy with exhibitions and presentations, including Christchurch Heritage Week, conferences for the New Zealand Archaeological Association, the Australasian Society for Historical Archaeologists, and the Society of Historical Archaeology in the United States. Members of the team were involved with filming of Heritage Rescue and The New Zealand Home television shows, and of course Under Over alumni Matt Carter has graced the cast of Coast New Zealand.

Katharine, along with Billie Lythberg and Brigid Gallagher (Heritage Rescue) filming the opening of our combined exhibition ‘Buried Treasures’ for the Heritage Rescue TV show. Image: Jessie Garland.

Katharine, along with Billie Lythberg and Brigid Gallagher (Heritage Rescue) filming the opening of our combined exhibition ‘Buried Treasures’ for the Heritage Rescue TV show. Image: Jessie Garland.

“Let’s Dig”. Luke, Kirsa, and Megan set up a mock excavation for the young ones as part of Christchurch Heritage Week. Megan wields a sawn-off shovel, easily concealed, from her time as an undercover archaeologist in the former Soviet Union. Probably shouldn’t have posted that on the internet. Run, Megan! Russian hackers are on their way! Image: Jessie Garland.

“Let’s Dig”. Luke, Kirsa, and Megan set up a mock excavation for the young ones as part of Christchurch Heritage Week. Megan wields a sawn-off shovel, easily concealed, from her time as an undercover archaeologist in the former Soviet Union. Probably shouldn’t have posted that on the internet. Run, Megan! Russian hackers are on their way! Image: Jessie Garland.

Peter, Shana, and Jamie excavate a series of umu near Belfast used by Māori in the 15th century. This photo also happens be a magic eye. Image: Tristan Wadsworth.

Peter, Shana, and Jamie excavate a series of umu near Belfast used by Māori in the 15th century. This photo also happens be a magic eye. Image: Tristan Wadsworth.

Luke and Angel excavate and record a 19th century sea wall cut into a Māori midden and cultural layer from around the 17th century. The scaffolding above them would later be set up as a lighting rig for their two man show: West Trench Profile.

Luke and Angel excavate and record a 19th century sea wall cut into a Māori midden and cultural layer from around the 17th century. The scaffolding above them would later be set up as a lighting rig for their two man show: West Trench Profile.

During the 30 degree heat of summer, a Fulton Hogan crew built Teri a sun-shade.

During the 30 degree heat of summer, a Fulton Hogan crew built Teri a sun-shade.

This year Matt and Luke entered a house early one morning to record it, only to find the front room still occupied with sleeping squatters, and unexplained bloodstained clothing. The remainder of the graffiti can’t be shown here, but at least you can tell that they loved each other very much. Image: Matt Hennessey.

Archaeology-themed cookies made by the team for International Day of Archaeology. You are what you eat they say. Some of us are willow pattern ceramics. Image: Jessie Garland.

Archaeology-themed cookies made by the team for International Day of Archaeology. You are what you eat they say. Some of us are willow pattern ceramics. Image: Jessie Garland.

For the domestic gods and goddesses out there, how about a charcoal laundry iron, or a sewing machine for Christmas. Yes, the sewing machine does say Ballantynes!

For the domestic gods and goddesses out there, how about a charcoal laundry iron, or a sewing machine for Christmas. Yes, the sewing machine does say Ballantynes!

Lock, stock, and MANY smoking barrels! The hand gun on the left speaks for itself, the picture on the right is a pile of gun barrels from rifles and double barrel shotguns!

Lock, stock, and MANY smoking barrels! The hand gun on the left speaks for itself, the picture on the right is a pile of gun barrels from rifles and double barrel shotguns!

We could all do with a few more of these around this time of year! Here is a shiny British Empire penny from 1863, and a token for Jones & Williams wholesale and retail grocers, Dunedin. This duo was in business together as wine, spirit and provisions merchants from c. 1858 until 1865.

We could all do with a few more of these around this time of year! Here is a shiny British Empire penny from 1863, and a token for Jones & Williams wholesale and retail grocers, Dunedin. This duo was in business together as wine, spirit and provisions merchants from c. 1858 until 1865.

Treasures from the walls AND from the ground! The top photo shows a Book of Common Prayer - found between the walls of a local church. On the left you can see a personal handwritten note, dated 1862. The picture below displays the remains of a horse yoke – mid excavation. This apparatus may have been used to hitch a horse to a carriage or plough.

Treasures from the walls AND from the ground! The top photo shows a Book of Common Prayer – found between the walls of a local church. On the left you can see a personal handwritten note, dated 1862. The picture below displays the remains of a horse yoke – mid excavation. This apparatus may have been used to hitch a horse to a carriage or plough.

More of the best and brightest!

More of the best and brightest!

Work is hard sometimes, but fortunately I’m lucky to work with great people who make me laugh.

Self-dubbed A-team, winners of this year’s Christmas party scavenger hunt. As they say, many Shands make light work.

Self-dubbed A-team, winners of this year’s Christmas party scavenger hunt. As they say, many Shands make light work.

One of Luke’s highlights for the year was recording at the LPC dry dock. It just so happened that dock master Hal (a real cool dude) had to flood the dock at that time, and Kirsa and Luke got the opportunity to be on the caisson (gate) when Hal opened the taps. You can tell from Kirsa’s face that it was pretty darn exciting. Image: Luke Tremlett

One of Luke’s highlights for the year was recording at the LPC dry dock. It just so happened that dock master Hal (a real cool dude) had to flood the dock at that time, and Kirsa and Luke got the opportunity to be on the caisson (gate) when Hal opened the taps. You can tell from Kirsa’s face that it was pretty darn exciting. Image: Luke Tremlett.

Angel and Hamish. Entered without comment.

Angel and Hamish. Entered without comment.

It’s time for us to tap out for the year, and leave you all till January. Time to kick back, grab a cold beverage, and put our feet up.

You can tell Pete is still working, because there’s a laser measure in his hand. Image: Annthalina Gibson.

You can tell Pete is still working, because there’s a laser measure in his hand. Image: Annthalina Gibson.

The blog will return in February next year. Thanks again for joining on our journey down the rabbit hole of the past. We really appreciate you tuning in and hope you enjoy the holidays. From all of us here at Underground Overground Archaeology, Merry Christmas and Happy New Year.

everyone

A man & his dream

Today I’m going to tell you about what is possibly my all-time favourite archaeological site (there is another contender, but it doesn’t have any connection to Christchurch or Canterbury so is unlikely to feature here). I reckon this site has pretty well everything going for it: a spectacular location, cool archaeology just lying around waiting to be explored and an excellent story. You see, it’s the story of a person (a man, as it happens, but that’s not that relevant) with a passion, who was determined to pursue their dream. And all of those things come together to form a place and story I love.

The site’s on the true right of the Rangitata River, in the lee of Mt Harper. It’s rugged country, made famous recently by a certain movie trilogy, and made famous in the 19th century by Samuel Butler, although he was on the other side of the river. It’s mountainous, there is a river (obviously) and there are lakes. And lots and lots of tussock. Not so much bush. It’s my kind of place. And there’s snow on the tops. And in winter there’ll be ice. Which is the crucial detail for this story.

Yes, ice.

The Mt Harper ice rink, from the slopes of Mt Harper. Image: K. Watson

The Mt Harper ice rink, from the slopes of Mt Harper. The trees were planted to provide shelter for both the rink and the Barkers. Image: K. Watson

You see, this was also Wyndham Barker’s kind of place (that’s a Barker of the Barkers of jam-making and photography fame). Barker was a man who loved ice skating. Not too much is known about his early life, but his first wife was a Dutch woman and the couple and their children lived in the Netherlands for a time in the 1910s, and the story goes that this is where Barker learned to ice skate. Certainly, there wouldn’t have been a whole lot of places he could have learnt to ice skate in New Zealand.

By the early 1930s, Barker and his second wife were back in New Zealand, and Barker and his two brothers had taken up the Ben McLeod run, on the true left of the Rangitata, just opposite Mt Harper. And Wyndham set about building an ice rink. Not just any ice rink, mind: an outdoor rink, with natural ice (to be fair, this would be the easiest sort of ice rink to build at the time).

Barker strikes me as the sort of person who’d have put a fair amount of thought into just where he was going to build his rink. This was no casual, carefree enterprise. This was a man on a mission, determined to bring the sport he loved to New Zealand. The site he chose was by no means easy to access – today, from Geraldine (the nearest settlement), it still takes over an hour (and a boat ride) to get there. And once you got over the river, there was quite a bit of swampy ground to cover before reaching Barker’s site (just perfect for getting a 4WD stuck in. It’s not an adventure if you don’t get stuck, right?). So the first thing Barker did in the summer of 1931-32 was build a causeway across the swampy ground to his proposed ice rink. And then work got underway on a house for himself and Brenda, his second wife.

The Barkers' house, which lies between the rink and the river, and looks out over the rink (albeit at a distance). The Barkers lived here year round, growing all their own vegetables, in what would have been a particularly harsh environment. Image: K. Watson.

The Barkers’ house, which lies between the rink and the river, and looks out over the rink (albeit at a distance). The Barkers lived here year round, growing all their own vegetables, in what would have been a particularly harsh environment. Image: K. Watson.

In spite of Barker’s careful approach, he got one thing wrong: the site of the first rink he built, in that summer of 1931-32. This site was some 300 m from the base of Mt Harper, and too exposed to the nor’west, which howls down the Rangitata – and rippled the ice. The first rink was prepared by ploughing and working the ground to level it, and building sod walls to contain the water. The causeway from the river bank connected directly to these walls, ensuring that skaters would not get their feet wet (assuming, of course, that they hadn’t got wet feet crossing the river). The great thing is you can still walk across this causeway, should your boat happen to land you in the right place. But it wouldn’t be fieldwork if you didn’t get your feet wet.

The plough used to form the first rink? Who knows, but it was undoubtedly used to form an ice rink. And the roller in the background was no doubt used to level the ground. Image: K. Watson.

The plough used to form the first rink? Who knows, but it was undoubtedly used to form an ice rink. And the roller in the background was no doubt used to level the ground. Image: K. Watson.

From the archaeology (the sod walls survive), we know that the first rink was triangular, and it was fed by a water race that took water from a nearby stream. The flow of water into the rink was controlled by a timber and concrete gate. Getting the flow just right was critical: too much water and it might not freeze. Too little and, well, there wouldn’t be enough ice. Barker was later to perfect a system of getting the ice in just the right condition by slowly building up layers of ice over a number of nights, and keeping it smooth with a Model-T Ford (known as Matilda. Or maybe it was Betsy. Sources disagree.) fitted with a grader blade. Cracks and holes were repaired with hot water. And sometimes the ice was sluiced with water from the hydropower scheme. Yep, you read that right, a hydropower scheme. So they could skate under lights at night, of course. See, isn’t this the best story?

The shed that housed the pelton wheel (which remains inside) for the hydropower scheme. This was installed by the 1938 skating season. Image: K Watson.

The shed that housed the pelton wheel (which remains inside) for the hydropower scheme. This was installed by the 1938 skating season. Image: K Watson.

After the failure of the first rink, Barker rethought his approach, and consequently built a new rink closer to Mt Harper. Oh, and by this time Wyndham and Brenda were living there year-round, in their corrugated iron-clad timber-lined house, with central heating. Well, you wouldn’t want to live in the mountains without central heating, would you? And let’s not forget that Wyndham had lived in Europe, and Europeans are so sensible about home heating. Not only was their house warm, it contained a workshop for repairing skates.

Tools for repairing ice skates, in the Barkers' house, with boxes for storing skates on each side. Image: K. Watson.

Tools for repairing ice skates, in the Barkers’ house, with boxes for storing skates on each side. Image: K. Watson.

It’s not entirely clear how the rink complex developed. It seems like the winter of 1933 might have been a bit of a trial run for the Barkers, after the failure of the previous winter, and that 1934 was the first major public season. By 1936, there were at least two rinks. Over the next few years, these rinks would be subdivided into smaller areas, and there may have been as many as seven rinks at one time, one of which was dedicated to ice hockey. One of the reasons for subdividing the large rinks into smaller areas seems to have been that the ice was no longer freezing as well. An early sign of climate change, perhaps? (This was in the 1940s.)

Along with all those rinks, there were also several buildings, including the White hut, a skate shed, men’s toilets, another toilet block (possibly for the women?!) and a ticket office. By the 1940s (after Barker had sold the rink), there was a shelter for the ice hockey rink and a refrigeration unit (to deal with the diminishing ice situation). This last ultimately ended up at the Centaurus rink in Christchurch. And of course there was the shed for the pelton wheel for the hydropower, installed by 1938.

The door to the White hut. Image: K. Watson.

The door to the White hut. Image: K. Watson.

Let’s go back to the White hut (imaginatively named for its white coat of paint…). This was actually built as a cow byre, for Sissy the cow (true story) – perhaps further evidence of the European influence on the Barkers? Not only did the Barkers drink Sissy’s milk, it was also used in drinks for skaters. In the 1940s, after the Barkers left, the hut was used for accommodation. Now it’s the only weather-proof building at the rink (although not possum-proof…).

In 1946, the Barkers left the rink, gifting it to the people of Canterbury. It was not to last much longer, however, with public use of the rink ceasing in the mid-1950s.

And what remains today? Pretty well everything – you can walk along the sod walls that surrounded the rinks, clamber through the remains of the Barkers’ house and, if you’re feeling energetic, scramble up to the water race that supplied the hydropower scheme. It’s easy to conjure up images of groups of people skating under the stars and lights, with the snow- capped peaks glistening in the distance, the laughter, the friendships formed. For me, it’s a magic place. I hope Wyndham Barker felt that he’d succeeded in his ambitions. Certainly, he left something pretty awesome behind.

Katharine Watson

Good beard, bad beard, red beard, blue beard: facial hair in Victorian Christchurch

Part the First

Movember is upon us once again, and to celebrate Undershaved Overgrown Archaeology brings to you a brief history of facial hair in Aotearoa. Movember is all about men’s health, and we’ve previously covered health in the blog before, both mental health and otherwise, so this week it’s all beards and moustaches. Gird your goatees for a hirsute history of facial hair in the nation, followed by a review of classic beards of old Canterbury.

Important Māori who wore tā moko necessarily removed their facial hair in order to show it off, and trimmed their tui tufts by plucking with mussel shell. They may also have shaved with razor sharp tūhua/obsidian, as it was otherwise used for cutting hair (McLintock, 1966; Robley, 1896). However, some of the earliest Pākehā imagery we have of Māori – drawings done by Sydney Parkinson, the Scottish botanical illustrator on Cook’s first voyage – show a range of facial hair and top knots. It is not clear if within 3-4 years the top knots would all be replaced with the same vague haircut of shaved back and sides, and a floofy combover on top – you Millennials know who you are.

This painting was evidently done before Pākehā got the hang of drawing moko. The guy in the upper middle is so fed up with this man-bun business. Image: Parkinson, Sydney, 1745?-1771. Parkinson, Sydney, 1745-1771 :The heads of six men natives of New Zealand, ornamented according to the mode of that country. S. Parkinson del. T Chambers sculp. London, 1784. Plate XXIII.. Parkinson, Sydney, 1745-1771 :A journal of a voyage to the South Seas, in his Majesty's ship, 'The Endeavour'. Faithfully transcribed from the papers of the late Sydney Parkinson. London; Printed for Charles Dilly, in the Poultry, and James Phillips, in the George-Yard, 1784.. Ref: PUBL-0037-23. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/23044298

This painting was evidently done before Pākehā got the hang of drawing moko. The guy in the upper middle is so fed up with this man-bun business. Image: Parkinson, Sydney, 1745?-1771. Parkinson, Sydney, 1745-1771 :The heads of six men natives of New Zealand, ornamented according to the mode of that country. S. Parkinson del. T Chambers sculp. London, 1784. Plate XXIII.. Parkinson, Sydney, 1745-1771 :A journal of a voyage to the South Seas, in his Majesty’s ship, ‘The Endeavour’. Faithfully transcribed from the papers of the late Sydney Parkinson. London; Printed for Charles Dilly, in the Poultry, and James Phillips, in the George-Yard, 1784.. Ref: PUBL-0037-23. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/23044298

During Pākehā settlement of Aotearoa, the beard was a fairly recent phenomenon, growing in popularity during the Victorian period along with changing ideals of masculinity, at a rate roughly equivalent to Queen Vicki’s bloomers. Like the modern hipster beard, the Victorian beard craze coincided with conflict in the Crimea. During the Crimean War (1854-1856), the British army relaxed their long-standing ban on beards – due to the freezing winters and difficulty in obtaining shaving soap – and servicemen were russian to grow them. Beards soon became a mark of those who had served, and the fashion subsequently spread across the British Empire. Beards could be seen on the patriotically named Mount Victoria in Auckland and Wellington, the proud imperial city of Victoria in British Columbia, the humble Victoria harbour in Hong Kong, and probably even on Lake Victoria. It is no surprise then, that on the rugged outskirts of Wikitoria’s empire, the beard held particular sway.

God Save the Queen

God Save the Queen

The beard was also considered healthy, and recommended by doctors. The face tangle was believed to filter out impurities in the air, and prevent sore throats.

A Lyttelton Times article relating a ‘stache survey provides insight into just why men of the 1860s chose the old dental duster as an accessory (Lyttelton Times, 27/4/1861: 5). Helpfully for you dear reader, I’ve put it into a table! (please send your thanks and appreciation monies to T. Wadsworth C/- Underground Overground).

Reasons for wearing a moustache, 1861.

Given reason No.
To avoid shaving 69
To avoid catching cold 32
To hide their teeth 5
To take away from a prominent nose 5
To avoid being taken as an Englishman abroad 7
Because they are in the army 6
Because they are Rifle Volunteers 221
Because Prince Albert does it 2
Because it is artistic 29
Because you are a singer 3
Because you travel a deal 17
Because you have lived long on the continent 1
Because the wife likes it 8
Because it acts as a respirator 29
Because you have weak lungs 5
Because it is healthy 77
Because the young ladies admire it 471
Because it is considered “the thing” 10
Because he chooses 1

The most common reason to wear a moustache was to impress the ladies, but there are also reasons of vanity (“to hide their teeth, to take away from a prominent nose”), and again, the perceived health benefits (“because it is healthy, because it acts as a respirator, because you have weak lungs, to avoid catching cold”). The association of moustache and military is also clear, with “because they are Rifle Volunteers” the second most common reason given for the old Magnum P.I. It is not clear if the two who responded “because Prince Albert does it” had further ornamentation for similar reasons.

Prince Albert of ‘Stache-Moburg and Goatee.

Prince Albert of ‘Stache-Moburg and Goatee. Image: Wikimedia Commons.

When the Victorians kept a stiff upper lip, they need to make sure it looked good. Moustaches were tinted and combed, and fashions changed. In 1883, a local purveyor of cosmetics said that “a year ago the fashion was to have the end stick out in a fluffy fashion, but now they want me to make it drop at the corners of the mouth” (Star, 29/8/1883: 4). There were of course products to keep it looking fresh. The below bottle of Rowland’s Macassar oil – found on several sites in Christchurch – is  described as “unsurpassed as a brillantine for the beard and moustaches, to which it imparts a soft and silky appearance” (Press, 16/10/1897: 11). We’ve also found bottles of “bay rum”, which formed part of a recipe to darken grey hair and beards (Otago Daily Times, 9/3/1915: 8).

Rowland’s Macassar Oil. Like most 19th century products, this is essentially snake oil, but without the fun of being made from actual snakes. Image: J. Garland.

Rowland’s Macassar Oil. Like most 19th century products, this is essentially snake oil, but without the fun of being made from actual snakes. Image: J. Garland.

Bay Rum. Don’t drink it, just rub it on your face and head. Image: J. Garland.

Bay Rum. Don’t drink it, just rub it on your face and head. Image: J. Garland.

But how to keep one’s soup strainer from acting in its name? On a site in Christchurch, we found a fragment of a cup with a “moustache protector”. This “yankee notion” kept one’s lip toupee clean of coffee by way of a protrusion within the cup, as modelled here by our own beard-having Hennessey (Star, 15/2/1878: 2).

In the midnight hour, he cried mo, mo, mo.

In the midnight hour, he cried mo, mo, mo.

Part the Second

In which we focus on the facial hair of the founding fathers of our fair city. We revisit some of the figures from Christchurch and the blog’s past and Tristan provides a highly subjective fever dream review of their moustaches and beards.

James Jamieson

The man:

James Jamieson carried on the proud Victorian tradition of Firstname Firstname-son and together with his brother William ran one of the leading construction companies in Christchurch, including the Roman Catholic Cathedral and the Government buildings in Cathedral Square. We’ve talked on the blog before about Jamieson’s love of spreadable cheese long before Koromiko was a thing.

The moustache:

Jamieson grew the classic ‘walrus‘ moustache, and chose to draw maximum attention to it by banishing all other hair from his countenance. His care and attention in maintaining the structural integrity of his weighty moustache – enough to cause any lesser man to topple forwards – informed his construction style, and it is said[1]  that his own chrome-y dome inspired those of the basilica.

9/10

Draw your own conclusions. Confirmed Illuminati. Image: Photograph of Cathedral of the Blessed Sacrament by Greg O’Beirne.

Draw your own conclusions. Confirmed Illuminati. Image: Photograph of Cathedral of the Blessed Sacrament by Greg O’Beirne.

Charles Obins Torlesse

The man:

Nephew to New Zealand company agent Arthur Wakefield, Torlesse became a surveyor working under Captain Thomas, chief surveyor for the Canterbury Association. Torlesse made the very first sketch map of Canterbury in 1849, illustrating the vast plains and resources that would draw Pākehā settlers to the area (Montgomery and McCarthy, 2004). He is said to have made the first ascent of a Southern Alps peak – now Mount Torlesse – by a Pākehā. He was a pretty cool bloke, more (t) or less (e).

Sketch map of the country intended for the settlement of Canterbury. Charles Obin Torlesse, 1849. Image: Wikimedia Commons. (Attentive readers will note the originally intended location of Christchurch at the head of Lyttelton Harbour. Inattentive readers GET NOTHING).

Sketch map of the country intended for the settlement of Canterbury. Charles Obin Torlesse, 1849. Image: Wikimedia Commons. (Attentive readers will note the originally intended location of Christchurch at the head of Lyttelton Harbour. Inattentive readers GET NOTHING).

The moustache:

Torlesse sported what is known as ‘friendly’ mutton chops, as popularised by Lemmy from Motorhead, and the general Burnside, for whom sideburns are named (seriously). These are not the distinctly un-friendly sideburns worn by Hugh Jackman/Wolverine, Elvis, and every jerk from the 70s. Ever the surveyor, Torlesse surveyed himself 75% facial hair, leaving the lower lip and jaw free for you to swipe right on Chinder.

8/10

charles_torlesse

Charles Obin Torlesse. He’s seen some things. Image: Wikipedia Commons.

John George Ruddenklau

The man:

John George Ruddenklau, his name is my name too. Ruddenklau was one of Christchurch’s early success stories, being a self-made man who worked his way up from an hotelier in 1864 to a retired hotelier in 1869, and from Mayor of Christchurch in 1881 to a retired former Mayor of Christchurch in the late 1880s. Ruddenklau’s City Hotel was successful enough that it had its own brand of dinnerware, which we have found on other hotel sites in Christchurch.

Fragments of a saucer, teacup and mask jug (with beard!), decorated with the City Hotel pattern and the initials J. G. R. Image: J. Garland.

Fragments of a saucer, teacup and mask jug (with beard!), decorated with the City Hotel pattern and the initials J. G. R. Image: J. Garland.

The beard:

Old J.G. had the kind of dense ruggedy beard typical of big deal businessmen in the 19th century, modern hipsters, and, er, delicious mussels. This particular photo of sad Ruddenklau shows just how he kept it so lush: it was well watered by his mayoral tears. Poor, sad-looking Ruddenklau.

John George Ruddenklau, blinging it up. Image: Wikimedia Commons.

John George Ruddenklau, blinging it up. Image: Wikimedia Commons.

Dr Alfred Charles Barker

The man:

Dr A.C. Barker was one of Christchurch’s earliest amateur photographers, and is responsible for many of the earliest photographs of our city. Here at Underlit Overexposed, we’ve used Barker’s photography to illustrate how useful even the most mundane details of these images are in terms of historical information. So feel free to continue to capture your messy room in the background of your selfies, or even better, just go take photos of street kerbs! For anyone that’s interested in either selfies or photographs as a historical resource in little old New Zealand, you can go here to listen to oral historian Rosemary Baird discuss that very thing.

The beard:

Speaking of selfies, Barker took a few himself.

Here, Barker poses nonchalantly with his camera equipment, while showing off some serious mutton chops. If Bigfoot photographic evidence was this clear, he would have his own talk show by now. But nobody would watch it because podcasts fill that place in society these days. Get with the future Bigfoot!

dr_a-_c-_barker

“To gild refined gold, to paint the lily, to shave the face, is just friggin silly”. Apologies to Tim Minchin. Image: Wikimedia Commons.

This photo shows Bigfoot later in life, with a big old beard. Or Barker, probably. By this stage, Barker’s beard is perfectly complimented by a faux-Shakespeare haircut, which you don’t see enough these days. “There’s many a man has more hair than wit” the bard said, but considering Barker’s beard, I’m not sure what that says.

Sir John Cracroft Wilson

The man:

Wilson was a pioneering figure in Christchurch, being a former British army officer in India, who brought a number of his Indian servants with him when he settled in Christchurch. Cashmere is named for Kashmir in India/Pakistan, where Wilson served, and the adjacent suburb of Cracroft is named for…something. I forget. We’ve talked about Wilson’s home, now gone, before, but Wilson’s stone servant’s quarters still stands, and small portion of a mighty drain built by WIlson’s Indian servants remains nearby. This is a rare example of a drain lined with dressed stone, because, well, the dude liked stone. And who can blame him.

Cracroft's stone-line drain. Image: K. Webb.

Cracroft’s stone-line drain. Image: K. Webb.

The beard:

Wilson lived into his blankety blanks, and had the rare opportunity to grow a solid white beard. But as can be seen in the photo, Wilson’s facia hair went beyond the simple Santa beard and itself slipped into the snowy fey realm from which that fatherly character came, becoming an almost imperceptible, ethereal beard-shaped hole between realities. Wilson’s ghostly beard and eerie floating face were perfectly suited to snow-bound late 19th century Christchurch. Wilson would prowl the snows, camouflaged by his beard, shielding his nose with his hand to sneak up on unknowing foxes and seals. Or I might be thinking of polar bears. It is now impossible to tell.

10/10

cracroft

Sir John Cracroft Wilson, slowly fading from this photograph. Quick, somebody play “Johnny B. Goode”. Image, Acland, 1975.

 

Show your support for Movember, by visiting its website. Show your support for moustaches in general by doing the finger guns to the next person you see with one. Pew-pew-pew!

References

Acland, L.G.D., 1975. The Early Canterbury Runs. Fourth ed. Christchurch, N.Z.: Whitcoulls Ltd.

McLintock, A.H., 1966. Stone Tools. In: An Encyclopedia of New Zealand. [online] Te Ara, The Encyclopedia of New Zealand. Available at: <http://www.teara.govt.nz/en/1966/maori-material-culture/page-8>.

Montgomery, R., and McCarthy, K., 2004. The map that made Canterbury – or, how a little-known sketch map by Charles Obins Torlesse was transformed into Canterbury Association advertising in London. Records of the Canterbury Museum, 18, pp.51–65.

Robley, H.G., 1896. Moko; or Maori Tattooing. London: Chapman and Hall Ltd.

 

[1] By me, just now, completely unfounded.